List of Cultural Properties of Japan - paintings (Toyama)
This list is of the Cultural Properties of Japan designated in the category of paintings (絵画 kaiga) for the Prefecture of Toyama.[1]
National Cultural Properties
As of 1 January 2015, three Important Cultural Properties have been designated, being of national significance.[2][3]
| Property | Date | Municipality | Ownership | Comments | Image | Dimensions | Coordinates | Ref. |
|---|---|---|---|---|---|---|---|---|
| Lotus Sutra Mandala, colour on silk 絹本著色法華経曼荼羅図 kenpon chakushoku Hoke-kyō mandara zu | 1326-28 | Toyama | Honpō-ji (本法寺) | 21 scrolls | | 36°33′11″N 137°09′45″E / 36.553120°N 137.162547°E | ||
| Scenes in and around the Capital, colours on paper with gold ground 紙本金地著色洛中洛外図〈/六曲屏風〉 shihon kinji chakushoku rakuchū rakugai zu (rokkyoku byōbu) | Momoyama period | Takaoka | Shōkō-ji (勝興寺) (kept at the Takaoka Municipal Museum (高岡市立博物館)) | pair of six-panel screens | | 36°44′47″N 137°01′16″E / 36.746450°N 137.021055°E | ||
| Ittō Ryōson (one stupa two deities) - Nichiren - Kishimojin and the Ten Rasetsunyo - Thirty Guardian Deities colour on silk, by Hasegawa Tōhaku 紙本著色一塔両尊像〈長谷川信春筆/〉 紙本著色日蓮像〈長谷川信春筆/〉 紙本著色鬼子母神十羅刹女像〈長谷川信春筆/〉 絹本著色三十番神像〈長谷川信春筆/〉 kenpon chakushoku ittō ryōson zō (Hasegawa Tōhaku hitsu) kenpon chakushoku Nichiren zō (Hasegawa Tōhaku hitsu) kenpon chakushoku Kishimojin jū-rasetsunyo zō (Hasegawa Tōhaku hitsu) kenpon chakushoku sanjū banshin zō (Hasegawa Tōhaku hitsu) | 1564-66 | Takaoka | Daihō-ji (大法寺) | four scrolls | | 86.0 centimetres (2.822 ft) by 40.0 centimetres (1.312 ft); 85.7 centimetres (2.81 ft) by 40.5 centimetres (1.33 ft); 86.4 centimetres (2.83 ft) by 39.9 centimetres (1.31 ft); 94.7 centimetres (3.11 ft) by 39.0 centimetres (1.280 ft) | 36°44′48″N 137°00′27″E / 36.746648°N 137.007483°E | |
Prefectural Cultural Properties
As of 1 January 2015, twelve properties have been designated at a prefectural level.[4]
| Property | Date | Municipality | Ownership | Comments | Image | Dimensions | Coordinates | Ref. |
|---|---|---|---|---|---|---|---|---|
| Monju Bosatsu Riding a Lion, colour on silk 絹本著色騎獅文殊菩薩像 kenpon chakushoku kishi Monju bosatsu zō | early Kamakura period | Toyama | Raikō-ji (来迎寺) | | 36°40′59″N 137°13′16″E / 36.683125°N 137.220987°E | |||
| Shōtoku Taishi Aged 16, colour on silk 絹本著色聖徳太子孝養像図 kenpon chakushoku Shōtoku Taishi kōyō-zō zu | Toyama | private | | 36°41′02″N 137°12′54″E / 36.683770°N 137.214893°E | ||||
| Nichiren Shū Honzon Mandala, colour on silk 絹本著色日蓮宗本尊曼荼羅図 kenpon chakushoku Nichiren-shū honzon mandara zu | Momoyama period | Takaoka | Daihō-ji (大法寺) | the title of the 南無妙法蓮華経; by Hasegawa Tōhaku | | 36°44′48″N 137°00′27″E / 36.746648°N 137.007483°E | ||
| Pure Land based on the Amitayurdhyana Sutra, colour on silk 絹本著色観経浄土変相図 kenpon chakushoku kangyō jōdo hensō zu | Kamakura period | Imizu | Mandara-ji (曼陀羅寺) | | 36°46′46″N 137°05′21″E / 36.779446°N 137.089269°E | |||
| Blue Fudō, colour on silk 絹本著色青不動 kenpon chakushoku ao Fudō | late Kamakura period | Imizu | Mandara-ji (曼陀羅寺) | | 36°46′46″N 137°05′21″E / 36.779446°N 137.089269°E | |||
| Standing Yakushi Nyorai, colour on silk 絹本著色薬師如来立像 kenpon chakushoku Yakushi Nyorai ryū-zō | Kamakura period | Tonami | Jōfuku-ji (常福寺) | | 36°39′14″N 136°58′59″E / 36.653865°N 136.983075°E | |||
| Daiitoku Myōō, colour on silk 絹本著色大威徳明王図 kenpon chakushoku Daiitoku Myōō zu | early Muromachi period | Tonami | Senkō-ji (千光寺) | | 36°38′10″N 137°01′55″E / 36.636158°N 137.031806°E | |||
| Mandala of the Two Realms, colour on silk 絹本著色両界曼荼羅図 kenpon chakushoku ryōkai mandara zu | late Kamakura period | Tonami | Senkō-ji (千光寺) | pair of scrolls with supplementary scroll | | 36°38′10″N 137°01′55″E / 36.636158°N 137.031806°E | ||
| Nirvana Painting, colour on silk 絹本著色仏涅槃図 kenpon chakushoku Butsu nehan zu | Nanboku-chō period | Toyama | Ōyama Centre for Administration (大山総合行政センター) | | 36°36′08″N 136°53′08″E / 36.602110°N 136.885679°E | |||
| Ema at Angō-ji 安居寺の絵馬 Angōji no ema | Momoyama period | Nanto | Angō-ji (安居寺) | three ema; said to be the work of Kanō Eitoku and his pupil Sanraku | | 36°36′08″N 136°53′08″E / 36.602110°N 136.885679°E | ||
| Kitano Shrine Okuni Kabuki Byōbu 北野神社阿国歌舞伎図 Kitano Jinja Okuni kabuki zu | early Edo period | Nanto | Fukuno Shimeisha (福野神明社) | | 36°35′36″N 136°55′19″E / 36.593419°N 136.921996°E | |||
| Three Thousand Buddhas, colour on silk 絹本著色三千仏図 kenpon chakushoku sanzen butsu zu | Muromachi period | Toyama | split between Tairyū-ji (帝龍寺), Ōyama Historical Folk Material Museum (富山市大山歴史民俗資料館), and Ōyama Centre for Administration (大山総合行政センター) | three scrolls | | 36°33′48″N 137°13′52″E / 36.563272°N 137.231244°E | ||
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See also
- Cultural Properties of Japan
- List of National Treasures of Japan (paintings)
- Japanese painting
- List of Cultural Properties of Japan - historical materials (Toyama)
- List of Historic Sites of Japan (Toyama)
References
- ↑ "Cultural Properties for Future Generations". Agency for Cultural Affairs. Retrieved 5 January 2015.
- ↑ 国宝・重要文化財 [Number of National Treasures and Important Cultural Properties by Prefecture] (in Japanese). Agency for Cultural Affairs. 1 January 2015. Retrieved 5 January 2015.
- ↑ "Database of National Cultural Properties: 国宝・重要文化財(美術品)(絵画 富山県)" (in Japanese). Agency for Cultural Affairs. Retrieved 5 January 2015.
- ↑ 絵画 [Paintings] (in Japanese). Toyama Prefecture. Retrieved 5 January 2015.
External links
- (Japanese) Cultural Properties in Toyama Prefecture
- (Japanese) Cultural Properties in Toyama Prefecture
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