Ludwig Börne

Karl Ludwig Börne

Painting by Moritz Daniel Oppenheim
Born Loeb Baruch
(1786-05-06)6 May 1786
Frankfurt am Main, Germany
Died 12 February 1837(1837-02-12) (aged 50)
Paris, France
Resting place Pere Lachaise Cemetery
Occupation Writer
Political philosopher
Education Gießen
Halle University
University of Heidelberg
Notable works (1822) Der Esskunstler
(1826) Denkrede auf Jean Paul
(1829) Mono graphie der deutschen Postschnecke
(1829–1834) Dramaturgische Bltter
(1837) Menzel der Franzosenfresser

Karl Ludwig Börne (born "Loeb Baruch"; 6 May 1786 – 12 February 1837) was a German-Jewish political writer and satirist, who is considered part of the Young Germany movement.

Early life

Karl Ludwig Börne was born Loeb Baruch on 6 May 1786, at Frankfurt am Main to a Jewish family. He was the son of Jakob Baruch, a banker. His grandfather had been a government bureaucrat.[1]

Education

Börne and his brothers were privately tutored by Jacob Sachs, and later by Rector Mosche. At age fourteen, he studied medicine with Professor Hetzel at Gießen. After a year, he was sent to study medicine at Berlin under a physician, Markus Herz, whose house he lived in. At age sixteen, Baruch became infatuated by his patron's thirty-eight-year-old wife, Henriette Herz.[2] After her husband died in 1808, he expressed his adoration in a series of letters. When he enrolled at Halle University, she was influential in his boarding with Professor Reil. He studied constitutional law and political science at University of Heidelberg and Giessen. There he received his PhD in 1809 with the dissertation Ueber die Geometrische Vertheilung der Staatsgebiete.[1]

Career

On his return to Frankfurt, now constituted as a grand duchy under the sovereignty of the prince bishop Karl von Dalberg, he received (1811) the appointment of police actuary in that city.

In 1814 and he had to resign his post due to his ethnicity. Embittered by the oppression suffered by Jews in Germany, he took to journalism and edited the Frankfurt liberal newspapers Staatsristretto and Die Zeitschwingen.

Later life

In 1818 he converted to Lutheran Protestantism, changing his name from Loeb Baruch to Ludwig Börne.[3] From 1818 to 1821 he edited Die Wage, a paper distinguished by its lively political articles and its powerful but sarcastic theatrical criticisms. This paper was suppressed by the police, and in 1821 Börne took a pause from journalism and led a quiet life in Paris, Hamburg and Frankfurt.

After the July Revolution (1830), he hurried to Paris, expecting to find society nearer to his own ideas of freedom.[4][5] Although to some extent disappointed in his hopes, he did not look any more kindly on the political condition of Germany; this lent additional zest to the brilliant satirical letters (Briefe aus Paris, 1830–1833, published Paris, 1834),[6] which he began to publish in his last literary venture, La Balance, a revival of Die Wage. The Briefe aus Paris was Börne's most important publication, and a landmark in the history of German journalism. Its appearance led him to be regarded as a leading thinker in Germany.

Death and legacy

He died in Paris in 1837.

Nothing is permanent but change, nothing constant but death. Every pulsation of the heart inflicts a wound, and life would be an endless bleeding were it not for Poetry. She secures to us what Nature would deny-a golden age without rust, a spring which never fades, cloudless prosperity and eternal youth. Ludwig Börne, Quoted by Heinrich Heine in The Journey to the Harz (1824)[7]

Börne's works are known for brilliant style and for thorough French satire. His best criticism is to be found in his Denkrede auf Jean Paul (1826), a writer for whom he had warm sympathy and admiration; in his Dramaturgische Bltter (1829–1834); and the witty satire, Menzel der Franzosenfresser (1837). He also wrote a number of short stories and sketches, of which the best known are the Mono graphie der deutschen Postschnecke (1829) and Der Esskunstler (1822). Ernest Jones in his first volume of Sigmund Freud's biography relates that Böeme [sic] was an especial favourite in Freud's adolescence, a half century later quoting many passages from "The Art of Becoming an Original Writer", which clearly played a part in Freud's putting his trust in free association during psycho-analysis. Two portraits of him, by the Jewish painter Daniel M. Oppenheim, are in the Israel Museum Collection.

Bibliography

Legacy

The town of Boerne in the U.S. state of Texas, founded by German liberal immigrants (Forty-Eighters), is named after him. The town is a part of the San Antonio Metroplex.
The Börne Gallery at the Jewish Museum Frankfurt in Frankfurt, Germany is also named after him.

References

Notes

  1. 1 2 Singer, Isadore; Cohen, Max. "Karl Börne". The Jewish Encyclopedia Online. Retrieved 3 January 2011.
  2. ↑ Henn, Marianne; Pausch, Holger (2003). Body Dialectics in the Age of Goethe. Rodopi. p. 67. ISBN 978-90-420-1076-5.
  3. ↑ Mendes-Flohr, Paul R; Reinharz, Jehuda (1995). The Jew in the Modern World: A Documentary History. Oxford University Press, USA. pp. 259, 260. ISBN 978-0-19-507453-6.
  4. ↑ Loesser, Arthur (2011). Men, Women and Pianos: A Social History. Dover Publications. p. 354. ISBN 978-0-486-26543-8.
  5. ↑ Daum, Andreas; Mauch, Christof (2005). Berlin - Washington, 1800-2000: Capital Cities, Cultural Representation, and National Identities. Cambridge University Press. p. 51. ISBN 978-0-521-84117-7.
  6. ↑ Körner, Gustav Philipp; McCormick, Thomas Joseph (2010) [1909]. Memoirs of Gustave Koerner, 1809-1896. Nabu Press. p. 247. ISBN 1-147-69792-2.
  7. ↑ German Classics of the Nineteenth and Twentieth Centuries

Sources

External links

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