London Fields (film)

London Fields
Directed by Mathew Cullen
Produced by Jordan Gertner
Chris Hanley
Geyer Kosinski
Written by Roberta Hanley
Based on London Fields 
by Martin Amis
Starring Billy Bob Thornton
Amber Heard
Jim Sturgess
Theo James
Jason Isaacs
Cara Delevingne
Johnny Depp
Jaimie Alexander
Music by TOYDRUM
Benson Taylor
Cinematography Guillermo Navarro
Production
company
Distributed by Lionsgate
Running time
118 minutes
Country United States
Language English
Budget $8 million (estimated)

London Fields is a 2015 thriller, directed by Mathew Cullen and written by Roberta Hanley. It is based on the 1989 novel of the same name by Martin Amis. The film stars Billy Bob Thornton as Samson Young, a terminally ill writer who has suffered from writer's block for twenty years. The cast also includes Amber Heard, Jim Sturgess, Theo James, Johnny Depp, Cara Delevingne and Jaimie Alexander.

It was selected to be screened in the Special Presentations section of the 2015 Toronto International Film Festival,[1] but it was later pulled from the festival roster after director Mathew Cullen sued the film's producers, accusing them of fraud and using his name to promote a cut of the film he does not support.[2]

Cast

Production

David Cronenberg was attached in 2001 to do a film adaptation of the book, and Amis wrote a draft of the script. However, Cronenberg would leave the film for A History of Violence and Eastern Promises. Other directors attached include David Mackenzie and Michael Winterbottom.[4][5] The film entered production with Mathew Cullen in September 2013 in London, England.

Announcing the start of filming, The Guardian's Ben Child observed, "It has languished in Hollywood purgatory for well over a decade while directors of the calibre of David Cronenberg, Michael Winterbottom and Shekhar Kapur have come and gone. But Martin Amis's most celebrated novel, London Fields, is finally due to begin shooting today in the British capital with a high-profile cast that includes Amber Heard, Billy Bob Thornton and Jim Sturgess". Child added, "Amis adaptations have something of a chequered history, with both Dead Babies and The Rachel Papers picking up critical brickbats upon release, and a proposed adaptation of 1985's Money starring Gary Oldman failing to materialise. With the novelist having been working on the London Fields screenplay since at least 2008, the fact that production has finally begun will presumably come as something of a relief for the 64-year-old writer. That it is being overseen by the director of Katy Perry's California Gurls video is something of an unusual last-minute twist in the tale". [6]

Soundtrack

The soundtrack was written and produced by Toydrum and Benson Taylor.[7][8]

Release and critical reception

On September 16, 2015, it was reported Lionsgate had acquired distribution rights to the film.[9] Noting the film's troubled screening history, UK daily newspaper The Daily Telegraph found that "Any big-screen adaptation of Martin Amis's London Fields – a novel long regarded as unadaptable – was expected to be controversial, though probably not in the quite the way that has transpired". The paper's reviewer, Jane Mulkerrins, wrote: "Set in 1999 (though published a decade earlier), the story is narrated by Samson Young, a New York writer recently arrived in London with writer's block and a terminal disease, and played by an unusually limp Thornton. […] The timeline is messy and confusing, with glaringly anachronistic details such as a scene at the top of the Gherkin (opened in 2004). […] [Amber] Heard, who certainly has the requisite physical allure for the part, puts in a decent enough turn as the enigmatic Six but, like her on-screen character, can seemingly do the nothing to prevent the brutal murder, either of herself, or of Amis's bestseller".[10]

Writing in The Independent, Kaleem Aftab recalled that "Martin Amis adaptations have a habit of creating fury among directors; director William Marsh, who made Dead Babies in 2000, also complained of a cut going out without his sign-off", before adding that "The very parts of the film that the director Mathew Cullen is reportedly complaining about – archive images of the world in chaos, most notably scenes of the 2011 London riots – actually help lend gravitas to proceedings, which suffer from wooden acting and meandering pacing throughout". Overall, Aftab found that, "Most scenes lack pace, are performed badly and are accompanied by a running commentary of action we can see for ourselves. It's car-crash film-making. […] Of the characters it's only the uncredited Depp, the coolest guy in the room with his dapper dress sense and long sideburns, who comes away with any credit". He concluded, "There is also a marked contrast between the London seen in the archive footage and that shot by Cullen, whose locations look like bad theatre sets. It never feels real, although he might argue that that is the point. London Quicksand might have been a better title."[11]

See also

References

External links

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