Landscape zodiac

A landscape zodiac (or terrestrial zodiac) is a map of the stars on a gigantic scale, formed by features in the landscape, such as roads, streams and field boundaries. Perhaps the best known alleged example is the Glastonbury Temple of the Stars, situated around Glastonbury in Somerset, England. The temple is thought by some to depict a colossal zodiac.

The theory was first put forward in 1935 by Katherine Maltwood, an artist who "discovered" the zodiac in a vision, and held that the "temple" was created by Sumerians about 2700 BC. Interest was re-ignited in 1969 by Mary Caine in an article in the magazine Gandalf's Garden.

The landscape zodiac plays an important role in many occult theories. It has been associated with the Celtic Saints, Grail legend and King Arthur (according to some legends buried in Glastonbury).

Criticism

The idea was examined by two independent studies, one by Ian Burrow in 1975 [1] and the other in 1983 by Tom Williamson and Liz Bellamy,[2] using the standard methods of landscape historical research. Both studies concluded that the evidence contradicted the idea. The eye of Capricorn identified by Maltwood was a haystack. The western wing of the Aquarius phoenix was a road laid in 1782 to run around Glastonbury, and older maps dating back to the 1620s show the road had no predecessors. The Cancer boat (not a crab as would be expected) is made up of a network of eighteenth century drainage ditches and paths. There are some Neolithic paths preserved in the peat of the bog formerly comprising most of the area, but none of the known paths match the lines of the zodiac features. There is no support for this theory, or for the existence of the "temple" in any form, from conventional archaeologists or mainstream historians.

Other landscape zodiacs

Despite scientific scepticism, further zodiacs have been "discovered" in Britain in following years including:

There is rarely a strong scientific case for these discoveries. Their nebulous existence is in many ways similar to urban myths, ufology, or ley lines. They seem to play a part in personal belief systems, possibly as fictional devices; for example "The Brighton Zodiac" - created by Sally Hurst, based on the streets of that town - features as a plot device in Robert Rankin's novel "The Brightonomicon" .

Landscape zodiacs and psychogeography

In the walks around the M25 motorway documented in psychogeographer Iain Sinclair's 2003 novel London Orbital, the walkers trace the mythical Kingston upon Thames Zodiac.[3]

In 2006, artist Nigel Ayers began to develop the idea of the Bodmin Moor Zodiac as a form of spatial detournement. This was an idea derived from developments in land art [4] and locational media, influenced however by urban-based Situationist and Letterist theory. Over the course of a year, Ayers carefully explored the outlines of zodiac figures perceived and plotted on large-scale maps and aerial photographs of the moor. The newly-drawn 2006 figures are remarkable and make a break from earlier mooted terrestrial zodiacs on Bodmin Moor and elsewhere as they actually resemble a conventional zodiac as outlined on a star map. [5]

See also

References

  1. Ian Burrow, Somerset's Planning Department staff archeologist, concluded that "while the outlines of the effigies may be plotted today, their antiquity is illusory"
  2. Tom Williamson, Liz Bellamy, Ley Lines In Question, pages 162-168. (Tadworth, UK: World's Work, 1983). ISBN 0-437-19205-9
  3. Iain Sinclair, London Orbital (Penguin Books, London, 2005), ISBN 0-14-101474-1
  4. Sinclair, Alison. "The Glastonbury Zodiac of Katharine Maltwood". Retrieved September 23, 2015.
  5. "The Bodmin Moor Zodiac". brainwashed.com/. Retrieved 2015-09-23.

Further reading

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