John Duncan (painter)
John Duncan (1866-1945) was a Scottish painter.[1][2]
Biography
Duncan was born in Dundee in 1866, the son of a cattleman. John, however, had no interest in the family business and preferred the visual arts. By the age of 11 he was a student at the Dundee School of Art, then based at the High School of Dundee. He also studied at Antwerp School of Art under Charles Verlat.[2]
Duncan provided illustrations for the 1895 magazine "The Evergreen". The magazine was published by the sociologist and urbanist Patrick Geddes and also featured work from artist Robert Burns.[3] Duncan depicts "Bacchus and Silenus" in a mythical scene. [4] Duncan also contributed cover art featuring a "Kelpie" from Celtic folklore.
Called a madman by some and a mystic by others, Duncan admitted to hearing 'faerie music' whilst he painted. Although his work remains strongly rooted in the Pre-Raphaelite movement, there is a certain graphical quality which sets it apart from his contemporaries and likens it to Art Nouveau, while the subject matter is thoroughly Celtic Revival; he is generally referred to as a "symbolist" by art critics. His interest in Celtic Revival was also shared by the Scottish singer Marjory Kennedy-Fraser; they eventually became close friends and Duncan painted her while on a trip to Eriskay in 1905.
His dreamy, mystical nature led him to fall in love with a woman whom he believed to have discovered the Holy Grail in a well in Glastonbury and who later divorced him. He was also a member of the Edinburgh Theosophical Society. He never remarried and died in 1945.
Gallery
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Tristan and Isolde
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Aoife by John Duncan
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Helene Schlapp - Iona
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Detail from 'Hymn to the Rose', 1907
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'St Bride'
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References
- ↑ Duncan works online at The Athenaeum
- 1 2 Young, Clara. "John Duncan". Oxford Dictionary of National Biography. Retrieved 27 January 2014.
- ↑ The Scottish National Gallery, 2016
- ↑ Geddes, Patrick. "The Evergreen". Retrieved 9 January 2016.
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