Jesús Papoleto Meléndez

Jesús Papoleto Meléndez
Born (1950-06-13) June 13, 1950
Ethnicity Puerto Rican
Occupation American poet, playwright, activist
Website http://www.papoleto.com
Jesus Papoleto Melendez on the roof of his building on East 111th Street in East Harlem New York City
Jesus Papoleto Melendez on the roof of his building on East 111th Street in East Harlem New York City

Jesús Papoleto Meléndez ("Papo") (June 13, 1950) is a New York-born Puerto Rican award-winning poet most associated with the Nuyorican movement. He is also a playwright, teacher and activist.

Early years

Affectionately known as "Papo," he was born and raised in El Barrio (also known as “East Harlem” or “Spanish Harlem,” located in the upper east side of Manhattan), of Puerto Rican parents who migrated to the mainland in search of a better life for their family. Growing up with three sisters and one brother, Papo, the middle kid in the family, acquired a penchant for looking at things from a different perspective. Attending the public schools of his neighborhood, Meléndez became interested in writing at a young age, and participated in his first poetry reading when he was 19 years old.[1]

Career

Meléndez emerged onto the New York City scene at the right place at the right time. He published his first poem, “Message To Urban Sightseers” in Talkin' About Us (NY, 1969). He went on to publish his first volumes of poetry, Casting Long Shadows (NY, 1970), Have You Seen Liberation (NY, 1971), and Street Poetry & Other Poems (Barlenmir House, NY 1972), which firmly established Meléndez in the Nuyorican community. During the 1970s, he worked as a teacher-poet for Teachers & Writers Collaborative, a then relatively new organization founded by a group of writers and educators who believed that writers could make a unique contribution to the teaching of writing.

Nuyorican Poets Café & the Nuyorican Movement

Meléndez is credited as one of the original founders of the Nuyorican Movement. Headquartered in New York City in El Barrio, the movement evolved during the late 1960s and forged a distinctly "Nuyorican" aesthetic and consciousness. Meléndez' early and close collaboration with poets and writers such as Miguel Algarín, Pedro Pietri, Sandra Maria Esteves, Miguel Piñero, Lois Elaine Griffith, Ntozake Shange and Tato Laviera contributed to the founding of the Nuyorican Poets Café in Manhattan's Lower East Side, which helped to foster a fertile environment for an emerging generation of Puerto Rican writers, scholars and artists raised predominantly in New York.[2] He also began a working relationship with fellow poet, Pedro Pietri, a collaboration that became central to furthering his artistic output and would last until Pietri's death in 2004.

"The Junkies Stole The Clock"

Meléndez' play, The Junkies Stole The Clock, is notable as the first Latino play produced by the New York Shakespeare Festival The Public Theater’s Nuyorican Playwright’s Unit. Directed by Hector Elias, the original play was produced in April 1974. In 1997, Veronica Caicedo directed and produced an updated version of The Junkies Stole The Clock at the Clemente Soto Vega Cultural Center in New York City.[3]

Writing Style

Meléndez employs innovative narrative themes and forms in his creative works, including “Spanglish,” the back and forth shift between English and Spanish within a framework that is predominately English. As Meléndez' work continued to expand linguistic and conceptual parameters, he developed a distinct written form of word-visualization he calls “Cascadance.” Instead of writing poems "flush left," Meléndez' poetry "jumps from the page" and becomes a melodic processional sound of syllables. The words "cascade" down the page in a form of dance, and the words "play" with their associations to the words around them, becoming "visual poetry." Below is an example from the poem "¡Hey Yo / Yo Soy!":

Que Mis Raices Son
                          de Ése, Ése
      Nativo Taino
                Indijino
             de Paraiso,
                          bailando rítmo
                                     rítmo Africano,

Teaching career

A poetry-facilitator working in the public schools, Meléndez' career spans over 30-years, during which time he has coordinated many successful "Poetry/Creative Writing" workshops, affecting the lives of thousands of young people. He has developed a unique program that offers cross-curriculum creative writing experiences, emphasizing poetic form and expression, while merging computer desktop publishing techniques and technology in the classroom. Having taught for the San Diego and Los Angeles Unified School Districts in California, and for the California Poets In The Schools program in San Francisco, when he returned to New York Meléndez taught for WritersCorps and Teachers & Writers Collaborative, where his teaching career had begun. Meléndez has since worked for the East Harlem Tutorial Program and the Union Settlement Association Adult Education Program, located in the East Harlem community he loves.

Later Years

By 1980, disillusioned by the politics of the city, Meléndez left New York for California where he continued to write, perform, teach and eventually published the poetry collection, Concertos On Market Street in 1993, merging his Nuyorican melodies with a Southern California sensibility.

Most significantly in these years he formed the musical group “Exiled Genius,” with Eugene Mingus on piano, and M’Chaka Uba on bass, a trio that combined the tradition of jazz spontaneity and precision with the natural melody of the poetic voice in poetry/jazz collaboration. "Exiled Genius" performed at several festivals throughout San Diego, Los Angeles and Baja, California, Tijuana, México and has opened for such artists as Tito Puente, Urban Bush Women and The Art Ensemble of Chicago.

When Meléndez returned to New York in the mid-1990s, he continued teaching, participating in community projects, writing new works, and performing at prestigious venues throughout the United States. He also formed “Nuyorican School – Original Poetry Jazz Ensemble” in 1997 with Americo Casiano. Now an elder statesman of the Nuyorican poetry scene, Meléndez has become a mentor for upcoming poets and writers that follow the Nuyorican tradition.

Meléndez is currently working on his long-awaited forthcoming book, Hey Yo / Yo Soy!, 40 Years of Nuyorican Street Poetry, The collected works of Jesús Papoleto Meléndez, VOLUME NO. 1, an omnibus of his early poetry collections Casting Long Shadows, Have You Seen Liberation, and Street Poetry & Other Poems. Due for publication Fall 2012, the collection includes Spanish translations by Adam Wier, Marjorie Gonzalez and Carolina Fung Feng, with an introduction by Sandra Maria Esteves, and an afterword by Shaggy Flores.[4]

Honors, Awards

Meléndez is a recipient of the Union Settlement Association "Innovation Award" (2011); The 1st Annual "El Reverendo Pedro Pietri Hand Award" in Poetry (2006); El Spirit Republic de Puerto Rico, El Puerto Rican Embassy; The Universes Poetic Ensemble Company Award in Appreciation of Inspiration & Commitment to the Development of the Company (2006); The Louis Reyes Rivera Lifetime Achievement Award (2004); a 2001 New York Foundation for the Arts Fellowship in Poetry; an Artist for Community Enrichment Award (ACE) from the Bronx Council on the Arts (1995); and a Combo (Combined Arts of San Diego) NEA Fellowship in Literature (1988).[5]

Bibliography

Anthologies

Textbooks

Literary Journals

Further Reading, Audio & Videos

References

  1. ↑ David, Gabrielle. "Finding the Real Papo". phati'tude, Conversations in Literature. The Intercultural Alliance of Artists & Scholars, Inc. (IAAS). Retrieved 24 June 2012.
  2. ↑ "History of the Nuyorican Poets Cafe". Nuyorican Poets Cafe. Retrieved 25 June 2012.
  3. ↑ "Junkies Stole The Clock". Caciedo Productions. Retrieved 29 June 2012.
  4. ↑ "Celebrated Poet Jesús Papoleto Meléndez Joins 2Leaf Press’ Author Roster". 2Leaf Press. Retrieved 26 June 2012.
  5. ↑ "Select Poems by Jesús Papoleto Meléndez". Boricua Poetry. Retrieved 25 June 2012.

External links

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