Marc Wilkinson

Not to be confused with Mark Wilkinson.

Marc Wilkinson (born 27 July 1929) is an Australian composer and conductor best known for his film scores, including The Blood on Satan's Claw, and incidental music for the theatre, most notably for Peter Shaffer's The Royal Hunt of the Sun. His compositional approach has combined traditional techniques with elements of the avant-garde. For most of his life resident in the UK, he has now retired from composition and currently lives in France.

Biography

Born in Paris, Wilkinson studied composition at Columbia and Princeton Universities; he also took some private lessons with Varèse in New York.[1] He published a number of analytical articles on works by Varèse and Boulez.[2][3] In England, he became one of the first independent composers to make use of the BBC Radiophonic Workshop after it opened in 1958.[4] For a time Wilkinson was resident composer and musical director of the Royal Shakespeare Company, then musical director of the Royal National Theatre (1963–74).[5] One of the first scores he composed in that post was for Peter Shaffer's The Royal Hunt of the Sun (1964); the result deeply impressed the playwright, who has described Wilkinson's work as "perhaps the best score for a play to be written since Grieg embellished Peer Gynt".[6] Wilkinson subsequently wrote the incidental music to Shaffer's play Equus (1973).

Other National Theatre productions for which Wilkinson wrote incidental music included Tom Stoppard's plays Rosencrantz and Guildenstern Are Dead (1967) and Jumpers (its premiere production, 1972). He also taught at the Royal Court Theatre studio, under the directorship of Keith Johnstone, from the autumn of 1964.[7]

Through his work at the National Theatre Wilkinson met Piers Haggard, who was working as an assistant director: the two worked together on the National Theatre production The Dutch Courtesan (1964).[8] Having directed several TV dramas, Haggard was about to direct his first feature film and invited Wilkinson to score.[9] The result is one of Wilkinson's most celebrated film scores, Blood on Satan's Claw (1971),[10] acclaimed by Jonathan Rigby in English Gothic as "easily among the best ever composed for a British horror film".[11] Wilkinson subsequently gave crucial advice to Paul Giovanni who had been commissioned to score the film The Wicker Man.[12]

Wilkinson and Haggard subsequently worked together on further TV and film productions, including Quatermass and The Fiendish Plot of Dr. Fu Manchu.

Selective list of Works

Incidental music for theatre

Film scores

Television scores

References

  1. ↑ "An Interview with Composer Marc Wilkinson". Movie Music Italiano [sic]. 2007. Archived from the original on 30 November 2012.
  2. ↑ Perle, George (1990). The Listening Composer. Volume 7 of Ernest Bloch Lectures. University of California Press. p. 12. ISBN 9780520917835.
  3. ↑ Delaere, Mark; Crispin (eds), Darla (2009). Unfolding Time: Studies in Temporality in Twentieth-century Music. Leuven University Press. p. 75. ISBN 9789058677358.
  4. ↑ Niebur, Louis (2010). Special Sound: The Creation and Legacy of the BBC Radiophonic Workshop. Oxford University Press. p. 223. ISBN 9780195368406.
  5. ↑ "National Theatre: Music". National Theatre. Retrieved 2011-12-07.
  6. ↑ Shaffer, Peter. The Collected Plays. Harmony Books, 1982: p. x
  7. ↑ Dudeck, Theresa Robbins (2013). Keith Johnstone: A Critical Biography. A&C Black. pp. 61–62. ISBN 9781408184714.
  8. ↑ http://theatricalia.com/play/4k5/the-dutch-courtesan/production/9yj
  9. ↑ Wilkinson, Marc. Sleevenotes to Soundtrack album Blood on Satan's Claw, Trunk Records .
  10. ↑ Spencer, Kristopher. Film and television scores, 1950-1979: a critical survey by genre. McFarland, 2008: p. 254
  11. ↑ Rigby, Jonathan. English Gothic: A Century of Horror Cinema. Reynolds & Hearn, 2004: p. 200
  12. ↑ Bartholomew, David. "The Wicker Man" in Cinefantastique Vol. 6, no. 3, 1977: p. 24

External links

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