Johann Peter Alexander Wagner

Würzburg Residence sculpture

Station of the cross, Würzburg

Johann Peter Alexander Wagner (26 February 1730¹–7 January 1809) was a German rococo sculptor.

He was born in Obertheres, Unterfranken, Bavaria, Germany and was initially trained by his father, Johann Thomas Wagner. He moved to Vienna in 1747 and worked under several commissioners including another Johann Wagner and Balthasar Ferdinand Moll; after which he moved to Mannheim and worked under Paul Egell or Augustin Egell. He entered under the court sculptor Johann Wolfgang von der Auwera to Prince–Bishop of Würzburg around 1756 who died that year—Wagner then took his master's widow as his bride, she was named Maria Cordula Curé (daughter of Claude Curé). He also assumed the workshop of his master along with a brother-in-law, Lukas von der Auwera.

He created several utilitant items over the next several years including a console table (1759), the altar to the Augustinerkirche, Würzburg (1760), the altar and baptismal font to the Stadtpfarrkirche of St Maria and St Regiswindis, Gerolzhofen, Schweinfurt. He collaborated with Lukas von der Auwera between 1763 and 1766 on the Vierröhren Fountain, Würzburg carving the figures. In 1766 he moved onto a purely aesthetic work depicting the Crucifixion for a church in Kürnach. He continued the trend composing 14 groups of figures for the Wallfahrtskirche Mariae Heimsuchung between 1767 and 1775 which were the Stations of the Cross.

In December 1771 he became the court sculptor to Adam Friedrich von Seinsheim, Prince–Bishop of Würzburg for whom he created several works over the next decade. These works include decorative carvings for the building (primarily staircases) at the Residenz in Würzburg and exterior statues of Pluto and Proserpina for the same residence. He also created statues of the Rape of Europa for a park at Schloss Veitshöchheim. He became particularly popular during this time and had much continued demand for ecclesiastical work. His work at the Klosterkirche at Ebrach, Oberfranken was emulated by those who worked under him for an Augustine monastery.

His style changed during his career from rococo to classical upon his assumption of the position of court sculptor, and finally back to rococo. 1790 saw him at his most classical in a life-size statue of the Virgin. He worked by first making a sketch, a detailed drawing, and conceptual clay bozzetti. He worked primarily in clay, wood and marble. His work may be seen in several museums in Würzburg, particularly the Mainfränkisches Museum. He fathered Johann Martin von Wagner on 24 June 1777 who trained as a sculptor under him. He died in Würzburg on the 7 January 1809.

References

• Article in The Grove Dictionary of Art

Notes

1. Date of baptism