Joan Morgan (author)

Joan Morgan is an American author and award winning journalist. She was born in Jamaica and raised in the South Bronx. Morgan began her journalist career at The Village Voice.^[1] She graduated from Wesleyan University and was an instructor at The New School, Duke University, Vanderbilt University and Stanford University.^[2] Morgan is currently pursuing her PH.D in American Studies at New York University.

Career

Morgan has worked numerous places within her professional writing career. She was an original staff writer for the magazine Vibe and also worked with Spin as a columnist and an editor. Morgan also wrote for Working Mother, More, Ms, Interview, and GIANT . She also worked with Essence as an executive editors.^[3] In 1991, Morgan work with The Village led her to be offer the position of covering the Mike Tyson rape trial. The coverage of the trial help Morgan to receive her first award the Excellence Merit Award from the National Women's Political Caucus.^[4] Morgan coined the phrase "hip hop feminist"^[5] in 1999, through her groundbreaking book "When Chickenheads Come Home to Roost ".^[6] In 2013, she taught a class at Stanford University titled "The Pleasure Principle: A Post-Hip Hop Search for a Black Feminist Politics of Pleasure".^[7]

A Paradise out of a Common Field: The Pleasures and Plenty of the Victorian Garden

Joan Co-Authored this book with Alison Richards in 1990.

When Chickenheads Come Home to Roost

Joan Morgan's most famous work is found in her 1999 book: When Chickenheads Come Home to Roost in which she examines the complexities of feminism for women who have grown up with hip hop. She examines the perceived hypocrisies in being a feminist woman who supports black male-centric movements like Farrakhan's Million Man March and hip-hop - which she argues has many male-centric elements. She explores the dynamic of ascribing to feminism while simultaneously enjoying some aspects of patriarchal culture, focusing on how one balances and reconciles these seemingly conflicting ideas. She asks herself questions like "Can you be a good feminist and admit out loud that there are things that you kinda dig about patriarchy?" and "Suppose you don't want to pay for your own dinner, hold the door open, fix things, move furniture, or get intimate with whatever's under the hood of a car"? She additionally cites hip-hop artists such as R. Kelly, Jodeci, Lil' Kim, and Queen Latifah as vehicles through which she makes her point about some of the dualities that come with feminism.^[8]

References

1. "Joan Morgan". Joan Morgan. Retrieved 23 September 2015.
2. "Joan Morgan". stanford.edu - Institute for Diversity Arts. Retrieved November 11, 2014.
3. "Hip-Hop Feminist Journalist Joan Morgan Discusses the Changing Dynamics of Race and Ethnicity in America". Carleton. Carleton College. Retrieved 23 September 2015.
4. "Hip-Hop Feminist Journalist Joan Morgan Discusses the Changing Dynamics of Race and Ethnicity in America". Carleton College. Retrieved 23 September 2015.
5. "Joan Morgan | Institute for Diversity in the Arts". diversityarts.stanford.edu. Retrieved 2016-02-06.
6. "Nonfiction Book Review: When Chickenheads Come Home to Roost: A Hip-Hop Feminest Breaks It Down by Joan Morgan, Author Simon & Schuster $23 (240p) ISBN 978-0-684-82262-4". PublishersWeekly.com. Retrieved 2016-02-06.
7. "The Politics of Pleasure Class". pleasurepoliticsstanford.tumblr.com. Retrieved 2016-02-06.
8. Morgan, Joan (March 10, 1999). When Chickenheads come home to roost: my life as a hip-hop feminist. Simon & Schuter. pp. 49–62. ISBN 0684822628.