Luisa Casati

Marchesa
Luisa Casati

Portrait of Marchesa Luisa Casati by Adolf de Meyer
Born Luisa Adele Rosa Maria Amman
(1881-01-23)January 23, 1881
Milan, Italy
Died June 1, 1957(1957-06-01) (aged 76)
Knightsbridge, London, England
Cause of death Stroke
Resting place Brompton Cemetery
Nationality Italian
Other names Luisa, Marchesa Casati Stampa di Soncino
Occupation Socialite, artists' model, art patroness
Spouse(s) Camillo, Marchese Casati Stampa di Soncino (m. 1900; wid. 1946)
Children 1
Website www.marchesacasati.com

Luisa, Marchesa Casati Stampa di Soncino (23 January 1881 – 1 June 1957), also known as Luisa Casati, was an Italian heiress, muse, and patroness of the arts in early 20th-century Europe known for her eccentricities. As the concept of quaintrelle was re-developed, Marchesa Casati fitted the utmost example by saying: "I want to be a living work of art".

Early life

Luisa Adele Rosa Maria Amman was born in Milan, youngest of two daughters of Alberto Amman and his wife Lucia (née Bressi). Her father was of Austrian descent, while her mother was Italian and Austrian. Alberto Amman father was made a count by King Umberto I. Countess Amman died when Luisa was thirteen, and Count Amman died two years later, making his daughters, Luisa and her older sister, Francesca (1880–1919, married Giulio Padulli), reportedly the wealthiest women in Italy.

Marriage and descendants

In 1900, she married Camillo, Marchese Casati Stampa di Soncino (Muggiò, 12 August 1877 – Roma, 18 September 1946). The couple's only child, Cristina Casati Stampa di Soncino, was born the following year. The Casatis maintained separate residences for the duration of their marriage. They were legally separated in 1914. They remained married until Marchese Casati's death in 1946.

In 1925, couple's daughter Cristina (1901–1953), married Francis John Clarence Westenra Plantagenet Hastings, known as Viscount Hastings and later the 16th Earl of Huntingdon; they had one child, Lady Moorea Hastings (4 March 1928 – 21 October 2011), and divorced in 1943. The following year the Viscountess Hastings married Honourable Wogan Philipps; that marriage produced no children.

Luisa Casati's only grandchild, Lady Moorea Hastings, was the wife of politician and diarist Woodrow Wyatt from 1957 to 1966, and later married the adman Brinsley Black, named as one of the best-dressed Englishmen in the inaugural issue of Men in Vogue in 1965.[1] She had a son with each husband:

Moorea Hastings was so unmaternal that, on learning she was pregnant, she arranged with her first husband that childless cousins of his would care for the baby. When Wyatt later sued for divorce on grounds of her adultery, he was, unusually, given full custody of the child.[7]

Muse and patroness

A celebrity and femme fatale, the Marchesa's famous eccentricities dominated and delighted European society for nearly three decades. The beautiful and extravagant hostess to the Ballets Russes was something of a legend among her contemporaries. She astonished society by parading with a pair of leashed cheetahs and wearing live snakes as jewellery.

Marchesa Luisa Casati (1881–1957) with a greyhound by Giovanni Boldini

She captivated artists and literary figures such as Robert de Montesquiou, Romain de Tirtoff (Erté), Jean Cocteau, and Cecil Beaton. She had a long term affair with the author Gabriele d'Annunzio, who is said to have based on her the character of Isabella Inghirami in Forse che si forse che no (Maybe yes, maybe no) (1910). The character of La Casinelle, who appeared in two novels by Michel Georges-Michel, Dans la fete de Venise (1922) and Nouvelle Riviera (1924), was also inspired by her.

In 1910, Casati took up residence at the Palazzo Venier dei Leoni, on Grand Canal in Venice (now the home of the Peggy Guggenheim Collection). Her soirées there would become legendary. Casati collected a menagerie of exotic animals, and patronized fashion designers such as Fortuny and Poiret. From 1919 to 1920 she lived at Villa San Michele in Capri, the tenant of the unwilling Axel Munthe. Her time on the Italian island, tolerant home to a wide collection of artists, gay men, and lesbians in exile, was described by British author Compton Mackenzie in his diaries.

Her numerous portraits were painted and sculpted by artists as various as Giovanni Boldini, Paolo Troubetzkoy, Romaine Brooks (with whom she had an affair), Kees van Dongen, and Man Ray; many of them she paid for, as a wish to "commission her own immortality". She was muse to Italian Futurists such as F. T. Marinetti, Fortunato Depero, and Umberto Boccioni. Augustus John's portrait of her is one of the most popular paintings at the Art Gallery of Ontario; Jack Kerouac wrote poems about it and Robert Fulford was impressed by it as a schoolboy.

Later years and death

Gravestone for Luisa Casati (2004)
Epitaph on Luisa Casati's Gravestone (2004)

By 1930, Casati had amassed a personal debt of $25 million. Unable to pay her creditors, her personal possessions were auctioned off. Designer Coco Chanel was reportedly one of the bidders.[8]

Casati fled to London where she lived in comparative poverty in a one-room flat. She was rumoured to be seen rummaging in bins searching for feathers to decorate her hair.[9] On 1 June 1957, Marchesa Casati died of a stroke at her last residence at 32 Beaufort Gardens in Knightsbridge, aged 76. Following a requiem mass at Brompton Oratory, the Marchesa was interred in Brompton Cemetery.[10]

She was buried wearing her black and leopard skin finery and a pair of false eyelashes. She was also interred with one of her beloved stuffed pekinese dogs.[10] Her tombstone is a small grave marker in the shape of an urn draped in cloth with a swag of flowers to the front. The inscription on the tombstone, which misspells her "Louisa" rather than "Luisa", is inscribed with the quote, "Age cannot wither her, nor custom stale her infinite variety", from Shakespeare's Antony and Cleopatra.

In popular culture

Characters based on Casati were Vivien Leigh in the play, La Contessa (1965) and by Ingrid Bergman in the movie, A Matter of Time (1976).

In 1998, John Galliano based his Spring/Summer Christian Dior collection on her. Gowns from this collection have been displayed at the Metropolitan Museum of Art Fashion Institute. Casati served as inspiration for another of Galliano's ensembles created for his autumn/winter 2007/2008 Bal des Artistes haute couture collection for Dior.

Designer Alexander McQueen's Spring/Summer 2007 collection was inspired by Casati.

Casati is also the namesake of the Marchesa fashion house started by British designers Georgina Chapman and Keren Craig.

In May 2009, Karl Lagerfeld debuted his 2010 Cruise-wear collection on the Lido in Venice, for which Casati was once again a major muse. In February 2016, London based designer Omar Mansoor mused his autumn winter collection on Casati at London Fashion Week and Paris Fashion Week.

Citations

  1. ↑
  2. ↑
  3. ↑
  4. ↑ Lundy, Darryl. "p7908.htm#i79071". The Peerage. External link in |publisher= (help)
  5. ↑
  6. ↑ Lundy, Darryl. "p17069.htm". The Peerage. External link in |publisher= (help)
  7. ↑ "To Move and To Shake" by Geraldine Bedell. The Independent on Sunday, 24 November 1996.
  8. ↑ Nevill, Bernard. The World of Interiors (London), January 2001.
  9. ↑ Jullian, Philippe. "Extravagant Casati," Vogue (New York), 1 September 1970.
  10. 1 2 Davies, Lucy (23 November 2014). "The divine marchesa: the riotous world of Marchesa Luisa Casati". telegraph.co.uk. The Telegraph. Retrieved 28 September 2015.

References

External links

Luisa Casati at Find a Grave

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