Mahogany (film)

Mahogany

Movie poster by Bill Gold
illustrated by Bob Peak.
Directed by Berry Gordy
Produced by Jack Ballard
Rob Cohen
Written by Toni Amber (story)
Bob Merrill
John Byrum
Starring Diana Ross
Billy Dee Williams
Jean-Pierre Aumont
Anthony Perkins
Music by Michael Masser
Cinematography David Watkin
Edited by Peter Zinner
Production
company
Distributed by Paramount Pictures
Release dates
  • October 8, 1975 (1975-10-08)
Running time
109 min.
Country United States
Language English
Box office $5,000,000 [1]

Mahogany is a 1975 American romantic drama film directed by Berry Gordy and produced by Motown Productions. The Motown founder Gordy took over the film direction after British filmmaker Tony Richardson was dismissed from the film. Mahogany stars Diana Ross as Tracy Chambers, a poor African-American woman who rises to become a popular fashion designer in Rome. Fresh from the success of Lady Sings the Blues, this film served as Ross' follow-up feature film. It was released on October 8, 1975, and performed well at the box office.

Synopsis

Tracy Chambers is a sassy industrious young woman living in the projects of Chicago who dreams of becoming a fashion designer. She has worked her way up from salesgirl to secretary and assistant to the head buyer at a luxury department store (modeled after, and filmed at, Marshall Field's on State Street, Chicago).[2] Her supervisor at the department store, Miss Evans, (Nina Foch), does not support Tracy's desire to be a designer. She dissuades her from taking the night class due to her belief that it is interfering with Tracy doing her job for her effectively. In actuality Tracy is attempting to bring her dream of being a designer into fruition. She visits her aunt who works in a factory and gives her designs to sew together for her and she visits buyers to see if anyone will purchase her designs. There are no takers as well as comments made to her that the designs are good for Paris but not Chicago. She does not give up though.

One day a great photographer, Sean, played by Anthony Perkins, comes to the department store to shoot models, all Caucasian. He is clearly dissatisfied with the models and the shoot. Tracy and Miss Evans come in to observe and see what they can do for him. As soon as Tracy meets him she begins to talk about what a great photographer he is, Miss Evans cuts her off by asking her to fetch chairs for the models and coffee for herself and Sean. When Sean first sees Tracy he says that she is the type of model that he is looking for not realizing that she is Miss Evans secretary. Miss Evans then insists that she is only a secretary to which Sean insists that he has found a great model. Tracy is smitten with the attentions of the photographer because he is a conduit into the world of fashion that she is working so hard to get into but she is not romantically interested in him. When his time is done in Chicago he lets her know that she would do great in Rome and that he will be sending for her in the future. She takes that news with a grain of salt.

One night, before she meets the photographer while coming home from her art class, she is verbally accosted by Brian Walker (Billy Dee Williams), who is a local activist trying to make the neighborhood aware of the gentrification process going on in their community and attempting to drum up support for change. Tracy comes home from her class, tired and somewhat beleaguered by her circumstances. When Brian Walker directly addresses her through the bullhorn as she walks past him, she then begins to exchange verbal slings with him because she is in no mood. During the verbal exchange, an upstairs neighbor looks out his window and yells at Brian about making so much noise late at night while opening a can of beer and some of the foam falls on Tracy. Everyone laughs, except for Tracy who then, in a beer-soaked huff, heads up to her apartment. Her next encounter with Brian is during her walk to work where she sees him with his bullhorn talking while some neighborhood buildings are being demolished. The construction workers are making comments as to the fact that the neighborhood is better with the rat infested buildings coming down. The comments are meant to annoy Brian and his companions but he decides that he will not retaliate and continues to speak about the situation. In this scene, Brian puts the bullhorn down and Tracy decides that she is going to get him back for their last encounter and while no one is looking she pours milk into the mouthpiece. When Brian picks up the mouthpiece the milk splatters all over him. For him this is the last straw, he assumes that one of the construction workers has done it and a free for all fight begins. The police are called and Brian is taken to jail. When he comes out he finds Tracy waiting outside the police station. She tells him that she bailed him out because it was she who had poured the milk. She also tells him that she has written a bum check for his bail and they high tail it away from the precinct. He tells her that he will give it back to her and he then talks about when. She tells him that she is not interested in him and that she was only relieving her guilty conscience for the misunderstanding which put him in jail. He insists that he will return the money and so she tells him to put it in the mail slot when he does. One night she hears coins, lots of them, being placed in her mail slot. She opens the slot and tons of change fall to the floor. She opens the door and finds Brian is in the hallway. They begin a relationship at that point and Brian becomes her boyfriend. Their relationship includes her assisting in his running unsuccessfully for office in the district. The same night when Brian insists Tracy give up her dreams for his, Tracy receives a call from Sean (Anthony Perkins) to come to Rome and she flees in the middle of the night to become his muse.

Sean reinvents Tracy as "Mahogany" and ultimately she becomes among the most in-demand fashion models. An uneasy relationship develops with Sean, who is possessive and jealous of anyone vying for Tracy's attention, and he struggles to control her sexually and artistically by discouraging her attempts to break away from modeling and further her design aspirations. Tracy, feeling she owes Sean a great deal for bringing her into a world where she has wealth and fame, reluctantly agrees to sleep with him, and Sean's implied or latent homosexuality makes the union a failure. Sean goes on to menace and threaten Brian, who visits Tracy in Rome. Brian fails to persuade Tracy to return home with him to support him in his political aspirations, and Tracy remains behind with Sean. This leads to tragic consequences and a new, wealthy benefactor for Tracy who finally helps her to realize her design ambitions.

Tracy becomes demanding, cruel to her employees, and unwilling to express her appreciation to her new benefactor by becoming his mistress. She finds her career is not all she dreamed it would be without the love and support of Brian, and she realizes she must decide whether to continue with her material lifestyle and loveless relationship in Rome or return to a man she loves in Chicago.

Cast

Theme song

The film and its soundtrack include a Ross-sung theme song, "Theme from Mahogany (Do You Know Where You’re Going To)", which became a #1 hit on the Billboard Hot 100 in 1976. It held the number-one spot for one week (January 18January 24, 1976), replacing "I Write the Songs" by Barry Manilow and replaced by "Love Rollercoaster" by the Ohio Players. "Theme from Mahogany", written by Michael Masser and Gerald Goffin and produced by Masser, was the best-reviewed element of Mahogany and was nominated for the Academy Award for Best Original Song. The song was later covered by Mariah Carey in 1998 and Sony Music labelmate Jennifer Lopez the following year.

Awards

The film was nominated for the best original song Academy Award (Michael Masser, Gerry Goffin).

Release and Reception

Mahogany was released on VHS home video in the 1990s, and was issued on DVD on May 1, 2007.

Despite box office success, reviews are mostly negative, and currently holds a 23% rating at Rotten Tomatoes.[3]

See also

References

External links

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