Maaran

For the 2002 film, see Maaran (film).
Marar
Classification Temple musicians
Religions Hinduism
Languages
Country India
Related groups

Marar (Maaraar or Maaraan) is the name given to the temple musicians of Travancore, Cochin and Malabar in the state of Kerala, India whose primary duty was to provide the traditional temple Sopanam music. Their position in the caste system varies from place to place in Kerala. In Travancore, although they were Ambalavasi (marar,variar,pothuval)they had status below Brahmin and above Nair. In Malabar they enjoyed relatively superior status.Their death pollution conducted in 13 days but in the Nair death pollution is 11days .The house of Marar is called ' Marath' and the women called 'Marasyar'.they have the right to come front of the sreekovil

Origin and occupation

Below is an excerpt from the Madras Census Report of 1901 which reports the Maarans as:

Temple servants and drummers in Malabar. Like many of the Malabar castes they must have come from the East Coast (Tamil Nadu) as their name frequently appears in the Tanjore inscriptions of 1013 AD. They followed, then, the same occupation as that by which they live today and appear to have held a tolerably high social position. In Travancore kingdom Marar Kurup' is a particular category among them.

Edgar Thurston in his "Castes and Tribes of Southern India" states their traditional origin and occupation as follows: Before the days of Sankaracharya their sole occupation was beating the drums in Brahminical Temples. When Sankaracharya was refused assistance in the cremation of his mother by the Namboodiri Brahmins, he is believed to have sought in despair the help of one of these temple servants with whose aid the corpse was divided into eight parts and deposited in the pit. For undertaking this duty which the Namboodiris repudiated from a sense of offended religious feeling, the particular Maran was thrown out of his caste by the general community and a compromise had to be effected by the sage with the rest of the caste who returned in a body on the day of purification along with the excommunicated man and helped Sankaracharya to close his mother's death ceremonies. In recognition of this timely help Sankaracharya is said to have declared the Maran to be an indispensable functionary at the death ceremonies of Namboodiris and Ambalavasis.

The traditional occupations of the Maarans was sounding or playing the panchavadya or five musical instruments in temples known as the "Sankhu (Conch), Timila, Chenda, Kaimani and Maddalam". The Asu and Pani are sounded by the highest dignitaries known as Asupani Maarans. The beating of the Pani is the accompaniment of expiatory offerings to the Saptamata or Seven Mothers of Hindu religious writings namely Brahmi, Maheshwari, Kaumari, Vaishnavi, Varahi, Indrani and Chamunda. There are certain well established rules regarding the hymns to be recited and the music to be played. So religiously have these rules to be followed that during the Utsavabali that the priest who makes the offering, the Variar who carries the sacred lamp and the Maaran, all have to fast and dress themselves in the orthodox Brahminical fashion, with the Uttariya or upper garment tied around their torso like the Sacred thread.

The higher classes of Maarans (Asupani Maarans) claim six privileges Pani or Pano, Koni, Thirumuttom, Nadumuttam, balichor and Poochor. Pani is the right to play the Asu and Pani. Koni literally means a ladder and refers to the stretcher made of bamboo and kusa grass or straw on which corpses of high caste Hindus are laid. Thirumuttom is the right to sweep the inner courtyard of Temples, a privilege otherwise reserved for the Ambalavasi castes. Nadumuttam is the right of erecting a small pandal or booth like in the courtyard of a Namboodiri house where oblations are offered to the departed spirit on the tenth day since death. Balichor is the right to retain remains of the sacrificial rice offered to the manes and Poochor the right to retain a part of the offering of flowers and food made to the deity.

The higher classes of Maarans in Malabar consider themselves superior to other Maarars owing to ritual purity and abstinence from flesh and liquor and also their aloofness from the lower classes who assist at funeral ceremonies and function as priests for the Nairs. During Jati Nirnayam they were classed equal to Nair proper (the three proper Nair castes: Illakkar, Swaroopakkar & Kiryathil) and hence sometimes considered the lower ranking section of Ambalavasis. In Travancore they continued to be included among the other Maarans.[1]

Though playing the music in temples is their main vocation, they are indispensable in Namboodiri, Kshatriya and Ambalavasi funeral ceremonies and almost all ceremonies of the Nairs such as Kettu Kalyanam. Some practised sorcery and witchcraft and were also priests in temples dedicated to Bhadrakali. They assisted the Namboodiris and Rajahs during the Chowalam or tonsure ceremony.

Subdivisions

In Malabar, Cochin and North Travancore, up to Alapuzha, the Maarans are divided broadly into two groups, the Marars, also known as Asupanis, and the remaining Maarans. The Marars are those higher classes of Maarans who distanced themselves from any other services, such as serving as funeral priests etc., but temple service and hence secured a higher status, among the Ambalavasis, with the honorific title of Marar. From Alapuzha southwards, there exists no such division and even the Asupanis were included among the remaining Marars of Central and Southern Travancore.

The Marars here are divided into several groups on various bases. Sometimes they are classed on the basis of the castes whose various rites and rituals they perform such as Illathu Marars for those who were working under Illathu Nairs. Likewise they may be classed as per locality also. For instance Tekkumkur Marars and Vadakumkur Marars. On the basis of occupation the highest were the Asupani Marars followed by subcastes known as Seethikans, Mangala Marars etc. However the real social divisions of the Travancore Marars are only four and they are:

Manners and customs

The customs and ceremonies of the Maarans are the same as the Nairs excepting for the Annaprasana ceremony of first food giving when the Maaran child partakes consecrated food of the temple unlike the Nair child whose ceremony is performed at home. Maarans could be purified from death pollution by the Namboodiris while they themselves were purificatory priests of the Nairs. Technically all Maarans are expected to be abstainers from meat but barring the Asupani class (Marars and Asupani Maarans) and those in the service of temples and Brahmins, this rule was not uniformly practised. They have the right to come in front of Sreekovil but not come inside of Sreekovil. Their right in temple is called 'kayakam'. Their death pollution is conducted 13days. But in the Nair's conducted only maximum 12 days.

Status

The Marar caste is a ambalavasi caste still the status of Marar caste is below brahmin and above Nair community.Eventually they were broadly divided into two classes namely the Marars of Malabar and the Maarans of Travancore. The Marars correspond to the Asupani Maarans and were considered higher in status owing to their aloofness from the other Maaran subcastes as also from performing any other services, but those within the temple, whereas the Maarans of Travancore were considered lower in status even in position inside the temple( north side) and mostly does not have their own family name like other castes of Kerala.

Famous Marars

References

  1. Travancore State Manual, V Nagam Aiya
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