Jussi Björling

Jussi Björling

Johan Jonatan "Jussi" Björling (/ˈjuːsi ˈbjɔːrlɪŋ/, Swedish pronunciation: [ˈjɵsɪ bjœ̞ːɭɪŋ]; 5 February 1911[1] – 9 September 1960) was a Swedish tenor. One of the leading operatic singers of the 20th century, Björling appeared for many years at the Metropolitan Opera in New York and less frequently at the major European opera houses, including the Royal Opera House in London and La Scala in Milan.

Biography

Björling (surname also spelled as "Bjoerling" and "Bjorling" in English-language sources) was born in Borlänge, Dalarna, Sweden, in February 1911. The midwife's register shows he was born on 5 February; however, the church baptism records erroneously show 2 February, and this was the day on which he celebrated his birthday throughout his life.[1] He was initially taught to sing by his father, David, an accomplished vocalist, and made his debut public appearance at the age of four with the Björling Male Quartet. The group performed in concerts throughout Sweden and the United States for eleven and a half years. He later studied opera with John Forsell.

Björling performing at Skansen, Stockholm in 1960

Björling made his professional operatic debut as the Lamplighter in Manon Lescaut at the Royal Swedish Opera in Stockholm in 1930. This was soon followed by Don Ottavio in Mozart's Don Giovanni, Arnold in Rossini's William Tell, Almaviva in Rossini's The Barber of Seville and as Rodolfo in La bohème with Hjördis Schymberg, his favourite soprano in Sweden, as Mimi. This in turn led to engagements in Europe and the United States. Björling made his American concert debut at the Carnegie Hall in 1937; the following year, he made his debut at the Metropolitan Opera as Rodolfo in La bohème.

Björling went on to become one of the principal singers at the Metropolitan Opera during the 1940s and 1950s, with an interruption during World War II. He sang many major tenor roles in operas in the French and Italian repertoire, including Il trovatore, Rigoletto, Aida, Un ballo in maschera, Cavalleria rusticana, Faust, Roméo et Juliette, La bohème, Madama Butterfly, Tosca, and Manon Lescaut.

In December 1940 Arturo Toscanini invited Björling to sing the tenor part in Beethoven's Missa Solemnis in New York, a recording of which exists. Björling also performed the Verdi Requiem under Toscanini in 1939 in Lucerne, Switzerland, and in November 1940 in New York, another performance which was recorded and eventually issued as an LP.

In 1951, Robert Merrill and Björling did a series of duet recordings, including a noted recording of "Au fond du temple saint" from the opera Les pêcheurs de perles by Georges Bizet. One of Björling's first LP sets was a 1952 studio recording of the complete Il trovatore, with Zinka Milanov, for RCA Victor. In 1953, he recorded the role of Turiddu in a complete version of Cavalleria rusticana opposite Milanov for RCA Victor, but because Victoria de los Ángeles was under contract to EMI, the recording of the complete Pagliacci, made concurrently with Cavalleria, was not released by RCA, but by EMI. Robert Merrill appeared on both albums, but Leonard Warren was featured only on the Pagliacci one, as Tonio.

Bust of Björling in Stockholm

In the summer of 1954 Björling recorded Puccini's Manon Lescaut in Rome with Licia Albanese as Manon, and in 1955 he recorded the role of Radames in Verdi's Aida opposite Milanov in the title role. With de los Angeles and Merrill, Björling made a widely admired recording of Puccini's La bohème conducted by Sir Thomas Beecham. Björling's recording of Madama Butterfly, with de los Angeles in the title role and conducted by Gabriele Santini, is also widely celebrated. In Victoria de los Angeles's biography by Peter Roberts (Weidenfield and Nicolson, 1982), de los Angeles noted that "In despite of technical developments, none of the Jussi Björling recordings give you the true sound of his voice. It was a far, far more beautiful voice than you can hear on the recordings he left".

Björling sang the part of Mario Cavaradossi in the 1957 complete stereo recording of Tosca, recorded by RCA Victor in Rome with Erich Leinsdorf conducting. The tenor was awarded the 1959 Grammy Award for Best Classical Performance - Vocal Soloist (With Or Without Orchestra) for his recording Björling in Opera.

In 1956, he appeared in an episode of the NBC television anthology Producers' Showcase. The episode was one of two programmes entitled Festival of Music, and was hosted by Charles Laughton (José Ferrer hosted the second Festival of Music programme). Björling can be seen with soprano Renata Tebaldi in two arias from La bohème. Both Festival of Music programmes, originally telecast in colour, have since been released on black-and-white kinescopes on DVD.

Björling was known as the "Swedish Caruso".[2] His son Rolf, a successful tenor in his own right (although not at the level of his famous father), and his grandson Raymond are inheritors of the "sound".

Jussi Björling's gravestone at Stora Tuna, Dalarna, Sweden
Bust of Björling in front of the Jussi Björling Museum in Borlänge

His widow, Anna-Lisa Björling, published a biography with the cooperation of Andrew Farkas that described Björling as a loving family man and generous colleague. However, Anna-Lisa did not attempt in the book to hide the destructive influence of Björling's alcoholism.

On 15 March 1960, Björling suffered a heart attack before a performance of La bohème at Covent Garden; he still performed that night.[3] He died of heart-related causes (enlarged heart) six months later in Siarö, Sweden, aged 49. One of his final recordings was the Verdi Requiem conducted by Fritz Reiner for RCA Victor Records, which was recorded as late as June 1960 with Leontyne Price, Rosalind Elias, Giorgio Tozzi, the Vienna Philharmonic, and the chorus of the Society of the Friends of Music (Vienna). He is buried in the church cemetery at Stora Tuna, Borlänge, Sweden.

Legacy

Björling's name is now used with the prestigious Jussi Björling Music Scholarship at Gustavus Adolphus College in St. Peter, Minnesota.

An archive of nearly all of Björling's recorded performances, photographs, letters, recital and opera programmes, reviews, obituaries, and other items related to his career is maintained at the Jacobs School of Music at Indiana University Bloomington.

Luciano Pavarotti, in a 1988 interview for the Swedish daily newspaper Svenska Dagbladet, stated that "When I'm about to train a new opera, I first listen to how Jussi Björling did it. His voice was unique and it's his path that I want to follow. I would more than anything else wish that people compared me with Jussi Björling. That's how I'm striving to sing."[5]

Awards and citations

During his lifetime, Björling received many orders, decorations, honorary citizenships and other kinds of honours from monarchs, governments and cultural and charity organizations in Sweden, Finland, Denmark, Iceland, Latvia, Belgium, Greece, Hungary and the U.S.A.

Recordings

Complete works issued on CD
Larger general collections on CD
A selection of special collections and concerts on CD

A complete list of Björling's recordings and their CD and DVD issues is available on the Jussi Björling Museum's website.

References

  1. 1 2 "Jussi Björling 1911-1960". www.jussibjorlingsallskapet.com.
  2. ↑ "Metropolitan opera rebuilds with new blood and fresh young voices". Life (Time Inc) 6 (3): 60. 16 January 1939. ISSN 0024-3019. Retrieved 27 February 2011. Jussi Bjoerling, called the "Swedish Caruso," is only 27, sang in U.S. music halls at the age of 10.
  3. ↑ "Mr Björling taken ill on stage". The Times. March 16, 1960. p. 12. A spokesman for Mr Björling said 'I think he had a minor heart attack.'...'But when he was told that the Queen Mother was in the audience this gave him an extra fillip and he sang the role.'
  4. ↑ "The Jussi Björling Museum, Borlänge". Retrieved 12 May 2015.
  5. ↑ (Swedish) "Hemma hos Pavarotti" Svenska Dagbladet. Retrieved 29 June 2013.
  6. ↑ "Jussi Björling (tenor)". Gramophone. Retrieved 11 April 2012.

Further reading

External links

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