Jean Michel Massing

Jean Michel Massing is a French art historian. He has taught at the University of Cambridge since 1977.

Biography

Professor Jean Michel Massing was born in 1948, the son of Adrienne and Joseph Massing, mayor of Sarreguemines (1953-1967). After receiving a baccalauréat in philosophy in 1967, he continued his studies at the University of Strasbourg, where he graduated in Archaeology and History of Art in 1971. He then completed a master's degree with a thesis on the Temptations of St Anthony (1974). His Doctorat ès lettres (1985) focused on the iconography of the Calumny of Apelles. From 1974 to 1977 Massing had a scholarship at the Warburg Institute of London.[1] In 1975, he married Ann, a painting restorer and painting conservation historian, who taught at the Hamilton Kerr Institute from 1978 to 2006.[2] Since 1977, Jean Michel has taught in the Department of History of Art at the University of Cambridge, first as Assistant Lecturer (1977-1982), then Lecturer (1982-1997), Reader (1997-2004) and Professor in History of Art in 2004. He was Head of Department from 1996 to 1998 and from 2012 to 2014.[3] He was elected a Fellow of King's College, Cambridge in 1982,[4] and a Fellow of the Society of Antiquaries in 1991. He has been a Syndic of the Fitzwilliam Museum since 1998,[5] a Trustee of the Stained Glass Museum, Ely since 2003[6] and was a Committee Member of Kettle’s Yard from 2012-2014.[7] He was made Chevalier (1995) then Officer (2005) in the Ordre des Arts et des Lettres, French Order of Arts and Letters.

He has published widely on numerous topics, including Classical art and its influence from Antiquity to the Renaissance, astrological imagery, religious imagery (especially the Temptations of St. Anthony, from Schongauer to Bosch) and various learned iconographies, for example the Ars memorativa, the emergence of the emblem and emblematic symbolism. More recently he has been working on African art from the sixteenth- to the nineteenth-centuries, on the relationships between European and non-European cultures from the Middle Ages to the nineteenth century, and on Micronesian art, with articles on the history of cartography and the representations of foreign lands and peoples. Central to his current research is also the image of people of African origin in western art. He has been a major contributor to large exhibitions, such as Circa 1492: Art in the Age of Exploration[8] and Encompassing the Globe: Portugal and the World in the 16th and 17th centuries.[9]

He has published and edited the following books: Du texte à l'image. La Calomnie d'Apelle et son iconographie,[10] Splendours of Flanders, Late Medieval Art from Cambridge Collections,[11] Etudes offertes à Jean Schaub. Festschrift Jean Schaub,[12] Erasmian Wit and Proverbial Wisdom. An Illustrated Moral Compendium for François 1er,[13] Studies in Imagery: Text and Images,[14] Studies in Imagery: The World Discovered,[15] Triumph, Protection & Dreams: East African Headrests in Context,[16] The Slave in European Art: From Renaissance Trophy to Abolitionist Emblem,[17] Marfins no Impéro Português/Ivories of the Portuguese Empire,[18] and King's College Chapel, 1515-2015: Art, Music and Religion in Cambridge.[19]

References

  1. ↑ University of Cambridge
  2. ↑ Hamilton Kerr Institute
  3. ↑
  4. ↑ "Jean Michel Massing , Fellow in History of Art, King's College, Cambridge". cam.ac.uk. Retrieved 6 May 2015.
  5. ↑ "The Fitzwilliam Museum : Administration". cam.ac.uk. Retrieved 6 May 2015.
  6. ↑ "THE STAINED GLASS MUSEUM TRUST". opencharities.org. Retrieved 6 May 2015.
  7. ↑ Kettle's Yard Committee
  8. ↑ Circa 1492. Art in the Age of Exploration, Jay A. Levenson ed., Exhibition catalogue, Washington, The National Gallery of Art, 12 October 1991 – 12 January 1992, Washington, New Haven etc. 1991, pp. 26-33.
  9. ↑ Encompassing the Globe: Portugal and the World in the 16th & 17th Centuries, 2: Reference Catalogue, Jay A. Levenson ed., Exhibition catalogue, Washington, DC, Arthur M. Sackler Gallery in partnership with the National Museum of African Art, 24 June – 16 September 2007
  10. ↑ Du texte à l'image. La Calomnie d'Apelle et son iconographie, Strasbourg 1990, 551 pp.
  11. ↑ Splendours of Flanders. Late Medieval Art from Cambridge Collections, Exhibition catalogue, Cambridge, Fitzwilliam Museum, 13 July – 19 September 1993, Cambridge 1993, 240 pp.
  12. ↑ (ed., with Jean-Paul Petit Etudes offertes à Jean Schaub. Festschrift Jean Schaub, (Blesa, I) Metz 1993, 410 pp.)
  13. ↑ Erasmian Wit and Proverbial Wisdom. An Illustrated Moral Compendium for François 1er, (Studies of the Warburg Institute, 43), London 1995, 212 pp. and 47 ills.
  14. ↑ Studies in Imagery, I: Texts and Images, London 2004
  15. ↑ Studies in Imagery, II: The World Discovered, London 2007.
  16. ↑ With Sally-Ann Ashton, Triumph, Protection & Dreams: East African Headrests in Context, Exhibition catalogue, Cambridge, The Fitzwilliam Museum, Cambridge 2011, 70 pp.
  17. ↑ Edited, with Elizabeth McGrath, The Slave in European Art: From Renaissance Trophy to Abolitionist Emblem, (Warburg Institute Colloquia, 20), London 2012, X and 386 pp., with 157 figs and 15 colour plates. (esp. Preface, pp. IX-X).
  18. ↑ Marfins no Impéro Português/Ivories of the Portuguese Empire, with Gauvin Alexander Bailey and Nuno Vassallo e Silva, Lisbon 2013, 296 pp.
  19. ↑ (ed., with Nicolette Zeeman), London / Tornhout 2014.
This article is issued from Wikipedia - version of the Friday, February 26, 2016. The text is available under the Creative Commons Attribution/Share Alike but additional terms may apply for the media files.