| Title |
Director |
Cast |
Genre |
Notes |
| 1990 |
| Abraham's Gold | Jörg Graser | | | Screened at the 1990 Cannes Film Festival |
| Affengeil | | | Documentary | |
| Europa Europa | Agnieszka Holland | Marco Hofschneider, Julie Delpy | World War II Drama | 1991 Golden Globe Winner for Best Foreign Film; 1991 Academy Award Nominee for Best Writing Adapted Screenplay |
| Herzlich willkommen | Hark Bohm | | | Entered into the 40th Berlin International Film Festival |
| The Nasty Girl | Michael Verhoeven | | | Verhoeven won the Silver Bear at Berlin; 1990 Academy Award Nominee for Best Foreign Film |
| 1991 |
| Lebewohl, Fremde | Tevfik Başer | | | Screened at the 1991 Cannes Film Festival |
| Manta, Manta | | Til Schweiger | Action comedy | |
| Malina | Werner Schroeter | | | Entered into the 1991 Cannes Film Festival |
| Pappa Ante Portas | Loriot | Evelyn Hamann | Comedy | |
| Success | Franz Seitz, Jr. | | | Entered into the 41st Berlin International Film Festival |
| The Tango Player | Roland Gräf | | | Entered into the 41st Berlin International Film Festival |
| Until the End of the World | Wim Wenders | Solveig Dommartin, William Hurt, Max von Sydow | | |
| Walerjan Wrobel's Homesickness | Rolf Schübel | | | Entered into the 17th Moscow International Film Festival |
| 1992 |
| Apple Trees | Helma Sanders-Brahms | | | Screened at the 1992 Cannes Film Festival |
| The Blue Hour | Marcel Giesler | | Gay drama | |
| Damage | Louis Malle | Jeremy Irons | | 1992 Academy Award Nominee for Best Supporting Actress for Miranda Richardson |
| Gudrun | Hans W. Geißendörfer | | | Won an Honourable Mention at Berlin |
| Kleine Haie | | | | |
| Schtonk! | Helmut Dietl | Götz George | Comedy | 1992 Academy Award Nominee for Best Foreign Film; Satire about the Hitler Diaries hoax |
| 1993 |
| Body of Evidence | Uli Edel | | Erotic | |
| Faraway, So Close! | Wim Wenders | Otto Sander, Bruno Ganz | Fantasy drama | 1993 Golden Globe Nominee for Best Foreign Film; 1993 Grand Prix Winner at Cannes |
| Just a Matter of Duty | Thomas Mitscherlich | | | Entered into the 43rd Berlin International Film Festival |
| Kaspar Hauser – Verbrechen am Seelenleben eines Menschen | Peter Sehr | | |
| No More Mr. Nice Guy | Detlev Buck | | | Entered into the 43rd Berlin International Film Festival |
| Stalingrad | Joseph Vilsmaier | Thomas Kretschmann, Dominique Horwitz | War drama | Entered into the 18th Moscow International Film Festival |
| Two Small Bodies | Beth B. | Suzy Amis, Fred Ward | Thriller | |
| 1994 |
| Asterix Conquers America | Gerhard Hahn | | Animated | |
| Back to Square One | Reinhard Münster | | | Entered into the 44th Berlin International Film Festival |
| Die Bartholomäusnacht | | Isabelle Adjani, Daniel Auteuil | Historic drama | German-French co-production |
| The Blue One | Lienhard Wawrzyn | | | Entered into the 44th Berlin International Film Festival |
| Der bewegte Mann | Sönke Wortmann | Til Schweiger | Comedy | |
| Felidae | Michael Schaack | Ulrich Tukur, Mario Adorf and Thomas Fritsch | Drama, mystery | Screened at the Trickompany company |
| Lisbon Story | Wim Wenders | | | Screened at the 1995 Cannes Film Festival |
| Mario and the Magician | Klaus Maria Brandauer | | | Entered into the 19th Moscow International Film Festival |
| 1995 |
| After Five in the Forest Primeval | Hans-Christian Schmid | Franka Potente | Romantic comedy | 2 Bavarian Film Awards |
| Brother of Sleep | Joseph Vilsmaier | | Drama | Official Submission for the Academy Awards in 1995 |
| Deathmaker | Romuald Karmakar | Götz George | Drama | Official Submission for the Academy Awards in 1996; Based on the interrogation of murderer Fritz Haarmann |
| Hades | Herbert Achternbusch | | | Entered into the 45th Berlin International Film Festival |
| Mutters Courage | Michael Verhoeven | Ulrich Tukur, Pauline Collins | World War II drama | |
| The Promise | Margarethe von Trotta | | Drama | Official Submission for the Academy Awards in 1994; Romantic Drama beginning during the rise and ending with the fall of the Berlin Wall |
| Transatlantis | Christian Wagner | | | Entered into the 45th Berlin International Film Festival |
| 1996 |
| Beyond Silence | Caroline Link | Sylvie Testud | | 1997 Academy Award Nominee for Best Foreign Film |
| Echte Kerle | Rolf Silber | | Gay comedy | Titled Regular Guys for U.S. DVD release |
| The Ogre | Volker Schlöndorff | John Malkovich | Drama | |
| Seven Servants | Daryush Shokof | Anthony Quinn | Surreal comedy | - |
| 1997 |
| Bandits | Katja von Garnier | Katja Riemann | Action | |
| Knockin' on Heaven's Door | Thomas Jahn | | | Entered into the 20th Moscow International Film Festival |
| Life is All You Get | Wolfgang Becker | | | Entered into the 47th Berlin International Film Festival |
| Mein Herz – niemandem! | Helma Sanders-Brahms |
| Rossini | Helmut Dietl | Götz George, Mario Adorf, Heiner Lauterbach, Veronica Ferres | Comedy | |
| 1998 |
| The Big Mambo | Michael Gwisdek | | | Entered into the 48th Berlin International Film Festival |
| Places in Cities | Angela Schanelec | | | Screened at the 1998 Cannes Film Festival |
| Run Lola Run | Tom Tykwer | Franka Potente, Moritz Bleibtreu | Thriller | Official Submission for the 1998 Academy Awards; 1998 BAFTA Nominee; 1999 Independent Spirit Award Winner |
| Widows | Sherry Hormann | Ornella Muti, Katja Flint, Eva Mattes | Comedy | |
| 1999 |
| Aimée & Jaguar | Max Färberböck | Maria Schrader, Juliane Köhler | Romantic drama | 1999 Golden Globe Nominee; Official Submission for the Academy Awards in 1999; Lesbian love story set in World War II |
| Buena Vista Social Club | Wim Wenders | | Documentary | Academy Award Nominee for Best Documentary |
| Gloomy Sunday | Rolf Schübel | | World War II drama | Co-production with Hungary |
| Nightshapes | Andreas Dresen | | | Entered into the 49th Berlin International Film Festival |
| Sonnenallee | Leander Haußmann | Robert Stadlober | Comedy | |
|
