John Armstrong (artist)

John Armstrong
Born	John Rutherford Armstrong 14 November 1893 Hastings, Sussex
Died	19 May 1973 (aged 79) Putney, London
Nationality	British
Education	St. John's College, Oxford St John's Wood Art School
Known for	Painting, design work

John Rutherford Armstrong (14 November 1893−19 May 1973) was a British artist and muralist who also designed for film and theatre productions, but is most notable for the Surrealist paintings he produced.<ref name=TateJAbio>"Artist biography;- John Armstrong". Tate. Retrieved 10 February 2015.</ref>^[1]

Life and work

Armstrong was born in Hastings in Sussex. His father was a clergyman and Armstrong was educated at St. Paul's School in London. He studied law at St. John's College, Oxford, but switched to art and became a student at St John's Wood Art School throughout 1913 and 1914. Armstrong served with some distinction in the Royal Field Artillery in Salonika during World War One before returning briefly to complete his studies at St John's Wood Art School. After a period of some economic hardship, Armstrong began to build a career as a theatre designer in London and to gain a client base for his artworks. He received a commission to decorate a room in the Portman Square home of the art collector Samuel Courtauld, and also painted a frieze for the ballroom at 1 Kensington Palace Gardens.^[2][3]

Building Mosquitoes, 1943, (Art.IWM ART LD 3359)

Armstrong held his first solo exhibition in 1928 at the Leicester Galleries in London. In 1933 he joined Unit One and displayed a set of semi-abstract paintings at their one, extended, exhibition.^[2] Throughout the 1930s Armstrong continued to work as a designer as he also continued to develop his art. He produced a number of remarkable posters for Shell. He worked on a number of Alexander Korda's film productions, designing costumes for The Private Life of Henry VIII, Rembrandt and I Claudius.^[3] In 1938 Armstrong held an exhibition at the Lefevre Gallery which featured Surrealist works set in English landscapes such as Dreaming Head. Pro Patria, also from 1938, is Armstrong's comment on the Spanish Civil War.<ref name=IWMpp>"Pro Patria, 1938". Imperial War Museum. Retrieved 14 May 2015.</ref> During World War Two, Armstrong worked as an official war artist undertaking short contracts for the War Artists' Advisory Committee, WAAC. In paintings such as The Elms and A Farm in Wales he recorded bomb damage to buildings such as churches and cottages.<ref name=TateCogg>"Display caption;- Coggeshall Church, Essex (1940)". Tate. Retrieved 10 February 2015.</ref> Whilst other artists, including John Piper, praised these works they were criticized by the art critic Eric Newtown in the Sunday Times as being superficial. Several works by Armstrong were included in the WAAC Britain at War exhibition held at the Museum of Modern Art in New York in May 1941.^[4]

After the War Armstrong produced a series of large symbolic works including The Storm, The Battle of Propaganda, The Battle of Money and Victory, the last of which imagined the results of a nuclear attack. The painting was shown at the Royal Academy in 1958 and attracted considerable public attention. He was elected an associate member of the Royal Academy in 1966 and despite developing Parkinson's disease he continued to paint and travel until his death in London in 1973.^[3]

References

1. Frances Spalding (1990). 20th Century Painters and Sculptors. Antique Collectors' Club. ISBN 1 85149 106 6.
2. Ian Chilvers & John Glaves-Smith. A Dictionary of Modern & Contemporary Art. Oxford University Press.
3. Nicholas Usherwood (2004). "Armstrong, John Rutherford (1893-1973)". Oxford Dictionary of National Biography (OUP,online edn, May 2009). Retrieved 10 February 2015.
4. Brain Foss (2007). War paint: Art, War, State and Identity in Britain, 1939-1945. Yale University Press. ISBN 978-0-300-10890-3.

External links

Paintings by John Armstrong at the BBC Your Paintings site