Megalesia

The Megalesia, Megalensia, or Megalenses Ludi, was a festival (with games, ludi) celebrated in Ancient Rome in the month of April in honor of the great mother of the gods (Cybele, μϵγάλη ϑϵός, from which the festival derived its name).

Dictionary of Roman Coins.1889 P300S0 illus299

Origins

The statue of Cybele was brought to Rome from Pessinus (204 BC), and the day of its arrival was solemnized with a magnificent procession, lectisternia, and games, and lots of people carried presents to the goddess on the Capitol.^[1][2] The habitual celebration of the Megalesia, however, did not begin until twelve years later (191 BC), when the temple which had been vowed and ordered to be built in 203 BC, was completed and dedicated by Marcus Junius Brutus^[3][4] Although from another passage^[5] it seems that the games had already been celebrated in 193 BC.^[6]

Festival

The festival lasted for six days, beginning on bear the 10th. The mood of this festival, like that of the whole month in which it took place, was full of general rejoicings and feasting. It was usual for the wealthy Romans on this occasion to invite one another mutually to formal meals, and the extravagant habits and the good living during these festive days were probably carried to a very high level. For that reason, the senate issued a decree in 161 BC stipulating that no one should go beyond a certain extent of expenditure.^[7]

The games that were held at the Megalesia were purely scenic, and not circenses. They were at first held on the Palatine in front of the temple of the goddess, but afterwards also in the theatres.^[8] The first ludi scenici at Rome were, according to Valerius Antias, introduced at the Megalesia—that is, either in 193 or 191 BC. The day which was especially set apart for the performance of scenic plays was the third of the festival.^[9][10] Slaves were not allowed to be present at the games, and the magistrates appeared dressed in a purple toga and praetexta, hence the proverb, purpura Megalensis. The games were under the superintendence of the curule aediles,^[11] and it is known that four of the extant plays of Terence were performed at the Megalesia. Cicero^[12] probably contrasting the games of the Megalesia with the more rude and bloody games and exhibitions of the circus, calls them maxime casti, solemnes, religiosi.^[13][14][15]

Notes

1. Varro, On the Latin Language in 25 Books, vi. 15
2. Livy, xxix.14.
3. Tribune of the plebs (195 BC), praetor (191 BC), and perhaps the consul of 178 BC.
4. Livy, xxxvi.36.
5. Livy, xxxiv.54
6. Barbara K. Gold; John F. Donahue (13 May 2005). Roman Dining: A Special Issue of American Journal of Philology. JHU Press. pp. 102–. ISBN 978-0-8018-8202-9.
7. Gellius, ii. 24; compare xviii. 2.
8. Cicero, On the Responses of the Haruspices, 11, etc.
9. Ovid, The Festivals, iv. 377.
10. Aelius Spartianus, Antoninus Caracalla, c. 6.
11. Livy, xxxiv.54.
12. Cicero, On the Responses of the Haruspices, 12.
13. Ovid, The Festivals, iv. 179–372
14. P. Manutius comments on Cicero’s Letters to his friends, ii. 11.
15. Elaine M. Coury (1 January 1982). Phormio, a comedy by Terence: manuscript reproduction, facing transcription, edited Latin texts, notes, vocabulary. Bolchazy-Carducci Publishers. pp. 100–. ISBN 978-0-86516-014-9.

References

• This entry incorporates public domain text originally from William Smith (ed.), Dictionary of Greek and Roman Antiquities, 1870.

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