La poupée

For the 1962 film, see La poupée (film).

programme for 1897 London production

La poupée (The Doll) is an opéra comique in a prelude and three acts composed by Edmond Audran with a libretto by Maurice Ordonneau. It opened at the Théâtre de la Gaîté, Montparnasse, Paris on 31 October 1896. Along with Miss Helyett (1890) La poupée was one of Audran's late successes. The libretto was based on E.T.A. Hoffmann's Der Sandmann.^[1]

La poupée then played at the Prince of Wales Theatre in London, opening on 24 February 1897, with an English libretto in two acts by Arthur Sturgess, running for a very successful 576 performances. It starred Courtice Pounds and Willie Edouin, and Edna May later played in the piece. It also had a Broadway production in 1897 and was made into a film in 1920.^[2]

Roles

Role	Voice type	Premiere Cast, (Conductor:)
Father Maxime	baritone	Lucien Noel
Lancelot, a monk	tenor	Paul Fugère
Chanterelle	tenor	Paul Bert
Lorèmois, Chanterelle's friend	tenor	Bienfait
Balthazar, a monk	tenor	Jaltier
Agnelet, a monk	tenor	Bernard
Benoit, a monk	bass	Geoffroy
Basilique, a monk	bass	Fumat
Hilarius	tenor	Dacheux
Madame Hilarius	soprano	Gilles-Rainbault
Alesia, Hilarius's daughter	soprano	Mariette Sully
Guduline		Brandon
Henri
Pierre, Hilarius's assistant
Jacques
Marie

Synopsis

Maxime and his fellow monks are penniless and starving. A new member of the monastery, Lancelot, asks his rich uncle for aid. The uncle will assist the friars, but only if Lancelot gets married. The monks scheme to trick the uncle by using one of puppet master Hilarius's dolls, pretending that it is Lancelot's wife. Hilarius's newest puppet was made to look similar to Alesia, his daughter. At the wedding, however, Alesia masquerades as the doll, because she loves Lancelot. Lancelot does not discover that he has married the real Alesia until the wedding is over. Now he must leave the monastery with his wife, but the friars receive the generous sum of money from his uncle.

Musical numbers (from English-language adaptation)

Overture

Act I - Scene 1 - The Monastery

No. 1 - Opening Chorus and Song - Lancelot - "Alas! with lean and empty scrip the Brotherhood are now returning..."
No. 1a - Exit of Chorus - "Yes, though we're poor in luck of late, and all our hearts are full of sorrow..."
No. 2 - Song - Father Maxime - "Soon you are to see life and much adventure..."
No. 3 - Bell Chorus, with Father Maxime and Lancelot - "Hark, how the bell is ringing, here we come with speed..."

Act I - Scene 2 - Hilarius's Workshop

No. 4 - Workmen's Chorus - "We are workmen waiting for our payment; automatic dolls we make..."
No. 4a -*Exit of Chorus (reprise) - "We are workmen waiting for our payment..."
No. 5 - Song - Alesia - "With careless eye I saw him there, and love took rest within my heart..."
No. 6 - Song - Lancelot - "If in a cell your life is pass'd, nought of temptation you will see..."
No. 7 - Trio - Alesia, Lancelot and Hilarius - "I can dance and sing and chatter, though my speech is rather disjointed..."
No. 8 - Duet - Alesia and Lancelot - "I love you very dearly; my hand and heart at your feet I lay..."
No. 9 - Finale Act I - "Come, let us now to work, our task we never shirk..."

Act II - Scene 1 - Chanterelle's Country House

No. 9a - Entr'acte
No. 10 - Opening Chorus - "Now we appear, neighbours and friends; news that we hear, none can disparage..."
No. 11 - Duet - Chanterelle and Loremois - "This wicked world I've wander'd round, 'mid pleasant scenes and others not..."
No. 12 - Trio - Alesia, Chanterelle and Loremois - "Ah! Lancelot is not yet here; perhaps 'tis Chanterelle I see..."
No. 13 - Quartette - Chanterelle, Loremois, Lancelot and Hilarius - "Though manners change, a girl so strange..."
No. 14 - Duet - Lancelot and Alesia - "Happy world, such maidens possessing if like to thee..."
No. 15 - Ensemble - "Here are the wedding guests, who come to see the bridegroom and the blushing bride..."
No. 16 - Chorus - "After them we go! Follow them, stop them in their flight! Bring them back ere fall of night! ..."

Act II - Scene 2 - Another part of the Monastery

No. 17 - Chorus - "'Tis night, and brother Lancelot has not returned from his adventure to keep the vow of his indenture..."
No. 18 - Song - Father Maxime - "A jovial monk am I, contented with my lot. The world without this gate I flout..."
No. 19 - Chorus of Monks - "Oh, strange device, so nearly true to life, 'tis worth the price he's paid for such a wife..."
No. 20 - Song - Alesia - "A poor little dummy am I, but still my intellect is shining..."
No. 21 - Exit of Monks - "Creature false and frail as that she's representing, not in strength we fail, not a whit we relent..."
No. 22 - Duet - Alesia and Lancelot - "Was it a kiss? Sweetest caress! Token of bliss and happiness! ..."
No. 23 - Finale Act II - "And now I mean to leave this place, to start another kind of life..."

Supplementary Numbers

No. 24 - Extra Song - Lancelot - "I went to town a simple youth as many more have done..."
No. 25 - Extra Song - Alesia - "'Tis the Springtime of love, with all its store of gladness..."

Notes

↑ Grove Online accessed 14 October 2007. (Requires subscription)
↑ Information about the 1920 film version

References

External links

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