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| The Holy Family with Saint Joachim and Saint Anne Before the Eternal Glory | 1769 | Collection of Marquess de las Palmas
Jerez de la Frontera, Spain |
| Hannibal the Conqueror | 1770 | Foundation Selgas-Fagalde (Cudillero, Asturias). |
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Martin Zapater | 1770 | Museo de Bellas Artes de Bilbao |
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The Sacrifice to Vesta |
1771 |
Collection of Felix Palacios Remondo, Zaragoza |
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The Sacrifice to Priapus |
1771 |
private collection, Barcelona |
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The rape of Europa |
1772 |
private collection, USA |
| The Adoration of the Name of God | 1772 | Basílica de Nuestra Señora del Pilar, Zaragoza | |
| Frescoes in the Cartuja de Aula Dei | 1774 | Charterhouse of Aula Dei | |
| Tapestry Cartoons | 1775–92 | Prado Museum, Madrid |
| The Parasol | 1777 | Prado Museum, Madrid | |
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Blind Guitarist | 1778 | Prado Museum, Madrid |
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The Swing | 1779 | Prado Museum, Madrid |
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Crucified Christ | 1780 | Prado Museum, Madrid |
| The Queen of Martyrs | 1780–81 | Basílica de Nuestra Señora del Pilar |
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The Count of Floridablanca and Goya | 1783 | Banco Urquijo, Madrid |
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Family of Infante Don Luis | 1784 | Fondazione Magnani-Rocca, Italy |
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The Sermon of Saint Bernadino of Siena | 1784 | San Francisco el Grande, Madrid |
| The Annunciation | 1785 | private collection, Spain |
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The Marquesa de Pontejos | c. 1786 | National Gallery of Art, Washington, D.C. |
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The Snowstorm (La Nevada) |
1786 | Prado Museum, Madrid |
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Spring (or The Flower Girls) | 1786–87 | Prado Museum, Madrid |
| Manuel Osorio Manrique de Zuñiga | 1787–88 | Metropolitan Museum of Art, New York City |
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St Francis Borgia at the Deathbed of an Impenitent | 1788 | St. Francisco Catedral, Valencia |
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Family of the Duke of Osuna | 1788 | Prado Museum, Madrid | | |
| Self-portrait | c. 1790–95 | |
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Playing At Giants | 1791–92 | |
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Portrait of Mariana Waldstein | c. 1792 | |
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Strolling Players | 1793 | |
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Fire at Night | 1793–1794 | |
| Yard with Lunatics | 1793–94 | Meadows Museum, Dallas, Texas | |
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Prison Interior | c. 1793–94 | Bowes Museum |
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| The Madhouse | 1794 | Virginia Meadows Museum and Elizabeth Meadows Sculpture Court, Dallas, Texas |
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The Marquesa de la Solana | c. 1793–95 | Louvre, Paris |
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Duchess of Alba (The White Duchess) | 1795 | House of Alba, Madrid |
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Duchess of Alba & Her Duenna | 1795 | Prado Museum, Madrid |
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Portrait of the Matador Pedro Romero | c. 1795–98 | Kimbell Art Museum |
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Self-Portrait on Linen | 1795–1797 | |
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Duchess of Alba (The Black Duchess) | 1797 | Hispanic Society of America, New York City |
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| Que se la llevaron! | 1797–98 | |
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| What a sacrifice! | 1797–98 | |
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| The Sleep of Reason Produces Monsters | 1797–98 | |
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Witches' Flight | 1797–98 | Prado Museum, Madrid |
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| The Spell | 1797–98 | |
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| The Witches' Kitchen | 1797–98 | |
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| The Devil's Lamp | 1797–98 | |
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| The Stone Guest | 1797–98 | |
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| They say yes and give their hand to the first comer | 1797–98 | |
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| You who cannot | 1797–98 | |
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| Self-Portrait with Spectacles | 1797–1800 | |
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| Miracle of St. Antony | 1798 | |
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| The Taking of Christ | 1798 | Cathedral, Toledo |
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| Ferdinand Guillemardet | 1798 | Louvre |
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| A Miracle of St. Anthony of Padua” and other scenes | 1798 | San Antonio de la Florida, Madrid |
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Witches Sabbath (1798) | 1798 |
Museum Lasaro Galdiano, Madrid |
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Queen Maria Luisa, on Horseback | 1799 | Prado Museum, Madrid |
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La Tirana (Goya) | 1799 | Academy of San Fernando, Madrid |
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| Countess of Chinchon | 1800 | Prado Museum, Madrid |
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La maja desnuda |
1800 |
Prado Museum, Madrid |
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Charles IV of Spain and His Family | 1800–1801 | Prado Museum, Madrid |
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La maja vestida | c. 1800–05 | Prado Museum, Madrid | |
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Josefa Bayeu (Leocadia Weiss) |
c. 1800-1814 |
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Bartolome Sureda y Miserol | c. 1803–04 | National Gallery, Washington D.C | |
| Isabel de Porcel | 1804–05 | |
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| Francisca Sabasa y Garcia | 1804–1808 | National Gallery, Washington D.C |
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| Doña Teresa Sureda | c. 1805 | |
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Doña Antonia Zárate | c.1805 | National Gallery of Ireland |
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| Young Woman with a Fan | 1805–1810 | |
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Portrait of Doña Isabel de Porcel | c. 1805 | National Gallery, London |
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| The Colossus | c. 1808–12 | Prado Museum, Madrid |
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| Majas on a Balcony | c. 1808–12 | |
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| Time and the Old Women | c. 1810–12 | Musée des Beaux-Arts, Lille, Fr. |
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| General Manuel Romero | c. 1810 | private collection, Chicago |
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| Time (Goya) | 1810 | |
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| Contra el bien general | c. 1810 | |
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| Allegory of the City of Madrid | 1810 | Casa del Ayuntamiento, Madrid |
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| Time | c. 1810–12 | |
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| Majas on a Balcony | 1810–1812 | Metropolitan Museum version |
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| Portrait of the Duke of Wellington | 1812–14 | National Gallery, London |
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Doña Antonia Zárate | c. 1811 | Hermitage, St. Petersburg |
| Dead Turkey | 1812 | |
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The Burial of the Sardine | 1812–1819 | Real Academia de Bellas Artes de San Fernando, Madrid |
| The Majas on the Balcony | c. 1812 | Metropolitan Museum of Art, New York |
| This is worse | c. 1812–13 | |
| Mariano Goya | c. 1812–14 | private collection, Madrid |
| Portrait of Rita Moon Luna | 1814 | |
| Ferdinand VII in an Encampment | c. 1814 | Prado Museum, Madrid |
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The Second of May 1808 | 1814 | Prado Museum, Madrid |
| The Third of May 1808 | 1814 | Prado Museum, Madrid |
| Young Women with a Letter | c. 1814–18 | Musée des Beaux-Arts, Lille |
| May the rope break! | c. 1815 | |
| Self-Portrait | 1815 | Academy of San Fernando |
| Unfortunate events in the front seats of the ring of Madrid, and the death of the Mayor of Torrejon | 1815–16 | |
| La Tauromaquia | 1815–1816 | |
| Burial of the Sardine (sketch) | c. 1816 | |
| Inquisition Scene | c. 1816 | |
| The Procession | c. 1816 | |
| SS. Justa and Rufina | 1817 | Cathedral, Seville |
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The Forge |
c. 1817 |
Frick Collection, New York |
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| The Giant | 1818 | |
| The Forge | c. 1819 | Frick Collection, New York City |
| Portrait of Don Juan Antonio Cuervo | 1819 | Cleveland Museum of Art | | |
| The Last Communion of St. Joseph of Calasanz | 1819 | Escuelas Pías de San Antón, Madrid | | |
| Agony in the Garden (Goya) | 1819 | Escuelas Pías de San Antón | . |
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Self-portrait with Dr Arrieta | 1820 | Minneapolis Institute of Arts, Minnesota | | |
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Women Laughing |
1819-1923 |
Prado Museum, Madrid |
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Men Reading | c. 1821–23 | Prado Museum, Madrid |
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| Carnival Scene | 1820–1824 | |
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Atropos (The Fates) | 1820–1823 | Prado Museum, Madrid |
| Goat (Goya) | 1820–1823 | |
| Fight with Cudgels | 1820–1823 | |
| Two Women | 1820–1823 | |
| Deaf Man | 1820–1823 | |
| Asmodea | 1820–1823 | |
| Old Men Eating | 1820–1823 | |
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The Dog | 1820–23 | Prado Museum, Madrid |
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Fight with Cudgels | 1820–23 | Prado Museum, Madrid |
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The Great He-Goat or Witches Sabbath | c. 1821–23 | Prado Museum, Madrid |
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Saturn Devouring His Son | c. 1821–23 | Prado Museum, Madrid |
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Two Old Men | c. 1821–23 | |
| Two Old Women Eating from a Bowl | c. 1821–23 | |
| Two Young People Laughing at a Man | c. 1821–23 | |
| Portrait of Don Ramon Satué | 1823 | Rijksmuseum, Amsterdam | |
| Portrait of José Duaso y Latre | 1824 | Museum of Fine Arts of Seville | |
| Leandro Fernández de Moratín | 1824 | Museo de Bellas Artes, Bilbao, Spain | | |
| Monk Talking to an Old Woman | 1824-25 | Princeton University Art Museum |
| Portrait of Jacques Galos | 1826 | Barnes Foundation | |
| The Milkmaid of Bordeaux | 1825–27 | Prado Museum, Madrid | |
| Don Juan Bautista de Muguiro | 1827 | Prado Museum, Madrid | |
| Don José Pío de Molina | 1827–28 | Reinhart Collection, Winterthur | |
| Striker Family Goya | unknown dating | |