Malika Kishino
Malika Kishino in 2015
Malika Kishino (jap. 岸野 末利加, Kishino Marika; born July 16, 1971) is a japanese composer based in Cologne / Germany.
Biography
Malika Kishino was born in Kyoto 1971. She studied law in Doshisha University then came to France in 1995 to study composition. She studied at École Normale de Musique Paris with Yoshihisa Taira, at Conservatoire national supérieur de musique et de danse de Lyon with Robert Pascal and at the Institute for Research and Coordination Acoustic (IRCAM) with Philippe Leroux.[1] She moved to Cologne in 2006. Her works are published by Edizioni Suvini Zerboni in Milan.[2]
Works
Vocal music
Music for Choir
- Satsuki (May) (2000) for mixed choir, two trumpets, trombone and two percussionists
- Lo mes d’abrièu s’es en anat (April has gone…) (2005) for 12 female voices, children's choir and electronic sounds
- Ichimai-Kishohmon (2011) for mixed choir, voices of Buddhist priests, sho, hichiriki, 20 stringed koto, percussion, string trio
- Prayer / Inori (2011) for mixed choir
- Dialogue Invisible (2012) for 9 female voices
- Chant (2015) for orchestra and choir
Music with Voice
- Battement (Schlag) (2003) for bariton and piano
- Hila – Hila to… (2009) for countertenor and 7 players
- Miraiken kara (from future sphere) (2012) for Noh-voice and alto flute
Choir and Orchestra
- Chant (2015) for orchestra and choir
Orchestral
- Du Firmament (2001–02) for orchestra
- Fluxus ac Refluxus (2008) for large orchestra, divided into 7 groups
- Zur Tiefe (2013) for large orchestra
Concerto
- Himmelwärts II / Vers Le Ciel II (2007) for flute, percussions and 16 strings
- Rayons Crépusculaires (2007–08) for bass drum, large ensemble divided in 3 groups and 8 channel-Live–Electronic
- Concerto pour Koto (2013) for koto and orchestra
- Heliodor „Hymne für ein nicht existierendes Land“ (2015) for trombone and large ensemble
Ensembles
- Danse du Zephyr (2002–03) for 17 players
- Sensitive Chaos (2010) for 7 players
- Stratus – Altocumulus – Cirrus (2014) for 9 players divided into 3 groups
Chamber
- Epure (1998–99) for string quartet
- Astral (2001) for flute, guitar, piano, violin and violoncell
- Scintillation (2002) for piano and cembalo
- Epanouissement II (2004) for bass flute
- Seventeen Steps (2006) for alto flute, violin, bass koto and piano
- Himmelwärts / Vers le ciel (2006) for flute, percussions, violine, viola and violoncell
- Himmelsleiter (2006) for alto-flute, bass clarinet, trumpet, piano, violine and violoncell
- Himmelsleiter II (2006; 2013 rev.) for alto flute, bass clarinet, trumpet, harp, violin and violoncell
- Halo (2007) for two bass clarinets
- Erwachen (2007) for octo bass recorder, bass koto and percussion
- Erwachen II (2008) for bass flute, bass koto and percussion
- Vague de Passion (2010) for marimbaphon and vibraphon
- Monochromer Garten (2011) for accordeon and violoncell
- Monochromer Garten II (2011) for bass clarinet, bariton saxophon and trombone
- Lamento (2013) – based on a folk song from Fukushima – for two violins
- Lamento II (2013; 2014 rev.) – based on a folk song from Fukushima – for Violin and Viola
- Monochromer Garten VII (2015) for recorder and percussion
Solo
- Danse automnale de feuilles vermeilles (1997) for piano
- Epanouissement (2003) for violoncell
- Koi Hanété… (2006) for piano. Based a Haiku of Shiki Masaoka.
- Monochromer Garten III (2011) for timpani
- Monochromer Garten IV (2012) for 30 stringed koto
- Monochromer Garten V (2013 for koto
- Monochromer Garten VI (2015) for Viola
Series „Monochromer Garten“
- Monochromer Garten (2011) for accordeon and violoncell
- Monochromer Garten II (2011) for bass clarinet, bariton saxophon and trombone
- Monochromer Garten III (2011) for timpani
- Monochromer Garten IV (2012) for 30 stringed koto
- Monochromer Garten V (2013 for koto
- Monochromer Garten VI (2015) for viola
- Monochromer Garten VII (2015) for recorder and percussion
Instrumental music with Electronic
- Irisation Aquatique (2002) for bass clarinet, piano, violoncello and elektronic sounds
- Eclosion (2005) for harp and 9 channel-live-electronic
- Lo mes d’abriéu s’es en anat (April has gone) (2005) for 12 female voices, children's choir and electronic sound
- Lebensfunke (2007) révision 2010 for bass-drum and clectronic
- Rayons Crépusculaires (2007–08) for bass-drum, large ensemble divided in 3 groups and 8 channel-Live–Electronic
- Aqua vitae (2008) for two pianos, two (water-)percussions and 8 channel-live-electronic
- Qualia (2009) for bass koto and 10 channel-live-electronic
- Lebensfunke II (2010) for bass drum and 8 channel-live-electronic
References
External links
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