John W. Griffiths
John Willis Griffiths (October 6, 1809 – March 30, 1882) was an American naval architect who was influential in his design of clipper ships and his books on ship design and construction. He also designed steamships and war vessels and patented many inventions.[1][2] Maritime historian William H. Thiesen wrote, "Of all the nineteenth-century American shipbuilders, John W. Griffiths did more than any other builder to champion American shipbuilding methods. An experimenter, an advocate for formal ship-design education, and a working intellectual, Griffiths proved to be most remarkable of America’s nineteenth-century shipbuilders.”[3]
Ship Designer
In 1845 Griffiths was employed for the shipbuilding firm of Smith & Dimon in lower Manhattan and designed the clipper ship Rainbow. Historian Dr. Larrie Ferreiro considered the Rainbow “the first of a line of ‘extreme’ clippers, with a fine, raked bow, high deadrise, and hollow waterlines.”[1] The ship was known for fast passages but reportedly went “missing with all hands” in 1848.[2]
Griffiths’ second clipper ship, Sea Witch, was referred to by Smithsonian curator Howard Irving Chapelle as his “masterpiece.”[2] It was launched on December 8, 1846, and “described as the most beautiful ship of her time.” Maritime historian Melbourne Smith wrote in 1980, “Ships of twice her tonnage were built specifically to beat her but her passages home from China have not been equalled under sail to this day.”[4]
In March 1849 the Sea Witch set a record when it sailed from Hong Kong to New York in 74 days 14 hours.[5] It was noted on October 25, 2013, that no single-hulled sailing vessel ever broke the record.[6] Griffiths wrote in 1855, “It will be entirely proper to add, that the model of the Sea Witch had more influence upon the subsequent configuration of fast vessels, than any other ship ever built in the United States.”[4] The Sea Witch was wrecked on the coast of Cuba in 1856 while carrying 500 Chinese workers.[7]
Griffiths had received considerable praise for his clipper ship designs. Smith & Dimon stated, “We have no hesitation recommending him as a ‘Marine and Naval Architect’ of the first order. A gentleman who has reached an eminence in the line of his profession rarely attained, and whose skills in this branch of Mechanism we believe to be unsurpassed.” Fellow ship designer Donald McKay wrote Griffiths, “You are a master of your profession, have no Superior in it – a Scientific and practical Ship Builder – & an illustrious Citizen . . .”[4]
After Griffiths left Smith & Dimon, his interest shifted from sailing vessels to steamships. He designed the sloop-of-war Pawnee for the US Navy and the radical shallow-draft merchant steamer Ocean Bird.[1][2] Griffiths presented a model of one of his steamships to Tsar Nicholas I of Russia and, as a token of satisfaction, the tsar presented him with a diamond ring.[8] Earlier in his career, Griffiths had cut frames for the Russian steam frigate Kamchatka.[1]
Writer and Editor
In 1850 Griffiths began his career as an author and editor. His first book, Treatise on Marine and Naval Architecture, was initially published in twelve monthly installments, from January to December 1850. Dr. Larrie Ferreiro wrote, “It was the first American book to extensively treat both the practical and theoretical aspects of ship design and construction . . . “ The book was successful and received good reviews in popular magazines such as Scientific American. Griffiths wrote two other books, The Shipbuilder’s Manual and Nautical Referee (1853) and The Progressive Ship Builder(1875).[1]
Griffiths went into partnership with shipbuilder William Wallace Bates to publish a monthly magazine, The Monthly Nautical Magazine and Quarterly Review. Their first issue was published in October 1854 with the stated goal of “cultivating marine architecture in the United States.”[1][9] One year later it was renamed The US Nautical Magazine and Naval Journal. Griffiths wrote numerous essays on maritime topics, including why wood was preferable to iron as a shipbuilding material. Wrote Dr. Ferreiro, “Griffiths was also a popularizer of new developments in hull design and resistance calculations . . . “ The magazine kept shipbuilders informed about the latest developments in the industry.[1] Griffiths believed that “the press [is] the only legitimate means by which nautical mechanism may be raised from its low position as a compound of crude notions, to the altitude of a science.”[3] Griffiths’ son Oliver took over as editor in 1856. The magazine published its last issue in March 1858 and folded a short time later.[1]
In 1861 a Dutch shipbuilding handbook was published based on Griffiths’ designs and writings.[1] Chapelle wrote, “Strongly opinionated, and contentious, he [Griffiths] was nevertheless an important contributor to the development of American naval architecture.”[2] Melbourne Smith wrote, “John Willis Griffiths was considered a genius as a naval architect, although perhaps somewhat eccentric in his zeal to improve American naval architecture.”[4]
Later Years and Legacy
In July 1858 the Navy appointed Griffiths as temporary naval constructor at the Philadelphia naval shipyard. In October 1862 Secretary of the Navy Gideon Welles appointed Griffiths as superintendent of gun boats under Samuel Moore Pook. It is unclear how long Griffiths remained a naval constructor during and after the American Civil War.[1]
In his later years Griffiths struggled financially, and his ship designs were not considered as successful. Griffiths’ career was devoted to building wooden ships, but they became obsolete with the advent of iron. He co-owned the Union Ship-Timber Manufacturing Company with his son Oliver and patented a wood-bending machine in 1866.[1][10][11] Thiesen wrote, “the timber-bending machine never became popular…because wooden-ship construction had become less profitable by the time Griffiths perfected the machine, and the cost of the apparatus proved too high for most wood shipbuilders.”[12] In 1875 Griffiths created and patented the Universal Wood-Bending Machine for boats, carriages, and other vehicles.[1][13] He earned a prize at the Philadelphia Centennial Exhibition in 1876 although carriage-maker Samuel R. Bailey always claimed that Griffiths had copied his invention.[1][14]
Griffiths died of anthrax in Brooklyn, NY, on March 30, 1882, and was interred at the Linden Hill United Methodist Cemetery in Queens, NY.[1] Historian William Brown Meloney dedicated his 1916 book The Heritage of Tyre “to the memory of John Willis Griffiths, whose genius revolutionized the science of merchant shipbuilding and naval architecture and enthroned the United States as Mistress of the Seas.”[15] Marion H. Virnelson, Griffiths’ granddaughter, donated his belongings to the Smithsonian Institution in 1937.[16] Griffiths' obituary did not appear in any major New York City newspapers and, as of 2013, his grave in Queens remains unmarked.[1][6] Meloney had written back in 1916, "Ocean conqueror by sail and by steam, he sleeps as he died, unhonored and unsung --- forgotten by a heedless people . . . "[15]
Notes
Many sources erroneously state that John Willis Griffiths died on April 29, 1882. However, his death certificate indicates that he died on March 30, 1882; the certificate (#3832) was issued by the Department of Health of the City of Brooklyn. Cemetery records from Linden Hill United Methodist Cemetery in Queens, NY, also indicate that Griffiths died before the month of April. Both the death certificate and the cemetery records are cited by Dr. Larrie Ferreiro in his article, "A Biographical Sketch of John Willis Griffiths from Primary and Biographical Sources".
The Sea Witch set a record by sailing from Hong Kong to New York in 74 days 14 hours.[5] As of October 25, 2013, the record has yet to be broken by any single-hulled sailing vessel.[6] In May 2003, the trimaran (multi-hulled vessel) Great American II sailed from Hong Kong to Sandy Hook in fewer than 73 days.[5]
References
- 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 Ferreiro, Larrie (Winter 2007). "A Biographical Sketch of John Willis Griffiths from Primary and Biographical Sources". Nautical Research Journal 52 (2): 221–227.
- 1 2 3 4 5 Chapelle, Howard Irving (1967). The Search for Speed Under Sail, 1700-1855. New York: Norton. pp. 321–371.
- 1 2 Thiesen, William H (2006). Industrializing American Shipbuilding, The Transformation of Ship Design and Construction, 1820-1920. Gainesville, FL: University Press of Florida. p. 76.
- 1 2 3 4 Smith, Melbourne (June 1980). "To See Which Is Sea Witch". Nautical Research Journal 26 (2): 55–62.
- 1 2 3 "Two Americans Break 1849 Record". New York Times. May 29, 2003.
- 1 2 3 Brodsky, Adam (October 25, 2013). "Grave injustice for NY ship hero". New York Post.
- ↑ Richardson, James D. (1899). A Compilation of the Messages and Papers of the Presidents 1789-1897 Vol. V. Authority of Congress. pp. 374–375.
- ↑ "Honorable Testimonial". The Baltimore Sun. June 14, 1850.
- ↑ The Monthly Nautical Magazine and Quarterly Review 1 (October 1854 – March 1855)
- ↑ "Fiths". Google. Retrieved June 6, 2015.
- ↑ "Improvement in wood-bending". Google. Retrieved June 6, 2015.
- ↑ Thiesen (2006), p. 69
- ↑ "Improvement in machines for bending wood". Google. Retrieved June 6, 2015.
- ↑ Bailey, S. R. (October 1908). "History of Wood Bending-Continued". The Carriage Monthly XLIV (7): 184–185. Retrieved June 6, 2015.
- 1 2 Meloney, William Brown (1916). The Heritage of Tyre. New York: The Macmillan Company.
- ↑ "WPA, Smithsonian Preserve Data of Yankee Clipper Ships". The Washington Post. February 14, 1937.
External links
- Honoring A Life - John Willis Griffiths (mini-documentary)
- John W. Griffiths and the construction of the Rainbow and the Sea Witch
- John W. Griffiths and the construction of the gunboat Pawnee
- Diagram of the Pawnee
- Patents for forming stem and dead wood of ships
- Patent for wood-bending machine
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