List of operas by Donizetti
This is a list of the operas by the Italian composer Gaetano Donizetti (1797–1848).
Title[1] | Genre | Subdivisions | Libretto | Premiere date[2] | Place, theatre | Notes |
---|---|---|---|---|---|---|
PigmalioneIl Pigmalione | scena drammatica | 1 act | 1960-10-1313 October 1960, completed 1816 | Bergamo, Teatro Donizetti | ||
Olimpiade | Metastasio's L'Olimpiade | 1817-00-00incomplete, composed 1817[3] | ||||
IraL'ira di Achille | 1 act | 1817-00-00incomplete, composed 1817[4] | ||||
Enrico di Borgogna | melodramma | 2 acts | Merelli01Bartolomeo Merelli | 1818-11-1414 November 1818 | Venice, Teatro San Luca | |
FolliaUna follia | farsa | 1 act | Merelli02Bartolomeo Merelli | 1818-12-1717 December 1818, lost | Venice, Teatro San Luca | |
PiccioliI piccioli virtuosi ambulanti | opera buffa | 1 act | 1819-00-001819[5] | pasticcio performed by Mayr's students | ||
FalegnameIl falegname di Livonia, o Pietro il grande, czar delle Russie | opera buffa | 2 acts | BevilacquaGherardo Bevilacqua-Aldobrandini | 1819-12-2626 December 1819 | Venice, Teatro San Samuele | |
NozzeLe nozze in villa | opera buffa | 2 acts | Merelli03Bartolomeo Merelli | 1820-12-00carnival 1820–1821, completed 1819 | Mantua, Teatro Vecchio | |
Zoraida di Granata | melodramma heroico | 2 acts | Merelli04Bartolomeo Merelli; revised for Rome 1824 by Jacopo Ferretti[6] | 1822-01-2828 January 1822 | Rome, Teatro Argentina, rev. 7 January 1824 at the same theatre | |
ZingaraLa zingara | dramma | 2 acts | Tottola01Andrea Leone Tottola | 1822-05-1212 May 1822 | Naples, Teatro Nuovo | |
LetteraLa lettera anonima | dramma per musica | 1 act | GenoinoGiulio Genoino | 1822-06-2929 June 1822 | Naples, Teatro del Fondo | |
Chiara e Serafina, o Il pirata | melodramma semiserio | 2 acts | Romani01Felice Romani, after Pixérécourt's La cisterne | 1822-10-2626 October 1822 | Milan, La Scala | |
Alfredo il grande | dramma per musica | 2 acts | Tottola02Andrea Leone Tottola | 1823-07-022 July 1823 | Naples, Teatro di San Carlo | |
FortunatoIl fortunato inganno | dramma giocoso | 2 acts | Tottola03Andrea Leone Tottola | 1823-09-033 September 1823 | Naples, Teatro Nuovo | |
AjoL'ajo nell'imbarazzo [see also Don Gregorio] | melodramma giocoso | 2 acts | Ferretti01Jacopo Ferretti, after Giovanni Giraud's comedy | 1824-02-044 February 1824 | Rome, Teatro Valle | |
Emilia di Liverpool [see also L'eremitaggio di Liverpool] | dramma semiserio | 2 acts | anonymous, after S. Scatizzi's Emilia de Laverpaut | 1824-07-2828 July 1824 | Naples, Teatro Nuovo | |
Alahor in Granata | dramma | 2 acts | AM. A. | 1826-01-077 January 1826 | Palermo, Teatro Carolino | |
Don Gregorio [rev of L'ajo nell'imbarazzo] | melodramma giocoso | 2 acts | Ferretti02Jacopo Ferretti | 1826-06-1111 June 1826 | Naples, Teatro Nuovo | |
Elvida | dramma | 1 act | Giovanni F. Schmidt[7] | 1826-07-066 July 1826 | Naples, Teatro di San Carlo | |
Gabriella di Vergy | tragedia lirica | 3 acts | Tottola04Andrea Leone Tottola, after Pierre de Belloy | 1869-11-2929 November 1869, completed 1826 | Naples, Teatro di San Carlo | |
Olivo e Pasquale | melodramma | 2 acts | Ferretti03Jacopo Ferretti, after Simeone Antonio Sografi | 1827-01-077 January 1827 | Rome, Teatro Valle | |
Otto mesi in due ore, ossia Gli esiliati in Siberia | opera romantica | 3 acts | Gilardoni01Domenico Gilardoni, after Pixérécourt's La fille de l'exilé | 1827-05-1313 May 1827 | Naples, Teatro Nuovo | |
BorgomastroIl borgomastro di Saardam | melodramma giocoso | 2 acts | Gilardoni02Domenico Gilardoni, after Mélesville, Jean-Toussaint Merle and Eugène Cantiran de Boirie | 1827-08-1919 August 1827 | Naples, Teatro del Fondo | |
Convenienze teatraliLe convenienze teatrali [see also Le convenienze ed inconvenienze teatrali] | farsa | 1 act | Donizetti01Gaetano Donizetti, after Simeone Antonio Sografi | 1827-11-2121 November 1827 | Naples, Teatro Nuovo | |
EsuleL'esule di Roma, ossia Il proscritto | melodramma eroico | 2 acts | Gilardoni03Domenico Gilardoni, after Luigi Marchionni's Il proscritto romano | 1828-01-011 January 1828 | Naples, Teatro di San Carlo | |
EremitaggioL'eremitaggio di Liverpool [rev of Emilia di Liverpool][8] | melodramma semiserio[9] | 2 acts | CheccheriniGiuseppe Checcherini, after Scatizzi | 1828-03-088 March 1828 | Naples, Teatro Nuovo | |
Alina, regina di Golconda | melodramma | 2 acts | Romani02Felice Romani, after Sedaine's libretto for Monsigny's opera-ballet Aline, reine de Golconde[10] | 1828-05-1212 May 1828 | Genoa, Teatro Carlo Felice | |
Gianni di Calais | melodramma semiserio | 3 acts | Gilardoni04Domenico Gilardoni, after a novel by Arlincourt[11] | 1828-08-022 August 1828 | Naples, Teatro del Fondo | |
PariaIl paria | melodramma | 2 acts | Gilardoni05Domenico Gilardoni, after Delavigne | 1829-01-1212 January 1829 | Naples, Teatro di San Carlo | |
GiovediIl giovedì grasso, o Il nuovo Pourceaugnac | farsa[12] | 1 act | Gilardoni06Domenico Gilardoni | 1829-02-2626 February 1829 | Naples, Teatro del Fondo | |
CastelloElisabetta al castello di Kenilworth | melodramma | 3 acts | Tottola05Andrea Leone Tottola, after Scribe's Leicester and Hugo's Amy Robsart | 1829-07-066 July 1829 | Naples, Teatro di San Carlo | |
Alina, regina di Golconda [rev] | melodramma | 2 acts | Romani03Felice Romani, after Sedaine | 1829-10-1010 October 1829 | Rome, Teatro Valle[10] | |
PazziI pazzi per progetto | farsa[13] | 1 act | Gilardoni07Domenico Gilardoni | 1830-02-066 February 1830 | Naples, Teatro di San Carlo | |
DiluvioIl diluvio universale | azione tragica-sacra | 3 acts | Gilardoni08Domenico Gilardoni, after Byron's Heaven and Earth and Francesco Ringhieri's tragedy Il diluvio | 1830-03-066 March 1830[14] | Naples, Teatro di San Carlo | |
Imelda de' Lambertazzi | melodramma tragico | 2 acts | Tottola06Andrea Leone Tottola | 1830-09-055 September 1830 | Naples, Teatro di San Carlo | |
Anna Bolena | tragedia lirica | 2 acts | Romani04Felice Romani, after Pindemonte's tragedy Enrico VIII, ossia Anna Bolena and Alessandro Pepoli's Anna Bolena[15] | 1830-12-2626 December 1830 | Milan, Teatro Carcano | |
Gianni di Parigi | melodramma comico[16] | 2 acts | Romani05Felice Romani, after Saint-Just's libretto for Boieldieu's opéra-comique Jean de Paris | 1831-04-9910 September 1839, composed c. 1828–1831[17] | Milan, La Scala | |
Convenienze edLe convenienze ed inconvenienze teatrali [rev of Le convenienze teatrali] | dramma giocoso | 2 acts | Donizetti01bDonizetti, after Sografi | 1831-04-2020 April 1831 | Milan, Teatro alla Canobbiana | |
Francesca di Foix | melodramma | 1 act | Gilardoni09Domenico Gilardoni, after a libretto by Jean-Nicolas Bouilly and Emmanuel Mercier-Dupaty for Henri Montan Berton's 3-act opéra-comique Françoise de Foix.[18] | 1831-05-3030 May 1831 | Naples, Teatro di San Carlo | |
RomanzieraLa romanziera e l'uomo nero (or La romanzesca e l'uomo nero) | farsa | 1 act | Gilardoni10Domenico Gilardoni | 1831-06-1818 June 1831 | Naples, Teatro del Fondo (arias and ensembles survive but spoken dialogue is lost) | |
Fausta | melodramma | 2 acts | Gilardoni11Domenico Gilardoni and Donizetti | 1832-01-1212 January 1832 | Naples, Teatro di San Carlo | |
Ugo, conte di Parigi | tragedia lirica | 4 acts | Romani06Felice Romani, after Hippolyte-Louis-Florent Bis: Blanche d'Aquitaine | 1832-03-1313 March 1832 | Milan, La Scala | |
ElisirL'elisir d'amore | melodramma giocoso | 2 acts | Romani07Felice Romani, after Scribe's libretto for Auber's Le philtre | 1832-05-1212 May 1832 | Milan, Teatro alla Canobbiana | |
Sancia di Castiglia | tragedia lirica | 2 acts | SalatinoPietro Salatino | 1832-11-044 November 1832 | Naples, Teatro di San Carlo | |
FuriosoIl furioso all'isola di San Domingo | melodramma | 2 acts | Ferretti04Jacopo Ferretti, after an anonymous play on Cervantes' Don Quixote | 1833-01-022 January 1833 | Rome, Teatro Valle | |
Otto mesi in due ore [rev] | opera romantica | 3 acts | AlcozerAntonio Alcozer after Domenico Gilardoni | 1833-01-991833 | Livorno | |
Parisina | melodramma | 3 acts | Romani08Felice Romani, after Byron | 1833-03-1717 March 1833 | Florence, Teatro della Pergola | |
Torquato Tasso | melodramma | 3 acts | Ferretti05Jacopo Ferretti | 1833-09-099 September 1833 | Rome, Teatro Valle | |
Lucrezia0Lucrezia Borgia | melodramma | 2.1prologue & 2 acts | Romani09Felice Romani, after Victor Hugo | 1833-12-2626 December 1833 | Milan, La Scala | |
DiluvioIl diluvio universale [rev] | azione tragico-sacra | 3 acts | Gilardoni08banonymous, after Domenico Gilardoni | 1834-01-1717 January 1834 | Genoa, Teatro Carlo Felice | |
Rosmonda d'Inghilterra | melodramma serio | 2 acts | Romani10Felice Romani | 1834-02-2727 February 1834 | Florence, Teatro della Pergola | |
MariaMaria Stuarda | tragedia lirica | 2 acts (or 3) | BardariGiuseppe Bardari, after Andrea Maffei's translation of Schiller[19] | 1835-12-3030 December 1835 (in 3 acts), completed August 1834 | Milan, La Scala | |
BuondelmonteBuondelmonte [rev of Maria Stuarda] | tragedia lirica | 2 acts | SalatinoPietro Salatino | 1834-10-1818 October 1834 | Naples, Teatro di San Carlo | |
Gemma di Vergy | tragedia lirica | 2 acts | Bidera01Giovanni Emanuele Bidera, after the play Charles VII by Dumas[20] | 1834-12-2626 December 1834 | Milan, La Scala | |
Marino Faliero | tragedia lirica | 3 acts | Bidera02Giovanni Emanuele Bidera with revisions by Agostino Ruffini, after Casimir Delavigne's adaptation of Byron's play Marino Faliero, Doge of Venice[20] | 1835-03-1212 March 1835 | Paris, Théâtre-Italien | |
Lucia di Lammermoor [see also Lucie de Lammermoor] | dramma tragico | 3 acts | Cammarano01Salvadore Cammarano, after Walter Scott's The Bride of Lammermoor | 1835-09-2626 September 1835 | Naples, Teatro di San Carlo | |
Belisario | tragedia lirica | 3 acts | Cammarano02Salvadore Cammarano, after Eduard von Schenk as translated by Luigi Marchionni | 1836-02-044 February 1836 | Venice, La Fenice | |
CampanelloIl campanello di notte | melodramma giocoso | 1 act | Donizetti02Donizetti, after the vaudeville La sonnette de nuit by Léon Levy Brunswick (Léon Lhérie), Mathieu-Barthélmy Troin, and Victor Lhérie | 1836-06-011 June 1836 | Naples, Teatro Nuovo | |
Betly0Betly, o La capanna svizzera | dramma giocoso | 1 act | Donizetti03Donizetti, after Scribe's and Mélesville's libretto for Adam's Le chalet | 1836-08-2121 August 1836 | Naples, Teatro Nuovo | |
assedioL'assedio di Calais | dramma lirico | 3 acts | Cammarano03Salvadore Cammarano, after Pierre de Belloy | 1836-11-1919 November 1836 | Naples, Teatro di San Carlo | |
Pia0Pia de' Tolomei | tragedia lirica | 2 acts | Cammarano04aSalvadore Cammarano, after Bartolomeo Sestini, and Dante's La commedia | 1837-02-1818 February 1837 | Venice, Teatro Apollo | |
Pia1Pia de' Tolomei [rev] | tragedia lirica | 2 acts | Cammarano04bSalvadore Cammarano, after Bartolomeo Sestini, and Dante's La commedia | 1837-07-3131 July 1837 | Sinigaglia | |
Betly1Betly [rev] | dramma giocoso | 1 act | Donizetti03bDonizetti | 1837-09-2929 September 1837 | Naples, Teatro del Fondo | |
Roberto Devereux | tragedia lirica | 3 acts | Cammarano04Salvadore Cammarano, after François Ancelot's tragedy Elisabeth d'Angleterre | 1837-10-2828 October 1837 | Naples, Teatro di San Carlo | |
Maria de Rudenz | dramma tragico | 3 acts | Cammarano05Salvadore Cammarano, after the play La nonne sanglante by Auguste Anicet-Bourgeois, Cuvelier and Maillan | 1838-01-3030 January 1838 | Venice, La Fenice | |
Gabriella di Vergy [rev] | tragedia lirica | 2 acts | Tottola04bAndrea Leone Tottola, after Pierre de Belloy | 1978-08-00August 1978 recording, composed 1838 | London | |
Poliuto1Poliuto [see also Les Martyrs] | tragedia lirica | 3 acts | Cammarano06Salvadore Cammarano, after Pierre Corneille | 1838-01-9130 November 1848, completed July 1838 | Naples, Teatro di San Carlo | |
Pia2Pia de' Tolomei [rev 2] | tragedia lirica | 2 acts | Cammarano04canonymous revision of Cammarano's libretto | 1838-05-00May 1838[21] | Rome, Teatro Argentina[21] | |
Lucie de Lammermoor [rev of Lucia di Lammermoor, in French] | grand opéra[22] | 3 acts (or 4)[22] | Royer01Alphonse Royer and Gustave Vaëz, after the Italian libretto | 1839-08-066 August 1839 | Paris, Théâtre de la Renaissance | |
Duc1Le duc d'Albe [see also Il duca d'Alba] | grand opéra | 4 acts | DuveyrierCharles Duveyrier and Eugène Scribe | 1839-10-00incomplete, composed 1839[23] | ||
AngeL'ange de Nisida [see also La favorite] | opera semiseria | 4 parts | Royer02Alphonse Royer and Gustave Vaëz | 1839-12-27unperformed, completed 27 December 1839[24] | ||
Lucrezia1Lucrezia Borgia [rev] | dramma per musica | 2.1prologue & 2 acts | Romani11Felice Romani, after Victor Hugo | 1840-01-1111 January 1840 | Milan, La Scala | |
Poliuto2Les Martyrs [rev of Poliuto, in French] | grand opéra | 4 acts | Scribe01Eugène Scribe's revision and expansion of Cammarano's original libretto | 1840-04-1010 April 1840 | Paris Opera, Salle Le Peletier | |
FilleLa fille du régiment | opéra comique | 2 acts | BayardJean-François-Alfred Bayard and Jules-Henri Vernoy de Saint Georges | 1840-02-1111 February 1840 | Paris, Opéra-Comique | |
Lucrezia2Lucrezia Borgia [rev 2] | dramma per musica | 2.1prologue & 2 acts | Romani12Felice Romani, after Victor Hugo | 1840-10-3131 October 1840 | Paris, Théâtre-Italien | |
FavoriteLa favorite [rev of L'ange de Nisida] | grand opéra | 4 acts | Royer03Alphonse Royer, Gustave Vaëz and Eugène Scribe | 1840-12-022 December 1840 | Paris Opera, Salle Le Peletier | |
Adelia | melodramma serio | 3 acts | Romani13Felice Romani (Acts 1 & 2) and Girolamo Marini (Act 3), after an anonymous French play[25] | 1841-02-1111 February 1841 | Rome, Teatro Apollo | |
Rita (Deux hommes et une femme) | opéra-comique | 1 act | VaezGustave Vaëz | 1860-05-077 May 1860, completed 1841 | Paris, Opéra-Comique | |
Maria Padilla | melodramma | 3 acts | Rossi01Gaetano Rossi and Donizetti, after François Ancelot | 1841-12-2626 December 1841 | Milan, La Scala | |
Linda di Chamounix | melodramma semiserio | 3 acts | Rossi02aGaetano Rossi | 1842-05-1919 May 1842 | Vienna, Kärntnertortheater | |
Linda di Chamounix [rev] | melodramma semiserio | 3 acts | Rossi02bGaetano Rossi | 1842-11-1717 November 1842 | Paris, Théâtre-Italien | |
Caterina Cornaro | tragedia lirica | 2 acts | SaccheroGiacomo Sacchèro, after Jules-Henri Vernoy de Saint-Georges' libretto for Halévy's La reine de Chypre | 1844-01-1818 January 1844 | Naples, Teatro di San Carlo | |
Don Pasquale | dramma buffo | 3 acts | RuffiniGiovanni Ruffini and Donizetti, after Angelo Anelli's Ser Marcantio; published with credit to "M.A."[26] | 1843-01-033 January 1843 | Paris, Théâtre-Italien | |
Maria di Rohan | melodramma tragico | 3 acts | Cammarano07Salvadore Cammarano, after Lockroy (J. P. Simon) and Badon's Un duel sous le Cardinal de Richelieu | 1843-06-055 June 1843 | Vienna, Kärntnertortheater | |
Dom Sébastien, roi de Portugal | grand opéra | 5 acts | Scribe02Eugène Scribe, after the play by Paul Foucher | 1843-11-1313 November 1843 | Paris Opera, Salle Le Peletier | |
Dom Sebastian von Portugal [rev of Dom Sébastien] | große Oper[27] | 5 acts | HerzLeo Herz's translation of Scribe's libretto | 1845-02-066 February 1845 | Vienna, Kärntnertortheater | |
Duc2Il duca d'Alba [completion by Matteo Salvi of original Le duc d'Albe] | opera | 4 acts[28] | ZanardiniAngelo Zanardini's revision of the original libretto by Duveyrier and Scribe | 1882-03-2222 March 1882 | Rome, Teatro Apollo |
References
Notes
- ↑ The information in the table is taken from Smart and Budden 2001, unless otherwise noted.
- ↑ Operas are initially listed by date of completion of composition, which usually correlates closely with the date of the premiere. When the date of completion is significantly earlier than the date of the premiere (or there was no premiere), the date of composition is given. However, the column rows sort by the date of the premiere (or by the date of composition, if there is no premiere). To restore the initial state use the browser refresh button.
- ↑ Olimpiade: Donizetti composed the one duet from Metastasio's famous libretto, probably during his student days for his friends. A copyist full score is located in the Museo Donizettiano, Bergamo (Ashbrook 1982, pp. 580–581).
- ↑ L'ira di Achille: Donizetti set the first act and a duet from Act 2 scene v. The libretto, probably by Felice Romani, had previously been set by Giuseppe Nicolini (Milan, 1814). A copyist full score of a bass aria with chorus is listed in the catalog of the Museo Donizettiano, Bergamo (Ashbrook 1982, p. 580).
- ↑ I piccioli virtuosi ambulanti was the title of one of the annual end-of-term pasticcios that were organized by the Bergamo music school's director, the composer Simon Mayr. Donizetti contributed an introduzione and a scene with aria and chorus, which he also used in Le nozze in villa (Ashbrook 1982, p. 581).
- ↑ Allitt 1991, p. 26
- ↑ Weinstock 1963 , p. 36: He notes that Schmidt "wrote more than one hundred librettos"
- ↑ Osborne 1994, p. 158.
- ↑ OCLC 498281465
- 1 2 Ashbrook 1982, p. 544.
- ↑ Steiner-Isenmann 1982, p. 503; Smart and Budden 2001.
- ↑ Ashbrook 1982, p. 547.
- ↑ Ashbrook 1982, p. 548.
- ↑ Smart and Budden 2001.
- ↑ Ashbrook 1982, p. 549.
- ↑ OCLC 40787703, 82723197
- ↑ Osborne 1994, p. 198.
- ↑ Ashbrook 1982, p. 551, and Osborne 1994, p. 200. Smart & Budden 2001 and Ashbrook 1992 say Gilardoni's libretto was based on Charles Simon Favart's libretto Ninette à la cour as adapted for Louis Joseph Saint-Amans' 2-act 1791 opéra-comique.
- ↑ Ashbrook & Hibberd 2001, p. 235.
- 1 2 Ashbrook & Hibberd 2001, p. 236.
- 1 2 Osborne 1994, p. 257.
- 1 2 Lucie de Lammermoor. OCLC 71624699, 18597094.
- ↑ Le duc d'Albe: composed April–October 1839 (Ashbrook 1982, p. 567). See also OCLC 63909833.
- ↑ Ashbrook 1982, p. 569.
- ↑ Ashbrook 1982, p. 571.
- ↑ Weinstock 1963, pp. 188—189
- ↑ Dom Sebastian von Portugal. OCLC 79789205.
- ↑ Il duca d'Alba. OCLC 174363469.
Sources
- Allitt, John Stewart (1991), Donizetti: in the light of Romanticism and the teaching of Johann Simon Mayr, Shaftesbury: Element Books, Ltd (UK); Rockport, MA: Element, Inc.(USA)
- Ashbrook, William (1982). Donizetti and His Operas. Cambridge University Press., ISBN 0-521-23526-X.
- Ashbrook, William (1992). "Donizetti, (Domenico) Gaetano (Maria): work-list" in Sadie 1992, vol. 1, pp. 1215–1218.
- Ashbrook, William; Hibberd, Sarah (2001). "Gaetano Donizetti", pp. 224–247 in The New Penguin Opera Guide, edited by Amanda Holden. New York: Penguin Putnam. ISBN 0-14-029312-4.
- Osborne, Charles (1994). The Bel Canto Operas of Rossini, Donizetti, and Bellini. Portland, Oregon: Amadeus Press. ISBN 0-931340-71-3.
- Sadie, Stanley, editor (1992). The New Grove Dictionary of Opera (4 volumes). London: Macmillan. ISBN 978-1-56159-228-9.
- Sadie, Stanley, editor; John Tyrell; executive editor (2001). The New Grove Dictionary of Music and Musicians, 2nd edition. London: Macmillan. ISBN 978-1-56159-239-5 (hardcover). OCLC 419285866 (eBook).
- Smart, Mary Ann; Budden, Julian (2001). "Donizetti, (Domenico) Gaetano (Maria)" in Sadie 2001.
- Steiner-Isenmann, Robert (1982). Gaetano Donizetti: sein Leben und seine Opern. Berne: Hallwag. ISBN 9783444102721.
- Weinstock, Herbert (1963). Donizetti and the World of Opera in Italy, Paris, and Vienna in the First Half of the Nineteenth Century. New York: Pantheon Books. OCLC 601625.
External links
- List of Donizetti operas at opera.stanford.edu
- Free scores by Gaetano Donizetti at the International Music Score Library Project
This article is issued from Wikipedia - version of the Wednesday, May 04, 2016. The text is available under the Creative Commons Attribution/Share Alike but additional terms may apply for the media files.