| J. (Jähns) |
Description |
| 1-6 |
6 Fughettas, Op. 1 (Piano) [1798] |
| 7 |
6 Variations in C on an Original Theme, Op. 2 (Piano) [1800] |
| 8 |
Opera, Peter Schmoll und seine Nachbarn, Op. 8 [1801-2] |
| 9-14 |
6 petites pièces faciles, Op. 3 (Piano 4-hands) [1801] |
| 15-26 |
12 allemandes, Op. 4 (pf; No. 11 & 12 for Piano 4-hands) [1801] |
| 27 |
Song, "Die Kerze" [1802] |
| 28 |
Song, "Umsonst ensagt ich," Op. 71/4 [1802] |
| 29-34 |
6 Ecossaises (Piano) [1802] |
| 35 |
Canon, "Mädchen, ach meide Männerschmeichelei'n," Op. 13/6 (3v) [1802] (used by Mahler in J.Anh. 5) |
| 36 |
"Ein Gärtchen und ein Häuchen drin" (chorus [STB]) [1803] |
| 37 |
Grablied (TTB, 9 wind) [1803] |
| 38 |
Song, "Entfliehet schnell von mir" [1803] |
| 39 |
Arrangement of vocal score of GJ Vogler's opera Samori [1803] |
| 40 |
8 Variations sur l'air de ballet de Castor and Pollux, Op. 5 (Piano) [1804] |
| 41 |
Song, "Ich sah die hingesunken" [1804] |
| 42 |
Song, "Wiedersehen," Op. 30/1 [1804] |
| 43 |
6 Variations in C on a theme from Vogler's Samori, Op. 6 (Piano [vn, vc ad lib]) [1804] |
| 44-46 |
Opera, Rübezahl (3 nos. only) [1804-5] |
| 47 |
Romanza siciliana in G minor (fl, orch) [1805] |
| 47a |
Tusch (20 tpt) [1806] |
| 48 |
Song, "Ich denke dein," Op. 66/3 [1806] |
| 49 |
6 Variations in C on "A Schüsserl und a Rein'dl'" (vla, orch) [1806] |
| 50 |
Symphony No. 1 in C major, Op. 19 [1807] |
| 51 |
Symphony No. 2 in C [1807] |
| 52 |
Song (with gui. acc.), "Liebeszauber," Op. 13/3 [1807] |
| 53 |
7 Variations sur l'air "Vien quà, Dorina bella" [by Bianchi], Op. 7 (Piano) [1807] |
| 54 |
Grande ouverture à pleusieurs instruments, Op. 8 (revision of ov. to J. 8) [1807] |
| 55 |
Thème original varié, Op. 9 (7 variations for Piano) [1808] |
| 56 |
Momento capriccioso in B flat major, Op. 12 (Piano) [1808] |
| 57 |
Song, "Er an Sie," Op. 15/6 [1808] |
| 58 |
Cantata, "Der erste Ton," Op. 14 (reciter, SATB, orch) [1808, rev. 1810] |
| 59 |
Grande polonaise in E flat major, Op. 21 (Piano) [1808] |
| 60 |
Song (with bc acc.), "Komisches musikalisches Sendschreiben" [1808] |
| 61 |
9 Variations on a Norwegian air (vn, Piano) [1808] |
| 62 |
Song, "Meine Farben," Op. 23/1 [1808] |
| 63 |
Song, "Klage," Op. 15/2 [1808] |
| 64 |
Grand pot-pourri, Op. 20 (vc, orch) [1808] |
| 65 |
Song, "Serenade" ("Die Lethe des Lebens"), Op. 66/5 [1809] |
| 66 |
"Die Lethe des Lebens" (B, chorus, Piano) [1809] |
| 67 |
Song, "Das Röschen," Op. 15/5 [1809] |
| 68 |
Song, "Was zieht zu deinem Zauberkreise," Op. 15/4 [1809] |
| 69 |
"Chorlied" (chorus) [1809] |
| 70 |
Song, "Rhapsodie" ("Die Blume"), Op. 23/2 [1809] |
| 71 |
Song, "Romanze" ("Die Ruinen") [1809] |
| 72 |
Song (with gui. acc.), "Sanftes Licht, weiche nicht," Op. 13/4 [1809] |
| 73 |
Song, "Meine Lieder, meine Sange," Op. 15/1 [1809] |
| 74 |
Song, "Der kleine Fritz," Op. 15/3 [1809] |
| 75 |
Incidental music for Turandot (Schiller, after Gozzi), Op. 37 (ov. & 6 inst. nos.) [1809] |
| 76 |
Piano Quartet in B flat major, Op. 18 [1811] |
| 77-78 |
2 nos. for Haydn pasticcio, Der Freibrief [1809] (77 used by Mahler in J.Anh. 5) |
| 79 |
Andante e Rondo ungarese in C minor, Op. 35 (vla, orch) (see also J. 158) [1809] |
| 80 |
Song, "Trinklied" [1809] |
| 81-6 |
6 pieces, Op. 10 (Piano 4-hands) [1809] |
| 87 |
Opera, Silvana [1808-10] |
| 88 |
Canzonetta, "Sicchè t'inganni" (voice, Piano/harp) [1810] |
| 89 |
Canon, "Die Sonate soll ich spielen" (3v) [1810] |
| 90 |
Canon, "Canons zu zwei sinc nicht drei" (3v) [1810] |
| 91 |
Song (with gui. acc.), "Die Schäferstunde" ("Damon und Chloé"), Op. 13/1 [1810] |
| 92 |
Song, "Das neue Lied" [1810] |
| 93 |
Recit & Rondo, "Il momento s'avvicina," Op. 16 (S, orch) [1810] |
| 94 |
Variations in F (vc, orch) [1810] |
| 95 |
Canon, "Leck mich im Angesicht" (3v) [1810] |
| 96 |
Song (with gui. acc.), "Wiegenlied," Op. 13/2 [1810] |
| 97 |
Song (with gui. acc.), "Die Zeit," Op. 13/5 [1810] |
| 98 |
Piano Concerto No. 1 in C major, Op. 11 [1810] |
| 99-104 |
6 sonates progressives in F, G, d, E flat, F, C, Op. 10 (vn, Piano) [1810] |
| 105 |
Song, "Des Künstlers Abshied," Op. 71/6 (v, gui/pf) [1810] |
| 106 |
Singspiel, Abu Hassan [1810-11] |
| 107 |
Duet, "Se il mio ben," Op. 31/1 (AA, Clarinet, 2 hn, str) [1811] |
| 108 |
Canzonetta, "Ah, dove siete," Op. 29/1 (v, gui/pf) [1811] |
| 109 |
Clarinet Concertino in E flat, Op. 26 [1811] |
| 110-13 |
4 songs for Der arme Minnesinger (voice, gui) (see Op. 25) [1811] |
| 114 |
Clarinet Concerto No. 1 in F minor, Op. 73 [1811] |
| 115 |
Adagio & Rondo in F (harmonium, orch) [1811] |
| 116 |
Trauer-Musik (Bar, chorus, 10 wind) [1811] |
| 117 |
Song, "Maienblümlein, so schön," Op. 23/3 [1811] |
| 118 |
Clarinet Concerto No. 2 in E flat major, Op. 74 [1811] |
| 119 |
Melody in F (Clarinet, with Piano accom by FW Jähns) [1811] |
| 120 |
Canzonetta, "Ch'io mai vi possa," Op. 29/3 (v, gui/pf) [1811] |
| 121 |
Scena & aria, "Misera me!" Op. 50 (S, orch) [1811] |
| 122 |
Overture, "Der Beherrscher der Geister" ("Ruler of the Spirits"), Op. 27 [1811] |
| 123 |
Duet, "Mille volte," Op. 31/2 (SS, Piano) [1811] |
| 124 |
Canzonetta, "Ninfa se liete," Op. 29/2 (v, gui/pf) [1811] |
| 125 |
Duet, "Va, ti consola," Op. 31/3 (SS, Piano) [1811] |
| 126 |
Scena & aria, "Qual altro attendi" (T, chorus, orch) [1812] |
| 127 |
Bassoon Concerto in F, Op. 75 [1811, rev. 1822] |
| 128 |
7 Variations on a theme from Silvana, Op. 33 (Clarinet, Piano) [1811] |
| 129 |
Song, "Romanze" ("Wiedersehen") [1812] |
| 130 |
Song, "Sonett," Op. 23/4 [1812] |
| 131 |
"Lenz erwacht, und Nachtigallen" (STB, chorus [STB], Piano) [1812] |
| 132 |
"Das Turnierbankett," Op. 68/1 (TTB, male chorus) [1812] (used by Mahler in J.Anh. 5) |
| 133 |
"An eine Freundin," Op. 23/6 (chorus [STTB], Piano) [1812] |
| 134 |
Song, "Lebensansicht," Op. 66/4 [1812] |
| 135 |
"Schwäbisches Tanzlied" (chorus [STTBB], Piano) [1812] |
| 136 |
"Heisse, stille Liebe schwebet," Op.23/5 (chorus [STTB], Piano) [1812] |
| 137 |
Song, "Bettlerlied," Op. 25/4 (v, gui/pf) [1812] |
| 138 |
Piano Sonata No. 1 in C major, Op. 24 [1812] |
| 139 |
"Kriegs-Eid" (unison male vv, 2 tpt, 3 hn, bsn, trbn) [1812] |
| 140 |
Song, "Liebeglühen," Op. 25/1 (v, gui/pf) [1812] |
| 141 |
7 Variations on "A peine au sortir de l'enfance" from Méhul's opera Joseph, Op. 28 (Piano) [1812] |
| 142 |
Scena & aria, "Signor, se padre sei," Op. 53a (T, 2 choruses, orch) [1812] |
| 143-8 |
6 Favorite Waltzes of the Queen of France, Marie Louise (Piano) [1812] |
| 149 |
Waltz (fl, 2 Clarinet, 2 hn, tpt,2 bsn) [1812] |
| 150-53 |
4 songs by Duke Leopold August of Gotha, accompaniments arr. for winds [1812] |
| 154 |
Hymn, "In seiner Ordnung schafft der Herr," Op. 36 (SATB, chorus, orch) [1812] |
| 155 |
Piano Concerto No. 2 in E flat major, Op. 32 [1812] |
| 156 |
Song, "Sind es Schmerzen," Op. 30/6 [1813] |
| 157 |
Song, "Unbefangenheit," Op. 30/3 [1813] |
| 158 |
Andante e Rondo ungarese in c (bsn, orch) (rev. of J. 79) [1813] |
| 159 |
Song, "Reigen," Op. 30/5 [1813] |
| 160 |
Song, "Minnelied," Op. 30/4 [1813] |
| 161 |
Song, "Es stürmt auf der Flur," Op. 30/2 [1814] |
| 162-3 |
2 pieces arr. & orch'd for use in Fischer's Singspiel Die Verwandlungen [1814]: |
| 162 |
J. Weigl's duet, "Ein jeder Geck" |
| 163 |
anon. arietta, "Ihr holden Blumen" |
| 164 |
Canon, "Zu dem Reich der Töne schweben" (4v) [1814] |
| 165 |
"Lebenslied am Geburtstage" (4 male vv, Piano) [1814] |
| 166 |
Song, "Gebet um die Geliebte," Op. 47/6 [1814] |
| 167 |
Canon, "Scheiden und leiden uist einerlei" (4v) [1814] |
| 168-73 |
"Leyer und Schwert," Op. 42 (6 male choruses) [1814]: |
| 168 |
No. 2, "Lützows wilde Jagd" |
| 169 |
No. 6, "[[Schwertlied]]" |
| 170 |
No. 4, "Männer und Buben" |
| 171 |
No. 5, "Trinklied vor der Schlacht" |
| 172 |
No. 1, "Reiterlied" |
| 173 |
No. 3, "Gebet vor der Schlacht" |
| 174-7 |
Song cycle, "Leyer und Schwert," Op. 41 [1814] |
| 178 |
Scena, "Ah, se Edmondo," Op. 57 (for Méhul's opera, Héléna) [1815] |
| 179 |
Air russe (Schöne Minka), 9 Variations, Op. 40 (Piano) [1815] |
| 180 |
"Drei Knäbchen lieblich austaffiret" (burlesque on Mozart's Magic Flute) (male vv) [1815] |
| 181 |
Scena & aria, "Non paventar mia vita," Op. 51 (S, orch) [1815] |
| 182 |
Clarinet Quintet in B flat major, Op. 34 [1815] |
| 183-4 |
2 songs for A. Fischer's Singspiel, Der travestierte Aeneas [1815] (183 used by Mahler in J.Anh. 5; 184 revised as J. 185) |
| 185 |
Deutscher (Original-Walzer) in D (orch) (rev. of J. 184) [1815] |
| 186-7 |
2 songs in "Lieb und Versöhnen" [1815] |
| 188 |
Horn Concertino in E minor, Op. 45 (1st version lost) [1806, rev. 1815] |
| 189 |
Ballad, "Was stürmet," Op. 47/3 (Bar, harp) [1815] |
| 190 |
Cantata, "KamPiano und Sieg," Op. 44 (SATB, chorus, orch) [1815] |
| 191 |
Tedesco in D (orch) [1816] |
| 192 |
Song, "Der Jüngling und die Spröde," Op. 47/4 [1816] |
| 193 |
Canon, "Weil Maria Töne hext" (3v) [1816] |
| 194 |
Arietta for Das Sternenmädchen in Maidlinger Walde (text lost) [1816] |
| 195 |
Romance, "Ein König einst gefangen sass" (voice, gui) [1816] |
| 196 |
Song, "Mein Verlangen," Op. 47/5 [1816] |
| 197 |
Song, "Die gefangenen Sänger," Op. 47/1 [1816] |
| 198 |
Song, "Die freien Sänger," Op. 47/2 [1816] |
| 199 |
Piano Sonata No. 2 in A flat major, Op. 39 [1816] |
| 200-03 |
Song cycle, "Die Temperamente beim Verluste der Geliebten," Op. 46 [1816] |
| 204 |
Grand duo concertant in E flat major, Op. 48 (Clarinet, Piano) [1815-16] |
| 205 |
Songs, "Bei der Musik des Prinzen Louis Ferdinand von Preussen," Op. 43 [1816] |
| 206 |
Piano Sonata No. 3 in D minor, Op. 49 [1816] |
| 207 |
Divertimento assai facile (gui, Piano) [1816] |
| 208 |
Duet, "Abschied: O Berlin, ich muss dich lassen," Op. 54/4 (2v, Piano) [1817] |
| 209 |
Duet, "Quodlibet: So geht es in Schnützelputz-Häusel," Op. 54/2 (2v, Piano) [1817] |
| 210 |
Duet, "Mailied: Tra, ri, ro!" Op. 64/2 (2v, Piano) [1817] |
| 211 |
Song, "Alte Weiber," Op. 54/3 [1817] |
| 212 |
Song, "Liebeslied," Op. 54/2 [1817] |
| 213 |
Song, "Wunsch und Entsagung," Op. 66/6 [1817] |
| 214 |
Incidental music for König Yngurd (A. Müllner; 10 inst. nos., 1 song) [1817] |
| 215-16 |
Orchestrations of 2 pieces for inclusion in Méhul's opera Héléna [1817]: |
| 215 |
F. Paer's recit & cavatina, "Von dir entfernt" |
| 216 |
S. Nasolini's recit & duet, "Ja, Liebe" |
| 217 |
Song, "Das Veilchen im Tale," Op./ 66/1 [1817] |
| 218 |
"Zwei Kränze zum Annen-Tage," Op. 53b (4 male vv, Piano) [1817] |
| 219 |
7 Variationen [in C] über ein Zigeunerlied, Op. 40 (Piano) [1817] |
| 220 |
Incidental music for Donna Diana (C. A. West [J. Schreyvogel], after A. Moretto; 6 nos.) [1817] |
| 221 |
Cantata, "L'accoglienza" (SSSTBB, chorus, orch) [1817] |
| 222 |
Song, "Hold ist der Zyanenkranz" (solo vv, chorus) [1817] |
| 223 |
Romance, "Leise weht es" (used by Mahler in J.Anh. 5) [1818] |
| 224 |
Missa sancta No. 1 in E flat major, Op. 75a (SATB, chorus, orch) [1817-18] |
| 225 |
Song, "Sei gegrüsst, Frau Sonne, mir" [1818] |
| 226 |
Offertory, "Gloria et honore" (S, chorus, orch) (for J. 224) [1818] |
| 227 |
Dance & Song, "In Provence" (T, chorus) (spurious?) [1818] |
| 228 |
"Schöne Ahnung ist erglommen" (4 male vv, Piano) [1818] |
| 229 |
Song, "Lied der Hirtin," Op. 71/5 [1818] |
| 230 |
Song, "Gelahrtheit," Op. 64/4 [1818] |
| 231 |
Song, "Weine, weine," Op. 54/7 [1818] |
| 232 |
Song, "Die fromme Magd," Op. 54/1 [1818] |
| 233 |
Song, "Wenn ich ein Vöglein wár," Op. 54/6 [1818] |
| 234 |
Song, "Mein Schatzerl ist hübsch," Op. 64/1 [1818] |
| 235 |
Song, "Heimlicher Liebe Pein," Op. 64/3 [1818] |
| 236 |
Moderato, Op. 60/1 (Piano 4-hands) [1818] |
| 237 |
Incidental music for Heinrich IV, König von Frankenreich (E. Gehe; 8 inst. nos.) [1818] |
| 238 |
Song, "Rosen im Haare," Op. 66/2 [1818] |
| 239 |
Scena & aria for Cherubini's Lodoiska, "Was sag ich?" Op. 56 [1818] |
| 240 |
Chorus, "Heil dir, Sappho" (SSB, wind, perc) [1818] |
| 241 |
"Natur und Liebe," Op. 61 (chorus [SSTTBB], Piano) [1818] |
| 242 |
Allegro, Op. 60/2 (Piano 4-hands) [1818] |
| 243 |
Song, "Ein Mädchen ging," Op. 71/2 (voice, Piano/gui) [1818] |
| 244 |
Jubel-Kantate, Op. 58 (SATB, chorus, orch) [1818] |
| 245 |
Jubel-Ouverture in E major, Op. 59 [1818] |
| 246 |
Incidental music for Lieb' um Liebe (Rublack; 6 nos.) [1818] |
| 247 |
"God Save the King," arr. male chorus [?1818] |
| 248 |
Adagio, Op. 60/3 (Piano 4-hands) [1818] |
| 249 |
"Ei, ei, ei, wie scheint der Mond so hell," Op. 64/7 (male vv) [1818] |
| 250 |
Offertory, "In die solemnitatis" (S, chorus, orch) (for J. 251) [1818] |
| 251 |
Missa sancta No. 2 in G, "Jubelmesse" (SATB, chorus, orch) [1818-19] |
| 252 |
Rondo brillante in E flat major, "La gaîté," Op. 62 (Piano) [1819] |
| 253 |
Allegro – tutto ben marcato, Op. 60/4 (Piano 4-hands) [1819] |
| 254 |
Alla siciliana, Op. 60/5 (Piano 4-hands) [1819] |
| 255 |
Song, "Abendsegen," Op. 64/5 [1819] |
| 256 |
Song, "Triolett," Op. 71/1 (used by Mahler in J.Anh. 5) [1819] |
| 257 |
Song, "Liebesgruss aus der Ferne," Op. 64/6 [1819] |
| 258 |
Song, "Herzchen, mein Schätzchen," Op. 64/8 [1819] |
| 259 |
Trio in G minor for fl, vc, Piano, Op. 63 [1819] |
| 260 |
Aufforderung zum Tanz (Invitation to the Dance): Rondo brillant in D flat, Op. 65 (Piano) [1819] |
| 261 |
Partsong, "Gute Nacht," Op. 68/5 (4 male vv) [1819] |
| 262 |
Partsong, "Freiheitslied," Op., 68/3 (4 male vv) [1819] |
| 263 |
Partsong, "Ermunterung," Op. 68/2 (4 male vv) [1819] |
| 264 |
Tema variato ("Ich hab' mir Eins erwählet"), Op. 60/6 (Piano 4-hands) [1819] |
| 265 |
Marcia, Op. 60/7 (Piano 4-hands) [1819] |
| 266 |
Rondo, Op. 60/8 (Piano 4-hands) [1819] |
| 267 |
Song, "Das Mädchen an das erste Schneeglöckchen," Op. 71/3 [1819] |
| 268 |
Polacca brillante in E major, "L'hilarité," Op. 72 (Piano) [1819] |
| 269 |
Song, "Sehnsucht" ("Weihnachtslied"), Op. 80/2 [1818] |
| 270 |
Song, "Elfenlied," Op. 80/3 [1819] |
| 271 |
Music for ceremonial prologue (including song, "Du hohe Rautenzeig," to melody of "God Save the King") (chorus, 6 wind) [1819] |
| 272 |
Double canon (4v) [1819] |
| 273 |
Agnus Dei (SSA, wind) [1820] |
| 274 |
Song, "Schmerz," Op. 80/4 [1820] |
| 275 |
Song, "An sie," Op. 80/5 [1820] |
| 276 |
Incidental music for Der Leuchtturm (E. von Houwald; 4 harp nos.) [1820] |
| 277 |
Opera, Der Freischütz, Op. 77 [1817-21] |
| 278 |
Song, "Der Sänger und der Maler," Op. 80/6 [1820] |
| 279 |
Incidental music for Preciosa (P. A. Wolff, after Miguel de Cervantes), Op. 78 (ov., 11 nos.) [1820] |
| 280 |
Song for The Merchant of Venice, "Sagt, woher" (women's vv, gui) [1821] |
| 281 |
Song, "Lied von Clotilde," Op. 80/1 [1821] |
| 282 |
Konzertstück in F minor, Op. 79 (pf, orch) [1821] |
| 283 |
Cantata, "Du, bekränzt unsre Laren" (SSTB, chorus, fl, Piano) [1821] |
| 284 |
Partsong, "Husarenlied," Op. 68/6 (4 male vv) [1821] |
| 285 |
Partsong, "Schlummerlied," Op. 68/4 (4 male vv) [1822] |
| 286 |
Song, "Das Licht im Tale" [1822] |
| 287 |
Piano Sonata No. 4 in E minor, Op. 70 [1819-22] |
| 288 |
Marcia vivace (10 tpt) [1822] |
| 289 |
Incidental music for "Den Sachsensohn vermählet heute" (ov., 5 choral nos.) (one used by Mahler in J.Anh. 5) [1822] |
| 290 |
Cantata, "Wo nehm ich Blumen her" (chorus [STB], Piano) [1823] |
| 291 |
Opera, Euryanthe, Op. 81 [1822-3] |
| 292 |
Song (Romance), "Elle était simple et gentilette" (used by Mahler in J.Anh. 5) [1824] |
| 293 |
"Reiterlied" (4 male vv, Piano ad lib) [1825] |
| 294 |
"Schützenweihe" (4 male vv, Piano ad lib) [1825] |
| 295ff |
10 schottische Nationalgesänge (10 Scottish Folksongs), acc. arr. fl, vn, vc, Piano [1825]: |
| 295 |
"The soothing shades of gloaming" |
| 296 |
"The Troubadour" |
| 297 |
"O poortith cauld" |
| 298 |
"Bonny Dundee" |
| 299 |
"Yes, thou may'st walk" |
| 300 |
"A soldier am I" |
| 301 |
"John Anderson, my jo'" |
| 302 |
"O my love's like the red, red rose" |
| 303 |
"Robin is my joy" |
| 304 |
"Whar' hae ye been a' day" |
| 305 |
Arioso & recit for Spontini's Olympie, "Doch welche Töne" [1825] |
| 306 |
Opera, Oberon [1825-6] |
| 307 |
March (wind) (rev. of J. 13 with new trio; also arr. chorus, orch as "Zu den Fluren des heimischen Herdes") [1826] |
| 308 |
Song, "Gesang der Nurmahal: From Chindara's warbling fount I come" (Piano part reconstructed by Moscheles) [1826] |
| Anh. 1 |
Opera, Das Waldmädchen [1800] |
| Anh. 3 |
"Deo rosa" (incomplete) (4 male vv, Piano) [1821] |
| Anh. 5 |
Opera, Die drei Pintos (unfinished; completed by Mahler, 1888) [1820-1] |
| Anh. 6 |
Singspiel, Die Macht der Liebe und des Weins (lost) [1798] |
| Anh. 8 |
Mass in E flat major, "Grosse Jugendmesse" (SATB, chorus, orchestra, organ) [1802] |
| Anh. 67-70 |
4 solfèges [1818] |
| – |
Miscellaneous:
- Song, "Strafpredigt über die französische Musik" [1801]
- Canon, "An die Hoffnung" (3v, Piano ad lib) [1802]
- Canon, "Wenn du in Armen der Liebe" [1802]
- Canon, "Prost Neujahr!" (34 vv, 74 tpt!!) [1811]
- Introduction, theme & variations (Clarinet, Piano) (rediscovered 1943) [?1811]
- Song, "Vatergruss" [1823]
|