Julie Umerle

Julie Umerle

Eclipse
Born Julie Umerle
Connecticut, United States
Nationality British, American
Education Falmouth University
Parsons The New School for Design
Known for Painting
Website www.julieumerle.com

Julie Umerle is an American-born abstract painter who emerged in the late 1990s. She lives and works in London. Much of her work relates to abstract expressionism and minimalist painting.

Biography

Umerle was born in Connecticut USA to an English mother and an American father. Her family moved to London when she was five.[1]

She studied French Literature at the University of Sussex, gained a BA (Hons) Fine Art from Falmouth University with First-class honours,[2] then graduated from Parsons The New School for Design in New York City with a MFA in 1998. She lived and worked between London and New York for a further five years after completing her studies, returning to the UK in 2003.

Work

Umerle held her first solo exhibition at a squat in Frestonia's Car Breaker Gallery in London.[3] She worked as an artist educator at a number of London galleries including The Whitechapel Gallery,[4] The Hayward Gallery and The Royal Academy[5] to support her practice. In April 1995, Herbert Art Gallery and Museum hosted Umerle’s first museum exhibition of paintings including works such as Paragon, Flock and Wrap.[6] She was selected for British Abstract Art: Part III at Flowers Galleries in 1996.[7] Other group shows in London include Royal Academy of Arts and Barbican Arts Centre. Early exhibitions in New York were at Artists Space and AIR Gallery. Internationally, she has shown in Berlin, Paris, Philadelphia and Miami.[8]

Latitude, 2007, Acrylic on canvas

Umerle makes work that explores the materiality of paint and the processes of abstract painting. Her practice is an investigation of materials and the perception of the image.[9] Engaged in a process that explores the act of painting itself, she works either on canvas or on paper. Her paintings "exist at the meeting point of decision and accident",[10] making the viewer aware of the trail of the brush, the pressure of the artist's hand and the degree to which one mark can differ under varying circumstances, "setting up conditions for chance, and responding to the natural physicality of paint itself".[11]

Julie Umerle, Cosmos or Chaos, studio1.1 London, 2010

Of her work, British artist and art historian Simon Morley has written:

Her paintings evoke a feeling of suspension, as if what we see is a held or frozen moment within an ongoing process. This sense of simplicity is achieved through an enormous process of condensation, resulting in a level of clarity and unity that permeates the work.[12]

Her paintings are held in public and private collections including The Deutsche Bank Collection, Swindon Art Gallery, The Connaught, Madison Museum of Fine Art and Acme Studios Archive Collection.

Umerle has been the recipient of several awards from Arts Council England (2005, 2007, 2008 and 2015), an individual support award from the Adolph and Esther Gottlieb Foundation (2001) and an award from London Arts Board (1996).

References

External links

Wikimedia Commons has media related to Julie Umerle.

Further reading

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