Julia Bryan-Wilson

Julia Bryan-Wilson is an associate professor in the Department of History of Art at the University of California, Berkeley,[1] who studies feminist and queer theory, craft histories, and questions of artistic labor, as well as photography, video, collaborative practices, and visual culture of the nuclear age.[1] Her book, Art Workers: Radical Practice in the Vietnam War Era was published by the University of California Press in 2009.[2] She edited Robert Morris (October Files), published by the Massachusetts Institute of Technology in 2013. Art in the Making: Artists and their Materials from the Studio to Crowdsourcing (1st Edition), to be published by Thames and Hudson in June 2016, is co-authored by Bryan-Wilson and Glenn Adamson.

Bryan-Wilson received her B.A. from Swarthmore College in 1995 and her Ph.D. from the University of California, Berkeley in 2004. Prior to teaching at the University of California, Berkeley, Bryan-Wilson has taught at the Rhode Island School of Design, California College of the Arts, the University of California, Irvine and The Courtland Institute of Art, London.

Selected publications

Books

Articles

Interviews:

Book reviews:

Selected criticism:

Catalogue essays

References

  1. 1 2 "Julia Bryan-Wilson Associate Professor - UC Berkeley History of Art Department". Arthistory.berkeley.edu. 2000-01-25. Retrieved 2014-02-01.
  2. 1 2 "Art Workers - Julia Bryan-Wilson - Paperback - University of California Press". Ucpress.edu. Retrieved 2014-02-01.
  3. "UC Irvine - Faculty Profile System". Faculty.uci.edu. Retrieved 2014-02-01.
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