Javier Álvarez (composer)

Javier Álvarez

Javier Álvarez in 2002
Born Javier Álvarez Fuentes
(1956-05-08) May 8, 1956
México City, México
Residence Mérida, Yucatán, México
Nationality Mexican & British
Alma mater The City University, UK
Awards Premio Nacional de Ciencias y Artes 2013, Medalla Bellas Artes 2014, Medalla Mozart 2000, The Mendelssohn Scholarship 1986
Website www.temazcal.co.uk

Javier Álvarez Fuentes (born May 8, 1956, Mexico City) is a Mexican composer who is known for creating works that combine a variety of international musical styles and traditions that often utilize unusual instruments and new music technologies. According to composer John Adams, "The music of Javier Alvarez reveals influences of popular cultures that go beyond the borders of our own time and place." Álvarez is one of the best-known Mexican composers of his generation and many of the works in his prolific oeuvre combine music technology with diverse instruments and influences from around the world.

Life and career

Born in Mexico City in 1956, Álvarez studied clarinet and composition with Mario Lavista before moving to the United States in the early 1980s and subsequently to Great Britain, where he attended the Royal College of Music and the City University in London. His first electroacoustic works date from this time, such as Temazcal (1984). In this contemporary classic, Alvarez unexpectedly pits a pair of maracas against a complex electroacoustic backdrop. Mannam (1992) takes its inspiration from the other side of the globe and the ancient Korean zither, kayagum. Winner of a 1993 Prix Ars Electronica distiinction, Mannam blends and juxtaposes elements of Korean music with materials and performance techniques drawn from the Mexican folk harp. Offrande (2001), a more recent work, offers an intriguing mix of Caribbean steel pans and electronically processed rhythmic patterns.

A number of Alvarez’s works incorporate elements from Latin American dance genres, like the mambo. In Mambo a la Braque (1991), he creates an electroacoustic collage of musical segments drawn from Cuban mambo composer Dámaso Perez Prado’s “Caballo Negro” (Black Horse). On a larger scale, Alvarez’s Papalotl (1987), for piano and electroacoustic sounds, makes reference to the wider world of dance through its use of complex rhythmic patterns in a carefully synchronized duet between pianist and electroacoustics. The resulting vibrant toccata won its composer the 1987 ICEM Prize in Paris as well as awards from the Bourges International Festival and Austria’s Prix Ars Electronica. Amongst his orchestral and concerti output, Geometría Foliada (2003), written as a concerto for the Cuarteto Latinoamericano, reminisces on the vernacular, but assimilates its influences in an evocative self-invented imaginary folklore.

His works have been performed throughout the world by such ensembles as the Chicago Symphony Orchestra, the London Sinfonietta, the Los Angeles Philharmonic, the Mexico City Philharmonic, and the Orchestre National de France among others. He also notably composed the music for Guillermo del Toro's acclaimed 1993 horror film Cronos. A graduate of the Royal College of Music and City University London, Álvarez has received numerous prizes and honors including a Mendelssohn Scholarship, the Lionel Robbins Award, a Gemini Fellowship, the ICEM Prize (1987), Austria’s Prix Ars Electronica (1993), and awards at the Bourges International Festival. From 1993 to 1999 he was a Fellow of the Mexican Endowment for the Arts and Culture. He was a founding member of Sonic Arts Network and served as the Artistic Director of the Society for the Promotion of New Music in 1993. He has been a member of the music faculties of the City University London, the Guildhall School of Music and Drama, the Malmö Music Academy, the Royal College of Music, and the University of Hertfordshire.[1]

After 25 years living in England he returned to Mexico where he became the founding director of the Musical Arts Department of the Escuela Superior de Artes de Yucatán. After a period serving as Dean of the Conservatorio de Las Rosas in Morelia, Michoacán, he is now living in Mérida, in Yucatan, combining activities as a freelance composer and project animateur.[2]

Music Works

Solo and chamber works

Large chamber ensembles

Soloist and orchestra

Orchestra

Voice and instruments

Choir and ensemble / orchestra

Opera

Electroacoustic

Film and dance

Feature. Directed by Guillermo del Toro. Produced by Iguana Producciones and Ventana Films.Mexico and Los Angeles 1992. Prix de la Critique, Cannes 1993.

Animation. Directed by William Latham. Produced by the Royal College of Art, London 1985.

Computer Animation by William Latham. Produced by the Royal College of Art, London 1987.

composed for Sue Maclennan and Dancers. London. Commissioned by the Arts Council of Great Britain and produced by Sue Maclennan and Dancers and Chisenhale Dance Space. London. 1988.

References

  1. ↑ Biography of Javier Álvarez at londonsinfonietta.org
  2. ↑ Biography of Javier Álvarez at temazcal.co.uk

External links

This article is issued from Wikipedia - version of the Sunday, May 01, 2016. The text is available under the Creative Commons Attribution/Share Alike but additional terms may apply for the media files.