Larry McCaffery

Larry McCaffery

Lawrence F. "Larry" McCaffery Jr. (born May 13, 1946) is a literary critic, editor, and retired professor of English and Comparative Literature at San Diego State University. His work and teaching focuses on postmodern literature, contemporary fiction, and Bruce Springsteen.[1] He also played a role in helping to establish science fiction as a major literary genre.[2]

Biography

McCaffery was born in 1946 in Dallas, Texas. He received his PhD in 1975, with a dissertation on the works of Robert Coover.[3] He joined the Department of English and Comparative Literature at San Diego State University in 1976. He taught in SDSU's English Department until retiring in 2010. During his career as a professor, McCaffery took up visiting professorships at University of Nice, University of California, San Diego, Deep Springs College (where William T. Vollmann attended), Seikei University in Tokyo, Japan and was a Fulbright Lecturer at Beijing Foreign Studies University during the Tiananmen Square protests of 1989. He and his wife currently reside in Borrego Springs, California.

Literary career

In 1983, McCaffery published two books in the field of postmodern literary studies. The first was The Metafictional Muse: The Works of Coover, Gass, and Barthelme, which explored the emergence of the "meta-impulse" as one of the defining features of postmodern aesthetics.[4] The second was Anything Can Happen: Interviews with Contemporary American Novelists (with Tom LeClair), which helped identify the major innovative authors associated with postmodernism.[5]

McCaffery went on to publish three additional collections of interviews with contemporary authors: Alive and Writing: Interviews with American Authors of the 1980s with Sinda Gregory (1986),[6] Across the Wounded Galaxies: Interviews with Contemporary American Science Fiction Authors (1990),[7] and Some Other Frequency: Interviews with Innovative American Authors (1995).[8] McCaffery explains that the interviews within these works begin orally, and, after being transcribed from tape and edited by both McCaffery and the interviewee, become "collaborative texts based on an actual conversation rather than a direct rendering of that conversation".[8] These seminal works established "avant-prof" critic Lance Olsen to dub McCaffery as "Guru of the Interview"[9]

During his career as Professor at SDSU, McCaffery played a large role as editor of literary journals. In 1983, McCaffery arranged to have the literary journal, Fiction International move to SDSU from New York, where it had been edited and published by Joe David Bellamy since 1973.[10] McCaffery served as co-editor of FI with Harold Jaffe for the next decade, during which it became one of the leading publishers of radically innovative, politically charged fiction.[10] Since the early eighties, he has also been an editor of American Book Review, and executive editor of Critique: Studies in Contemporary Fiction. McCaffery has guest-edited several special issues of other literary magazines, including Mississippi Review's landmark "Cyberpunk Issue.[11][12]

McCaffery's most important work may be Storming the Reality Studio, for its role in placing science fiction and cyberpunk within the field of postmodern studies.[13] an anthology featuring the fictional work of authors such as William Gibson, Samuel R. Delany, Don DeLillo, Kathy Acker, and Harold Jaffe, as well as non-fiction by writers such as Jean Baudrillard and Jacques Derrida.[14] Other notable anthologies are Avant-Pop: Fiction for a Daydream Nation (1993) and After Yesterday's Crash: The Avant-Pop Anthology (1997).[15]

Awards and honors

References in pop culture and legacy

McCaffery is briefly mentioned in Raymond Federman's novel The Twofold Vibration,[19] and is mentioned throughout William T. Vollmann's book Imperial.[20] He has also been quoted in an article in The New Yorker about David Foster Wallace's legacy.[21]

He created a theory of media/visual studies about the relation between memory, narrative, and sexuality called "Avant-Porn," as claimed in his introduction to Michael Hemmingson's 2000 anthology, WTF: The Avant-Porn Anthology.[22] a true account.[23] In the dedication to his book, Science Fiction After 1900: From the Steam Man to the Stars, Brooks Landon calls McCaffery, "Pomo's Pure Product, Cyberpunk's Critical Case Officer, Avant Pop's Main Man, and SF's Friend in the High Castle".

McCaffery is also author of the popular best of list The 20th Century’s Greatest Hits: 100 English-Language Books of Fiction. This list was written in response to Modern Library 100 Best Novels list (1999), which McCaffery saw as "being way, way out of touch with the nature and significance of 20th century fiction".[24][25]

Selected bibliography

Books of interviews

Scholarly books

Fiction anthologies

See also

References

  1. ↑ McCaffery on Glory Days: A Bruce Springsteen Symposium (http://app.outreach.psu.edu/springsteen/schedule/AbstractList.asp?TT=58)
  2. ↑ See McCaffery's chapter "The Fictions of the Present." The Columbia Literary History of the United States, ed. Emory Eliiott. New York: Columbia University Press, 1988, pp. 116–77. (ISBN 978-0-231-05812-4)
  3. 1 2 3 http://www.spinelessbooks.com/mccaffery/vitae.html
  4. ↑ The Metafictional Muse: The Work of Robert Coover, Donald Barthelme and William H. Gass. Pittsburgh: Univ. of Pittsburgh Press, 1982. (ISBN 978-0-8229-3462-2)
  5. ↑ 'Anything Can Happen: Interviews with Contemporary American Novelists (with Tom LeClair). Urbana: University of Illinois Press, 1983. (ISBN 978-0-252-00971-6)
  6. ↑ Alive and Writing: Interviews with American Authors of the 1980s (with Sinda Gregory). Urbana: University of Illinois Press, 1987. (ISBN 978-0-252-01385-0)
  7. ↑ Across the Wounded Galaxies: Interviews with Contemporary American Science Fiction Authors. Urbana: University of Illinois Press 1990. (ISBN 978-0-252-06140-0)
  8. 1 2 Some Other Frequency: Interviews with Innovative American Authors. Philadelphia, PA: Univ. of Pennsylvania Press, 1995. (ISBN 978-0-8122-3201-1)
  9. ↑ "Guru of the Interview": Lance Olsen reviews Across the Wounded Galaxies In American Book Review August/September 1990, p. 1 (http://americanbookreview.org/issueContent.asp?id=97)
  10. 1 2 http://www-rohan.sdsu.edu/~fictintl/about.php
  11. ↑ Mississippi Review: The Cyberpunk Controversy. #47/48. 1988. Including general introduction, "The Desert of the Real: The Cyberpunk Controversy."
  12. ↑ Cyberpunk Timeline (http://project.cyberpunk.ru/idb/timeline.html)
  13. ↑ Joseph Dudley review from Science Fiction Studies 1992.
  14. ↑ McCaffery, Larry, Ed. Storming the Reality Studio Durham: Duke University Press, 1991. (ISBN 978-0-8223-1168-3)
  15. ↑ After Yesterday's Crash: The Avant-Pop Anthology. NY: Penguin Books, 1997. (ISBN 978-0-14-024085-6)
  16. ↑ http://www.eliterature.org/Awards2001/comments-fiction.php
  17. ↑ http://www.readercon.org/guests.htm
  18. ↑ for essay "Towards the Theoretical Frontiers of 'Fiction:' From Metafiction and Cyberpunk through Avant-Pop" (with Takayuki Tatsumi), SF Eye. 12 (Summer 1993):43-50.
  19. ↑ Federman, Raymond. The Twofold Vibration. Green Integer. 2000. (ISBN 978-1-892295-29-3)
  20. ↑ Vollmann, William T., Imperial. Viking, 2009 (ISBN 978-0-670-02061-4)
  21. ↑ http://www.newyorker.com/reporting/2009/03/09/090309fa_fact_max
  22. ↑ see http://spinelessbooks.com/mccaffery/dustdevil/index.html
  23. ↑ "Dust Devil" (critifictional introduction) In Michael Hemmingson, ed., What the Fuck: The Avant-Porn Anthology. NY: Soft Skull Press, 2001, pp. i–xi. (ISBN 978-1-887128-61-2)
  24. ↑ American Book Review, September/October 1999, Volume 20, Issue 6. (http://www.litline.org/abr/issues/volume20/issue6/abr100.html)
  25. ↑ McCaffery's 100 and explanation at Spineless Books (http://www.spinelessbooks.com/mccaffery/100/index.html)

External links

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