Jan Trepczyk

Jan Trepczyk (Kashubian: Jan Trepczik; 22 October 1907 in Strysza Buda, Kartuzy – 3 September 1989, in Wejherowo, Poland) was one of the most accomplished Kashubian poets, and also a songwriter, a Kashubian ideologist, lexicographer, and teacher. He was a member of the Regional Kashub Association of Kartuzy, of the "Zrzeszeńcy" ("associationists"), and of the Kashub-Pomeranian Association. He compiled a Polish-Kashubian Dictionary and co-founded the Kashub-Pomeranian Literature and Music Museum in Wejherowo.

Early years

Born as the youngest of the five children to a farmer couple of Jan and Berta (maiden name: Hebel), between 1914 and 1921, he attended elementary school in Mirachowo (first in German, later in the Polish language). It was where he met Aleksander Labuda for the first time. In 1921, he entered the state run Teacher's Seminary for Males in Kościerzyna. Here, one of his teachers was a priest, Leon Heyke, who instilled in Trepczyk interest in the Kashubian culture. Following his graduation, Trepczyk started teaching at an elementary school in Kartuzy. In 1927, he accepted a teaching position in Miszewo, near Żukowo.

During the summer of 1928, together with A. Labuda, he paid Dr. Majkowski a visit, and the latter soon became Trepczyk's spiritual mentor. Along with A. Labuda and A. Stoltmann, Trepczyk organized a teachers' conference in Kartuzy which culminated with the establishment of the regional Association of the Kashubs. Elected its secretary, he later became one of the most active members of the "Zrzeszeńcy" organization. In 1930, Trepczyk married Jan Rompski's sister Aniela, with whom he fathered Bogusława, Mirosława, Damroka, Sława, Świętopełek, and Mestwin. Also in 1930, he debuted as an author in the Chëcz Kaszëbskô periodical, concurrently publishing in Grif Kaszëbsczi and Zrzësz Kaszëbskô (later becoming its editor in chief.)

In 1934, Trepczyk was ordered to move to Rogoźno and a year later, to Tłukawy in Wielkopolska, as a result of the Polish government's attempt to weaken the local Kashubian establishment accused of separatist tendencies. While "banned" he released a tome of Kashubian songs; continuously publishing, he remained committed to his views on Kashubian matters.

World War II

September 1939 found Trepczyk in Tłukawy, where he was sentenced to live and work. In the summer of 1940, he returned to Kashubia, accepting a job as a cashier at the Sianowo's administration office. In Italy he associated with an Italian resistance unit. Later he joined the ranks of General Władysław Anders' Polish Army.

Personal life, work and Kashubian activism

In June 1946, he returned to Kashubia and resided in Wejherowo (first on Bukowa St., then Kopernika St.) Here, for 20 years he worked as a music teacher in the elementary school (school no. 4.). Apart from music, he also taught geography, arts, and mathematics. In 1951, following the death of his wife Adela, he married Leokadia Czaja, becoming a stepfather to her daughter, Zofia. He retired in 1967 and two years later moved to a new house on Zwycięstwa Street. He lived there with some of his family members until he died.

Following his post-WWII return to Kashubia, from the very beginning, Trepczyk supported local cultural and social affairs. He continued publishing in Zrzesz Kaszëbskô, Echo Ziemi Wejherowskiej, Kaszëbë, and later also in Pomerania and a few other periodicals. He wrote short novels and sketches, but chiefly poems and songs featuring his own and other authors' lyrics. His talent and melodic sense compensated for the lack of formal musical training, something that is prevalent especially in his choral compositions. Albeit better known for his singing skills, he also played piano and violin. Between 1952-54, he collected relics of Kashubian culture in villages and towns. While focusing on Kashubian literature and language (along with its grammar and vocabulary), he put forth an enormous effort to normalize its spelling. All in all, he soon became one of the most recognizable activists of the region.

In December 1965, while supporting the task of organizing the Kashub-Pomeranian Association, Trepczyk became president of its Wejherowo chapter. Finding for it a suitable downtown location, he expanded its engagement to include drama, music, lectures, and exhibitions. He asked to be relieved from his position at the Kashub-Pomeranian Association in 1961, following the accusations of holding separatist sentiments and sympathizing with German revisionists. Consequently, the organization he helped to establish, issued him a formal reprimand, thus temporarily crippling his cultural and artistic endeavors. Still, Trepczyk continued to write poetry and songs, patronizing the Wejherowo Sea Song Festival, instituting choirs and folklore groups, and striving to establish the Kashub-Pomeranian museum in Wejherowo. In 1967, he was awarded the "Stolem Medal" and in 1971, Poland's Golden Cross of Merit. He was harassed by the Polish Security Service. Rehabilitated to his former position at the Kashubian-Pomeranian Association, he led it for two more cadences (1967–1973).

Period of greatest activity

In the 1970s, for the first time after World War II, Trepczyk resumed publishing. He commenced with a volume of poems Mòja stegna (1970) followed by two song collections based on the work of a Lębork-native musician, Juliusz Mowiński, entitled Rodnô Zemia (1974). He published Mòja chëcz in 1978, and the children's rhymes called Ukłôdk dlô dzôtk in 1975. However, his main accomplishment of this period was a substantial volume of poetry titled "Òdecknieni", published in 1977 and consisting of more than 80 poems. The preface to the book was written by Tadeusz Bolduan, with Trepczyk's biography added by Edmund Puzdrowski. Òdecknienié was important for Kashubian literature. In 1979, Trepczyk became a member of the Polish Writers Association. In 1980, his Ukłôdk dlô dzôtk was republished, and the celebrated song collection Lecë choranko containing more than 80 songs was issued. Works by Trepczyk were also added to several anthologies, including the Kaschubische Anthologie (1973). In 1979, the author was honored by the publication of Pasja twórczego życia, dedicated to Marian Mokwa and Aleksander Labuda. At the end of 1986, Trepczyk became an honorary member of the Kashubian-Pomeranian Association.

Trepczyk's late years were spent very fruitfully. He kept writing poems, songs, and memoirs while continuing publishing. He conducted various choruses, often performing solo or in small groups with his wife, daughter Zofia, and son-in-law, Edmund Kamiński. He completed his great Polish-Kashubian Dictionary and was looking for a publisher (unfortunately he did not live to see the publication.) He claimed that Kashubian is a distinct language. He was also a translator of German texts into Kashubian language. Suffering from laryngeal cancer, he relied on a voice amplifier. In addition, toward the end of his life, he also suffered from shingles. He died suddenly on 3 September 1989 in Wejherowo, where he also is buried. His wife Leokadia died almost 10 years later, on 28 November 1998.

Legacy

Jan Trepczyk will remain to be known as one of the busiest contributors to Kashubian culture, a man full of enthusiasm, extensive interests, and many talents. In his poetry, he praised Kashubian landscapes, its history, and inhabitants. His songs, classic and melodic, inventive, full of honest emotion, humor, and sometimes exaltation are inimitable. Trepczyk's song collection consists of 133 recognized songs arranged mostly by Juliusz Mowiński and Zbigniew Szablewski. As a writer and lexicographer, he tried to preserve the riches of the Kashubian language, contributing to its vocabulary base by adding contemporary words (while retaining consistency with the language's demands), and many archaisms. His work in this area cannot be overrated and, arguably, matches that of Rev. Bernard Sychta. The remaining artistic legacy often becomes canvas for the artistic endeavors for the new generations of Kashubian artists. Similarly, his maxim, "Pòjmë w przódk z kaszëbizną" ("Held in forward with Kashubia") to this day reverberates in the hearts of the Kashubian activists.

Słownik Polsko-Kaszubski was published post mortem in 1994. It contains about 60 thousand entries and has an impressive addendum written by prof. Jerzy Treder. This dictionary is in Canada too. Republished in 1997, in its augmented version, was Trepczyk's song collection "Lecë choranko" accompanied by an audio cassette including 27 songs while in 2004 some of these songs were released on a CD entitled "Mòrze: Kaszubskie piesni o morzu." On 18 June 2004, Miszewo Elementary School, were Trepczyk had been a teacher for seven years, was given his name. Similarly, the Wejherowo Singing Association added Trepczyk's name as an integral part of its name designation. In fact, the Wejherowo Singing Association's debut performance took place in Miszewo during the school's name change ceremony.

Due to the various anniversary celebrations, Trepczyk's name kept returning to public conscience fairly regularly. Streets in Wejherowo, Rumia, and Bolszewo have been renamed to commemorate Trepczyk; he is also present in newspapers and periodicals. In 2008, his biography was released in "Feliks Marszalkowski i inni Zrzeszincy a rozwój jezyka oraz literatury kaszubskiej." The 20th Sea Song Festival was the justification to the release of Trepczyks' two song collections arranged for solo vocalist and chorus ("Hej mòrze, mòrze" and "Marika"). At the same time an anthology was released, titled "Jubileusz Ogólnopolskich Festiwali Piesni o Morzu w Wejherowie (1966-2008)", summing the songs performed at various festivals with the sea theme. As evident in this work, Jan Trepczyk is the most popular composer in this category. A comprehensive biography of the author is being prepared by E. Kamiński. He has made important contributions to the revival of Kashubian as a written language, and greatly influenced the cultural milieu in Kashubia. (SC) (transl. yurekh)

Publications

His works were part of following anthologies:

See also

Bibliography

Most sources are in Polish.
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