Jerry Dolyn Brown

This article is about Jerry Brown, the Alabama folk artist and traditional potter. For other people named or nicknamed Jerry Brown(e), see Jerry Brown (disambiguation).
Jerry Dolyn Brown

Jerry Brown and face jugs, December 15, 2009
Born (1942-11-09)November 9, 1942
Pine Springs, Lamar County, Alabama, United States
Died March 4, 2016(2016-03-04) (aged 73)
Tupelo, Mississippi, United States
Nationality American
Education Ninth generation Traditional artist
Known for Stoneware pottery
Movement Southern Traditional
Awards National Heritage Fellowship, Alabama Folk Heritage Award

Jerry Dolyn Brown (November 9, 1942 – March 4, 2016), better known as Jerry Brown, was an American folk artist and traditional stoneware pottery maker who lived and worked in Hamilton, Alabama. He was a 1992 recipient of the National Endowment for the Arts National Heritage Fellowship award[1][2] and 2003 recipient of the Alabama Folk Heritage Award.[3] His numerous showings included the 1984 Smithsonian Festival of American Folklife with his uncle, potter Gerald Stewart.[4]

Biography

Brown is a ninth generation traditional potter, the son of Horace Vincent "Jug" Brown and Hettie Mae Stewart Brown. He learned his art in childhood but had to give it up following the deaths of his older brother Jack and his father in 1964 and 1965. He worked in logging for nearly twenty years but then aided by his wife Sandra, his uncle Gerald Stewart and other family members was able to return to art in the early 1980s, building his studio from an old barn. Gerald in particular helped him re-learn techniques he had forgotten during the years in logging and it was Gerald who went with him to the Smithsonian Festival of American Folklife. Sandra and Jerry continue to work together. She is responsible for much of the glazing, finishing and marketing, as well as much of the sculpture of the faces on the face jugs. She has the reputation of being "the most active female folk potter in Alabama".[4] He died on March 4, 2016 in Tupelo, Mississippi after a brief illness.[5]

Studio

As inheritor of both Brown and Stewart pottery traditions[2] Brown produced utilitarian stoneware in the nineteenth and early twentieth century styles as well as to create innovations for more modern usages, such as his apple baking dishes, chicken cookers and microwave bacon cookers.[6] However much of his critical acclaim centered on recognition of his unique style of whimsical art, especially face jugs. (According to his mother he had learned the basics of whimsical pottery making from his father, as the Stewarts did not have a face jug tradition.)[4]

Despite use of some modern equipment such as an electric kiln for firing some types of glazes and use of powered throwing wheels, he continued to use traditional methods such as digging his own clay, maintaining a mule to power his pug mill and firing most of his work in a brick kiln. Other Brown family traditions include the use of a chicken feather to apply some of the glazing patterns, the use of broken pots for teeth in the face jugs, the practice of a two piece method for large vessels and the use of wheel and handshaping techniques for complex pieces instead of slip casting.[3][4]

Notes

  1. "(list of) NEA National Heritage Fellowships". National endowment for the Arts. Retrieved November 1, 2009.
  2. 1 2 "(NEA profile for) Jerry Brown". National endowment for the Arts. Retrieved December 19, 2009.
  3. 1 2 "Jerry Brown". Biographies of past recipients of the Alabama Folk Heritage Award. The Alabama State council on the Arts. Retrieved November 1, 2009.
  4. 1 2 3 4 "Roots Deep in Southern Clay: Alabama’s Jerry Brown" (PDF). The Alabama State Council on the Arts. Retrieved November 1, 2009.
  5. http://www.al.com/news/huntsville/index.ssf/2016/03/alabama_pottery_maker_jerry_br.html
  6. Listing of Brown pottery - menu on left

See also

Stoneware tea pot created by artist Jerry Dolyn Brown of Hamilton, Alabama in June, 2009.

External Resources

Encyclopedic references

This article is issued from Wikipedia - version of the Sunday, March 06, 2016. The text is available under the Creative Commons Attribution/Share Alike but additional terms may apply for the media files.