Kalpana (Kannada actress)
- For the other given names see Kalpana
Kalpana | |
---|---|
"Minugu Taare" Kalpana | |
Born |
Sharat Lata 8 July 1943 South Canara, Madras Presidency, British India |
Died |
12 May 1979 35) Gotur IB, Sankeshwar, Belgaum, India | (aged
Other names | "Minugu Taare" |
Occupation | Actress |
Kalpana (Kannada: ಕಲ್ಪನಾ; 8 July 1943 – 12 May 1979), born Sharat Lata was a Kannada film actress. She was affectionately referred to as Minugu Taare ("A Shining Star") among the film fraternity. She is widely recognised as one of the greatest actresses of Kannada cinema who enjoyed both fan following and critical acclaimations showering upon her film after films. She made her screen debut as a lead actress in the 1963 released Saaku Magalu directed by veteran B.R. Pantulu. During a career that spanned from the early 1960s to the late 1970s, Kalpana appeared in numerous commercially successful as well as critically appreciated films, many of which featured her alongside actor Rajkumar. She worked in few Tamil, Tulu and Telugu films as well.[1] Majority of her successful films were incidentally female centric that gave ample scope for her performances.
One of her best-known roles was that of 'Kaveri' in the Multi-awarded film Sharapanjara released in 1971, a performance that won her Karnataka State Film Award for Best Actress for that year. Her portrayal of the highly spirited and complex role who fights her mental trauma won her the largest fan following ever for a Kannada actress. Her association with the veteran film maker Puttanna Kanagal both professionally and personally became the talk of the town back in the 1970s. They both went on to work successfully in many commercially and critically successful films until they fell apart with each other.
Kalpana committed suicide and met with her death on 12 May 1979 after her alleged failed romance.[2] Her career was in decline at the time she died and film based on her life - Abhinetri_(2015_film) was released [3]
Early life
Kalpana was born to a Tulu speaking couple, Krishnamurthy and Janakamma, as Sharat Lata in South Canara district of Karnataka state. She was highly passionate about acting and took part in all the talent competitions held at her school. She was also very much conscious about the then recent style statement and was always had her own distinct style in her outfits and attitude.she along with her younger brother and her mother had shifted to the uttara Kannada dist to experience the basics of movie and stage performances. When she moved to davangere she was introduced to shivkumar who took her to madras and introduced her to narsimharaju.narsimharaju judged the actress in her and told her that the sandalwood film industry needs such actress as kalpana was a chest of versatility,emotions and reality.she was given a break into films by noted director br pantulu who was impressed by her but he thought that her voice was not suitable for a film actress so he dubbed her role in saaku magalu.kalpana decided that she wanted to be an established film actress and soon achieved her goal and gained prominence in the industry.[4]
Career
Kalpana was recruited to the Kannada film industry in 1963 by director B.R. Pantulu for his Rajkumar starrer Saaku Magalu. However, it was the 1967 released Belli Moda that brought her to the forefront. This role portrayal of hers was instantly accepted and she soon catapulted to the top position among the actresses of the 1960s. She dominated the Kannada film industry during the late 1960s and 1970s and was critically acclaimed for some of her career best roles in author backed movies like Sharapanjara, Gejje Pooje, Belli Moda, Eradu Kanasu, Kappu Bilupu, Bayalu Daari, Gandhada Gudi and Bangarada Hoovu. She worked with almost all the leading actors and directors of her time. Her most frequent co-stars were Rajkumar, Gangadhar and Udaya Kumar. P. Susheela and S. Janaki were the regular voices behind her songs in the films. She gave a tiff competition to her contemporaries such as Jayanthi, Bharathi, Aarathi, Manjula among others.
Initially she was the most favoured heroine of ace director Puttana Kanagal. Their association produced some of the finest movies in the history of Kannada cinema. Majority of their films had strong hard hitting messages which were treasured in the cinema history. Kanagal groomed Kalpana to a great extent and they were also romantically linked by the media, much to their denials. However they fell apart due to the misunderstandings and Kanagal went on to groom other heroines like Aarathi and Padma Vasanti while Kalpana featured in some average and above average films later on.[5] All her efforts to resurrect her career failed. Even the later moves which she acted with Rajkumar ( Daari Tappida Maga and Eradu kanasu) Ananth Nag (Bayaludaari ) were hits, they failed to do any good to her. By 1977 she had no movies in hand. She then started focusing on drama companies in North karnataka and started playing in them. She mainly worked in Gudigeri Basavaraj's drama company. With mounting debts and diminishing film offers she had no choice.
She had also acted in a few Tamil and Telugu movies, such as Madras To Pondicherry. This film was later made in Hindi, starring Amitabh Bachchan and Aruna Irani in leading roles. Both the films were very successful at the box office. She also acted in Koti Channayya, a Tulu movie, directed by K. Shivaram Karanth.[6]
Fashion Icon
Kalpana was a fashion icon of her times. Her elegance, taste and sophistication in dressing could not be matched by other female stars of her time. The mega sleeve blouses, frill blouses are her contribution to Karnataka's style. Some of her fashion statements are big ear rings, big rings in the hand, brocade silk saris, chiffon saris and long necklaces.[7]
Suicidal Death
Kalpana's high profile career ended with her tragic suicide in 1979. Death was due to severe health issues and low financial status during time of death.
Filmography
Year | Film | Notes |
---|---|---|
1963 | Saaku Magalu | |
1964 | Naandi | |
1964 | Pathiye Daiva | |
1964 | School Master | Malayalam film |
1966 | Kattumallika | Malayalam film |
1966 | Mantralaya Mahatme | |
1966 | Madras to Pondicherry | Tamil film |
1966 | Bala Nagamma | |
1966 | Sree Kannika Parameshwari Kathe | |
1967 | Belli Moda | Won Karnataka State Film Award for Best Actress |
1967 | Padavidhara | |
1967 | Immadi Pullakeshi | |
1967 | Dhanapishachi | |
1967 | Bangarada Hoovu | |
1968 | Hoovu Mullu | |
1968 | Anna Thamma | |
1968 | Mannina Maga | |
1968 | Ananda kanda | |
1968 | Gandhinagara | |
1968 | Hannele Chiguridaga | Won Karnataka State Film Award for Best Actress |
1968 | Sarvamangala | |
1969 | Kaanike | |
1969 | Kappu Bilupu | |
1969 | Gejje Pooje | |
1969 | Mathrubhoomi | |
1969 | Brindavana | |
1969 | Premakkoo Permittey | |
1969 | Uyyale | |
1970 | Anirikshita | |
1970 | Arishina Kunkuma | |
1970 | Devara Makkalu | |
1970 | Namma Mane | |
1970 | Pratheekara | |
1970 | Karulina Kare | |
1970 | Seetha | |
1971 | Sharapanjara | Won Karnataka State Film Award for Best Actress Won Filmfare Award for Best Actress – Kannada |
1971 | Sothu Geddavalu | |
1971 | Naari Munidare Maari | |
1971 | Bhale Adhrustavo Adhrushta | |
1972 | Mareyada Deepavali | |
1972 | Naa Mechida Huduga | |
1972 | Yaava Janmada Maitri | Won Filmfare Award for Best Actress – Kannada |
1973 | Gandhada Gudi | |
1973 | Kesarina Kamala | |
1973 | Bidugade | Guest appearance |
1973 | Triveni | |
1974 | Eradu Kanasu | |
1975 | Beluvalada Madilalli | |
1975 | Daari Tappida Maga | |
1976 | Vijaya Vani | |
1977 | Bayalu Daari | |
1977 | Vamshajyothi | |
1978 | Malaya Makkalu | |
1978 | Anuraga Bandhana | |
1979 | odahuttidavaru | Her last screen appearance |
References
- ↑ http://kannadakoota.net/node/202
- ↑ http://kannadakoota.net/node/202
- ↑ http://www.thehindu.com/news/cities/bangalore/abhinetri-to-finally-hit-screens-today/article6838074.ece
- ↑ http://kannadakoota.net/node/202
- ↑ http://kannadakoota.net/node/202
- ↑ http://kannadakoota.net/node/202
- ↑ http://kannadakoota.net/node/202
- ↑ KALPANA: Film Database – CITWF
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