Ko Un

"Go Eun" redirects here. For the given name, see Go-eun (name).
This is a Korean name; the family name is Ko.
Ko Un

Ko Un in Prague, Czech Republic, 23 May 2011
Korean name
Hangul 고은
Hanja 高銀
Revised Romanization Go Eun
McCune–Reischauer Ko Ǔn
Birth name
Hangul 고은태
Hanja 高銀泰
Revised Romanization Go Eun-tae
McCune–Reischauer Ko Ŭnt'ae

Ko Un (born 1 August 1933) is a South Korean poet whose works have been translated and published in more than fifteen countries. He had been imprisoned many times due to his role in the campaign for Korean democracy.[1] Ko is routinely mentioned in Korea as one of the front runners for the Nobel Prize in Literature.[2]

Life

Ko Un, born Ko Untae in 1933, was the first child of a peasant family living in Gunsan, North Jeolla Province. During a time when the national culture was being suppressed under the Japanese occupation, his grandfather taught him to read and write in Korean. He had also learned Chinese by the age of 8. When he was 12, he found by chance a book of poems by Han Ha-un, a nomadic Korean poet with leprosy, and was so impressed that he began writing himself.[3]

Ko was still a teenager studying at Gunsan Middle School when the Korean War broke out in 1950. Many of his relatives and friends died and during it he was forced to work as a grave digger. He became so traumatized that he even poured acid into his ear to shut out the war’s noise, leaving him deaf in one ear. Then in 1952 Ko decided to become a Buddhist monk. After a decade of this life, during which he published his first collection of poems, Otherworld Sensibility (Pian Kamsang, 1960), and his first novel, Cherry Tree in Another World (Pain Aeng, 1961), he chose to return to the lay life. From 1963 to 1966 he lived on the remote island of Jeju-do, where he set up a charity school, and then moved back to Seoul. However, dependent on alcohol and not at peace, he attempted to poison himself in 1970.

Another chance discovery changed this negative state. Picking up a newspaper by chance from the floor of a bar, Ko read about Jeon Tae-il, a young textile-worker who set himself alight during a demonstration in support of workers' rights. Inspired by that selfless act, he lost all inclination to kill himself and turned to social activism.[4] After the South Korean government attempted to curb democracy by putting forward the Yusin Constitution in late 1972, he became very active in the democracy movement and led efforts to improve the political situation. In 1974 he established the Association of Writers for Practical Freedom and that same year became a representative of the National Association for the Recovery of Democracy. In 1978 he became vice-chairman of the Korean Association of Human Rights, and vice-chairman of the Association of National Unity in 1979.

As a result of these activities, Ko was sent to prison three times, during which he was beaten up and tortured. One of those beatings in 1979 impaired his hearing even further. In May 1980, during the coup d'état led by Chun Doo-hwan, Ko was accused of treason and sentenced to twenty years' imprisonment, although he was released in August 1982 as part of a general pardon. Life now became quieter and in 1983 Ko Un married Sang-Wha Lee, a professor of English Literature, who was eventually to become co-translator of several of his books.

Having moved to Anseong, Gyeonggi-do, he now devoted his energies to a prolific writing career but remained as active an organizer as ever. He was elected chairman of the Association of Korean Artists (1989-90) and president of the Association of Writers for National Literature (1992-93). He served as a delegate in the Committee of National Liberation in 1995. In 2000 he visited North Korea as one of the special delegates for the Inter-Korean Summit and this resulted in his volume of poems South and North (2000). In the years since then he has made many other visits to North Korea. He is also chairman of a joint North-South project to compose a Pan-Korean Dictionary covering all the different forms of the language spoken today, involving dozens of scholars from both sides of the 38th Parallel.[5] In 2014, he was appointed Goodwill Ambassador for Peace by the Korean National Commission for UNESCO.

Ko was not issued with a passport until 1990, when he was at last able to take his place abroad as a leading representative of Korean poetry. From 2007, he served as a visiting scholar in Seoul National University, where he gave lectures on poetry and literature. Since 2010, he was associated with the International Center for Creative Writing at Dankook University. Early in 2013, he was invited to stay for one semester and give several special lectures at the Ca’Foscari University of Venice, Italy, where he was awarded an Honorary Fellowship. On his return to Korea, he moved house from Ansong to Suwon, south of Seoul.

Writing

Poetry

Ko’s poems range from quiet imagistic reflections to the epigrammatic pieces in Flowers of the Moment with their haiku-like juxtapositions:

Some say they can recall a thousand years
Some say they have already visited the next thousand years
On a windy day
I am waiting for a bus[6]

Other works, however, are huge, like the seven-volume epic of the Korean independence movement under Japanese rule, Paektu Mountain (1987-94). There is also the monumental 30-volume Ten Thousand Lives (Maninbo). This was written over the years 1983-2010 to fulfil a vow made by Ko Un during his final imprisonment, when he was expecting to be executed. If he lived, he swore that every person he had ever met would be remembered with a poem. Speaking of his feelings at surviving the Korean War, when so many he knew had not, he has stated that “I'm inhabited by a lament for the dead. I have this calling to bring back to life all those who have died….I bear the dead within me still, and they write through me.”[7] Maninbo’s discursive structure engages biographical and social themes using the rhythms of informal speech with a cumulative effect that has been compared to “the political and encyclopedic ambitions of Charles Reznikoff's Testimony.”[8] The style is documentary but often leads to a thoughtful ending, as found in the tribute to his mother:

Korean peasant woman
All day long she was out in the Man’gyong River’s mudflats,
where there was neither bone nor unhulled grain of rice;
she came back home after gathering sea-blite ankle-deep in that distant, wretched mud:
Why, it was already early morning, with the Great Bear already setting ! She was exhausted!
With no time to lay down her weary body, she was obliged quickly to hull barley in a mortar;
the pestle soared up, struck the dark void, came down pounding and pierced the ground.
Drops of sweat fall into the barley, added seasoning:
Well, with food of that taste, the brats should grow fast.
Where, if not here, would our irrepressible lives be maintained?
A woman’s life surely saves a multitude of lives.
Borne in a palanquin, she crossed over muddy, slow-flowing waters from Changhang,
in Ch’ungchong Province to her husband’s home, and after that hard journey
began married life in a household with not so much as one crock of bean paste or soy sauce.
Two days after delivering her first son, she had to pound barley,
prepare food in a basket and carry it on her head to the paddy-fields
where the second weeding was in progress.
After childbirth the blood kept seeping out,
she had to wash her underclothes secretly five times a day.
But the way she walked, like a clothes pole, was brisk:
look, she was already walking that far, arousing a breeze.
She had no time even to sing as she had to do every job while the spring famine was passing.
If you left the fields untended in summer, why, that was as terrible as raising ten tiger cubs!
Living amidst flourishing grass, amidst poverty, amidst all those damned tasks,
my mother, my mother, how could she be only my mother?[9]

Novels

Many of Ko Un’s novels relate to Seon (Korean Zen) Buddhism and the spiritual life generally. They include The Garland Sutra or Little Pilgrim (Hwaomkyung, 1991), based on the Avatamsaka Sutra, which concerns a boy’s training under a succession of Buddhist Masters. Son: Two Volumes (1995) uses saga form to tell the history of the school’s Masters in China and Korean. Mount Sumi (1999) deals with the persecution of Buddhism during the 18th century under the Confucian Joseon Dynasty and has as sub-theme the karmic links created between individuals in their former lives.[10]

Publications

Ko began publishing in 1958. He has authored some 155 volumes, including many volumes of poetry, several works of fiction, autobiography, drama, essays, travel books, and translations from classical Chinese. As well as many of his works in English translation, he has also been translated into some dozen other languages. [11]

Complete volumes in English

Literary Awards

References

See also

Wikimedia Commons has media related to Ko Un.

External links

All of the following links lead to English language pages.

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