Jennie C. Jones

Jennie C. Jones
Born Cincinnati, Ohio
Alma mater School of the Art Institute of Chicago; Mason Gross School of the Arts, Rutgers University
Website http://www.jenniecjones.com/

Jennie C. Jones (born 1968 in Cincinnati, Ohio) is an African-American artist living and working in Brooklyn, New York. Her work has been described, by Ken Johnson, as evoking minimalism, and paying tribute to the cross-pollination of different genres of music, especially jazz.[1] As an African-American artist, she connects most of her work between art and sound. In 2012, Jones was the recipient of the Joyce Alexander Wien Prize,[2] one of the biggest awards given to an individual artist in the United States. The prize honors one African-American artist who has proven their commitment to innovation and creativity, with an award of 50,000 dollars.[3] In December 2015 a 10-year survey of Jones's work will open at the Contemporary Arts Museum in Houston, Texas.[4]

Education

Jennie C. Jones received her BFA at The School of the Art Institute of Chicago, in 1991. She then graduated from Mason Gross School of the Arts at Rutgers University, earning her MFA in 1996. In the summer of 1996, Jones was a participant at Skowhegan School of Painting and Sculpture.[5]

Work

Jones is a visual and sonic artist whose paintings, sculptures, and works on paper incorporate ideas around minimalism, abstraction, Jazz, and Black history. Valerie Cassel Oliver noted in her “Outside The Lines,” catalogue essay, that “working in painting as well as sound, she has mined the politics, culture and aesthetic innovations of the mid-20th century and has emerged with sharp criticisms and astute queries that are now embedded in the work. Jones’s work challenges us to understand the frameworks of modernism, which embraced black musical forms but excluded black visual art from its canon".[6] During Absorb / Diffuse, her fall exhibition at The Kitchen in New York City, Jones presented a piece titled From The Low, which is a sound piece that has multiple music samples, ranging from jazz to modern electronica. From The Low presents her political statement: that African-American artists and musicians are absent from modernism.[7] The samples used in this sound piece have been "given a new context, perhaps to be classified in a category of black minimalism".[8]

The audio pieces are constructed using traditional sound editing methodologies and often have their origin in historic recordings. With the amalgamation of industrial acoustic materials, often used in recording studios and listening rooms, Jones's art focuses on building a bridge between two-dimensional works, architecture, and sound. Jennie has stated that "conceptualism allows these different media to occupy the same space.”[9]

Exhibitions

Jones's work has been exhibited from all over the world.[10] One of her first notable New York City group shows was "Freestyle" at the Studio Museum in Harlem, a show that included artists such as Sanford Biggers, Mark Bradford, Julie Mehretu, and Rashid Johnson.[11]

Selected solo exhibitions

Selected group exhibitions

Fellowships and residencies

Awards

Collections

References

  1. ↑ Johnson, Ken (July 30, 2010). "ART IN REVIEW Jennie C. Jones: ‘Electric’". The New York Times. Retrieved 7 March 2015.
  2. ↑ Joyce Alexander Wien Prize
  3. ↑ "Studio Museum announces 2012 Joyce Alexander Wein Artist Prize awarded to Jennie C. Jones". artdaily.org. Art Daily. Retrieved 7 March 2015.
  4. ↑ "Jennie C. Jones Biography". Sikkema Jenkins Co. Retrieved 7 March 2015.
  5. ↑ Gwinn, Liz. "2012 Joyce Alexander Wein Artist Prize awarded to Jennie C. Jones" (PDF). www.studiomuseum.org. The Studio Museum. Retrieved 2015.
  6. ↑ Cassel Oliver, Valerie (2014). Outside the Lines. Houston, Texas: Houston: Contemporary Arts Museum. p. 145. ISBN 9781933619460. Retrieved 7 March 2015.
  7. ↑ "Jennie C. Jones | Artspace". Artspace. Retrieved 2016-03-09.
  8. ↑ "BOMB Magazine — Jennie C. Jones by Stephen Vitiello". bombmagazine.org. Retrieved 2016-03-09.
  9. ↑ Kennedy, Randy. "$50,000 Art Prize for Brooklyn Painter and Sculptor". The New York Times. Retrieved 7 March 2015.
  10. ↑ Gwinn, Liz. "Communications Manager" (PDF). www.studiomuseum.org. The Studio Museum. Retrieved 22 February 2015.
  11. ↑ Thompson, Donna (2001). "FREESTYLE: Review by Donna Thompson". artwomen.org. Art Women. Retrieved 22 February 2015.
  12. ↑ Briscoe, Scott. "Jennie C. Jones Exhibition Page". www.sikkemajenkins.com. Sikkema Jenkins Co. Retrieved 23 February 2015.
  13. ↑ "Higher Resonance Exhibition". www.hirshhorn.si.edu. The Hirshhorn. Retrieved 23 February 2015.
  14. ↑ Morales, Julio César. "Interview with Jennie C. Jones". ybca.org. Yerba Buena Center for the Arts. Retrieved 23 February 2015.
  15. ↑ The Studio Museum in Harlem. "Absorb/Diffuse – Jennie C. Jones at The Kitchen". www.studiomuseum.org. Retrieved 23 February 2015.
  16. ↑ "Jennie C. Jones". www.lawrimoreproject.com. Lawrimore Project. Retrieved 23 February 2015.
  17. 1 2 3 4 "Jennie C. Jones – Exhibitions" (PDF). www.sikkemajenkins.com. Sikkema Jenkins Gallery. Retrieved 22 February 2015.
  18. ↑ "SikkemaJenkins&Co:Artists:Jennie C. Jones". Sikkema Jenkins & Co. Retrieved 15 March 2016.
  19. ↑ "Grantee List". Art Matters Foundation. Retrieved 23 February 2015.

External links

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