Jesús Rafael Soto
| Jesús Rafael Soto | |
|---|---|
.jpg) | |
| Born |
June 5, 1923 Ciudad Bolívar |
| Died |
January 14, 2005 (aged 81) Paris |
| Nationality | Venezuelan |
| Education | Escuela de Artes Plasticas y Aplicadas |
| Notable work | Penetrables |
| Movement | Kinetic and Op Art |
Jesús Rafael Soto (June 5, 1923 - January 14, 2005) was a Venezuelan op and kinetic artist, a sculptor and a painter.[1][2]
Early life and education
Soto was born in Ciudad Bolívar, Venezuela. He began his artistic career as a boy painting cinema posters in his native city. He received his artistic training at the Escuela de Artes Plásticas y Artes Aplicadas in Caracas.[3]
Work
Soto directed the Escuela de Artes Plasticas in Maracaibo from 1947 to 1950, when he left for Paris and began associating with Yaacov Agam, Jean Tinguely, Victor Vasarely, and other artists connected with the Salon des Réalités Nouvelles and the Galerie Denise René. Soto's breakthrough works of the 1950s and 1960s were "geometric abstract paintings, using a limited and carefully selected array of flat colors."[4] Caroni, for example, is a minimalist arrangement of static geometric forms in unmodulated silver, blue, and black inks on white paper.[5]
Soto created the so-called Penetrables, interactive sculptures which consist of square arrays of thin, dangling tubes through which observers can walk. Soto made over 25 Penetrables in his career.[6] It has been said of Soto's art that it is inseparable from the viewer; it can only stand completed in the illusion perceived by the mind as a result of observing the piece.
In 1973, the Jesús Soto Museum of Modern Art opened in Ciudad Bolívar, Venezuela with a collection of his work. The Venezuelan architect Carlos Raúl Villanueva designed the building for the museum and the Italian op artist Getulio Alviani was called to direct it. Unlike conventional art galleries, a large number of the exhibits are wired to the electricity supply so that they can move.
Some of Soto's work adorns Caracas' main arts centre, the Teresa Carreño Cultural Complex.
Jesús Rafael Soto died in 2005 in Paris, and is buried in the Cimetière du Montparnasse.
Exhibitions
From 1970 until the early 1990s, Soto's works appeared in places such as the Museum of Modern Art and the Guggenheim Museum in New York City, as well as the Centre Georges Pompidou in Paris.[7] In 2001, he participated in the SITE Santa Fe biennial.[8]
Collections
Works by Jésus Rafael Soto are included in the collections of the Museum of Modern Art, New York; Solomon R. Guggenheim Museum, New York; the Blanton Museum of Art, Austin; Tate Gallery, London; Stedelijk Museum, Amsterdam; Museum Boymans-van Beuningen, Rotterdam; Royal Museum of Fine Arts of Belgium, Brussels; Museo Nacional de Bellas Artes, Buenos Aires; the Jésus Rafael Soto Museum of Modern Art, Ciudad Bolívar, Venezuela; Museo de Bellas Artes, Caracas; Musée d’Art Moderne de la Ville de Paris, Paris; and Hara Museum of Contemporary Art, Tokyo; Musei Vaticani, Vatican, Italy.[9]
See also
References
- ↑ http://www.rogallery.com/Soto_Raphael/soto-bio.html
- ↑ Edelist, Sydney (June 22, 2011). "PHOTOS: Kinetic Art Of Jesus Rafael Soto". Huffington Post.
- ↑ Jesus Rafael Soto Marlborough Fine Art.
- ↑ Morgan, Robert (April 2012). "Soto: Paris and Beyond 1950–1970". The Brooklyn Rail.
- ↑ Fred B. Adelson (April 20, 2003), The Vitality of Printmaking, The Latin American Way New York Times.
- ↑ Hilarie M. Sheets (May 7, 2014), A Romp in Gossamer, 8 Tons’ Worth New York Times.
- ↑ http://www.artnet.com/Galleries/Artists_detail.asp?gid=914&aid=24248
- ↑ Michael Rush (July 8, 2001), In Santa Fe, Searching for the Meaning of Beauty New York Times.
- ↑ Jesus Rafael Soto Marlborough Fine Art.
External links
 |
Wikimedia Commons has media related to Jesús Rafael Soto. |
| ||||||||||||
|