Kyra E. Hicks

Kyra E. Hicks
Born (1965-10-01) October 1, 1965
Los Angeles, California
Nationality American
Alma mater University of Michigan
Genre Non-fiction, History of quilting
Website
www.black-threads.com

Kyra E. Hicks (born October 1, 1965) is an author, quilter[1] and quilt historian. She is best known for writing about African-American quilt history[2] and encouraging quilt documentation. She specializes in creating original story quilts, such as Black Barbie, which is in the permanent collection of the Fenimore Art Museum[3] in New York.[4]

Education

Kyra Hicks graduated from Howard University and the University of Michigan. She works professionally as an ecommerce and marketing director. She lives in Arlington, Virginia.

Quilting

Hicks specializes in creating narrative or story quilts. The themes she focuses on include being a single black woman, politics, family, and religion. All of her quilts include words as well as designs.

Her Patriotic Quilt (1995) is in the permanent collection of the Museum of Arts and Design in New York. It includes the name of the American black women Lani Guinier, Joycelyn Elders, and Anita Hill.[5]

Hicks created her Black Barbie quilt, displayed in the Fenimore Art Museum's exhibition Through the Eyes of Others: African Americans and Identity in American Art, to address issues of body image, western society's obsession with beauty, and the neglect of the African American when creating toys and other ephemera for children. The illustration features the American Barbie doll depicted as a black woman, with the text "Barbie" above it, and below it the phrase: "Was never intended for me."[6]

Research

In her quilt history research, Hicks found only the second known photograph to exist of Harriet Powers, an African-American slave, folk artist and quilt maker from rural Georgia, who used traditional appliqué techniques to record local legends, Bible stories, and astronomical events on her quilts. Only two of her quilts have survived: Bible Quilt 1886 and Pictorial Quilt 1898.

Hicks also confirmed the price of the Pictorial Quilt paid by the owner Maxim Karolik who donated the quilt to the Museum of Fine Arts, Boston.

Hicks was one of four African-American women quilters profiled in a PhD dissertation by Yolanda Woods, "New World African Conjurers Who Edify and Heal the Community.[7]

Bibliography

References

  1. "African American Quilting on the Rise Says Author Kyra E. Hicks". PRWeb. Retrieved 29 March 2013.
  2. "Kyra E. Hicks". The Huffington Post. Retrieved 28 March 2013.
  3. "Kyra Hicks". newbooksinhistory.com. Retrieved 29 March 2013.
  4. "The Quilter: Kyra Hicks". The Oprah Magazine. Retrieved 28 March 2013.
  5. The Patriotic Quilt Collections, Museum of Art and Design
  6. Black Barbie Comes To Cooperstown Folk Art Cooperstown Blog, retrieved Feb 8, 2010.
  7. Woods, Yolanda. PhD Dissertation, "New World African Conjurers Who Edify and Heal the Community" . (AAT9974639). University of Missouri, Columbia (2000). Hood's paper attempted to "read" the quilts and quilting production of these four quilters from the Midwest within a Womanist theoretical framework. The other quilters profiled were NedRa Bonds, Sherry Whetstone-McCall, and Edna Patterson-Petty.
  8. "Kyra Hicks, "This I Accomplish: Harriet Powers’ Bible Quilt and Other Pieces"". Iowa State University. Retrieved 29 March 2013.
  9. "Hicks, Kyra E.". WorldCat. Retrieved 29 March 2013.

External links

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