Martin Elkort
Martin Edward Elkort | |
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Born |
The Bronx, New York, U.S. | April 18, 1929
Occupation |
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Known for | Street photography |
Spouse(s) | Edythe Spiel Elkort |
Website |
martinelkort |
Martin Edward Elkort (born April 18, 1929) is an American photographer, illustrator and writer known primarily for his street photography. Prints of his work are held and displayed by several prominent art museums in the United States. His photographs have regularly appeared in galleries and major publications. Early black and white photographs by Elkort feature the fabled Lower East Side in Manhattan, New York City, showing its ethnic diversity, myriad streets and cluttered alleys. The Coney Island amusement park in Brooklyn was another favorite site during that period. His later work depicts street scenes from downtown Los Angeles and Tijuana, Mexico. Throughout Martin Elkort's long career as a photographer, he always showed the positive, joyful side of life in his candid images.
Early life and education
Born in the Bronx, New York City, Martin Elkort grew up during the Great Depression. At the age of 15, he suffered a bout with polio and spent four months in the hospital.[1] When he returned home, his parents gave him his first Ciroflex, a twin-lens reflex camera, that cost them about a week’s salary.[2]
Photographic career
Elkort took his first professional photograph at the age of 10 while on a car trip with his parents to Baltimore. During the trip, he took photographs of flooded streets. The Baltimore Sun purchased his photographs of flood scenes and featured one of them on its front page.[2][3] After his recovery from polio, he set out around Manhattan taking pictures of whatever interested him.[2]
Early period: New York
While studying at New York City's Cooper Union School of Art, Elkort joined the New York Photo League, an organization of photographers that served as the epicenter of the documentary movement in American photography.[3] There he studied under masters like Paul Strand, Aaron Siskind, Sid Grossman, Lou Stoumen, Imogen Cunningham, Weegee and many other luminaries, learning to become adept at what he refers to as ‘stealth photography’. With a more refined Rolleiflex twin-lens reflex camera strapped around his neck, he would roam the streets peering down into the 2×2 inch ground glass. He developed the skill of walking right up to a person and taking their photo without them even realizing it. His goal was to capture this post-war period's general optimism and innocence.[1] During this period he worked at the Wildenstein & Company Gallery and later, the Stephen Michael Studio in Manhattan where he further enhanced his photographic knowledge and technique.
In 1948, Elkort showed his pictures of Hasidic Jewish boys playing in the streets to Edward Steichen, who was curator of photography at New York's Museum of Modern Art and probably America's most famous photographer at the time.[4] Steichen rejected his photos, describing Martin's skills as "no better than the other 35 million amateur photographers in the country." Dejected but determined, Elkort worked tirelessly to improve his craft and two years later, he met with Steichen again. This time the famous curator bought three of his images for the museum's collection: "Soda Fountain Girl",[5] "Puppy Love",[6] and "The Girl With Black Cat",[7] all uplifting images of children at Coney Island.[3]
Elkort's photographs (c. 1951) of recently liberated Jewish immigrants learning new work skills at the Bramson ORT (Organization for Rehabilitation and Training) School in Brooklyn offer a rare and intimate glimpse into of their optimistic struggle to integrate into a new society after World War II. Some of his pictures show Jewish workers bearing tattoos evidencing their incarceration in Nazi concentration camps during The Holocaust. In 1951, more than 20,000 Jews received vocational training at the Bramson ORT School.[8] Seamstresses, tailors, pattern makers, pressers; here they learned a trade that was much needed in New York’s growing fashion and garment district. In 2008, Elkort donated 33 of his vintage ORT photographs to the United States Holocaust Memorial Museum in Washington, D.C..
Later period: Los Angeles
After receiving a digital camera for his 70th birthday, Martin's photographic career re-ignited. He began to show his current and older work in galleries around the country. He also found a renewed interest in the New York Photo League.[1]
In 2002, he co-founded the Los Angeles League of Photographers[9] along with David Schulman and David Stork. Modeled after the New York Photo League, its mission is to expose the wider public to photography's essential social, political and aesthetic values. He also writes articles for magazines dealing with photography including Rangefinder and Black & White Magazine.
As of March 2014, Elkort's work is widely exhibited and can be found in the permanent collections of the United States Holocaust Memorial Museum in Washington, D.C.; the Museum of Modern Art in New York City; The Jewish Museum (Manhattan) in New York City; the Columbus Museum of Art; The Museum of Fine Arts, Houston; The J. Paul Getty Museum in Los Angeles; as well as many corporate and private collections.[2]
Author
Following his retirement from the travel industry in 1996, Elkort authored two books, Getting from Fired to Hired and The Secret Life of Food. He also wrote numerous magazine articles for Rangefinder and Black & White magazines.
Personal life
In the 1970s, Martin and his wife Edythe bought and ran a travel agency in Beverly Hills, California, catering to a clientele that included many Hollywood stars.[1]
In 1976, Martin and his longtime friend Murray Vidockler founded the Society for Accessible Travel & Hospitality (SATH) [10] to promote better wheelchair access on buses and at airports, hotels and major destinations.
Professional affiliations and publications
- Klein, Mason and Evans, Catherine, "The Radical Camera: New York's Photo League, 1936–1951". Yale University Press, 2011
- Los Angeles League of Photographers (LALOP) – Founding Member 2002
- Los Angeles County Museum of Art – Photography Arts Council, Member
- Rangefinder Magazine – "Politics and Landscape", March 2011[11]
- Rangefinder Magazine – "Visual Recorders of Time", March 2009[12]
- Higonnet, Anne and Lafo, Rachel, "Presumed Innocence – Photographic Perspectives of Children". DeCordova Museum, 2008[13]
- Rangefinder Magazine – Two Feature Stories, January 2007
- Rangefinder Magazine – Featured Photographer, January 2006
- Rangefinder Magazine – Contributing Editor, 2006
- Black & White Magazine – Featured Photographer, August 2005
- Press-Telegram, Long Beach, CA – Feature Story, July 2001
- New Mexican (daily newspaper) – Art Columnist in Sunday Editions, 1957
- New Mexico Magazine – Editorial Associate, photography and writing, 1957
- U. S. Camera – October 1951
- American Photography – January & June 1951
- New York Photo League – Member, 1948–1951
Photographic collections and exhibitions
- The Jewish Museum – The Radical Camera: New York's Photo League, 1936–1951, November2011 – March 2012[14]
- The Jewish Museum, New York City, NY – Permanent Collection, 2008 acquisition
- United States Holocaust Memorial Museum, Washington, D.C. – Permanent Collection, 2008 acquisition
- Barry Singer Gallery, Petaluma, CA – One Man Show, 2006
- BLMan Gallery, Los Angeles, CA – One Man Show, 2006
- Metro Gallery, Los Angeles, CA – Group Show, 2006
- O’Melveny & Myers – Corporate Collection, 2006 acquisition
- Millard Sheets Gallery, Pomona, CA – Group Show, 2005
- The J. Paul Getty Museum, Los Angeles, CA – Permanent Collection, 2004 acquisition
- John Cleary Gallery, Houston, TX – Two Man Show, 2003
- Photo Impact, Hollywood, CA. – One Man Show, 2003
- Fototeka Gallery, Los Angeles, CA – One Man Show, 2002
- The Museum of Fine Arts, Houston, TX – Permanent Collection, 2002 acquisition
- Alpert Jewish Community Center, Long Beach, CA – One Man Show, 2001
- Artseal Gallery, San Francisco, CA – Group Shows, 2001, 2005
- Columbus Museum of Art, Columbus, OH – Permanent Collection, circa 2000 acquisition
- Museum of New Mexico, Santa Fe, NM – Photographer’s Annual Shows, 1956 & 1958
- Life Magazine Contest for Young Photographers – Finalist, 1952
- Museum of Modern Art, New York City, NY – Permanent Collection, 1950 acquisition
- New York Photo League – Group Shows, 1948–1951
Bibliography
- The Secret Life of Food: A Feast of Food and Drink History, Folklore, and Fact. J.P. Tarcher. 1991. ISBN 978-0874776621.
- Getting from Fired to Hired: Bounce Back from Losing Your Job and Get Your Career Back on Track!. Petersons Guides. 1997. ISBN 978-0028617374.
References
- 1 2 3 4 Ricci, James (July 29, 2001). "From 400 Negatives, Something Positive". Los Angeles Times. Retrieved March 15, 2014.
- 1 2 3 4 Brownstein, Larry (January 2006). "Profile: Marty Elkort". Rangefinder Magazine: 18-22. Archived from the original on February 14, 2012. Retrieved March 19, 2014.
- 1 2 3 Marshall, Peter (May 2007). "Martin Elkort: New York Photo League". About.com. Archived from the original on May 21, 2007. Retrieved March 15, 2014.
- ↑ "Edward Steichen". International Photography Hall of Fame. Retrieved February 27, 2014.
- ↑ "Soda Fountain Girl". Retrieved February 2, 2014.
- ↑ "Puppy Love". Retrieved February 2, 2014.
- ↑ "The Girl With Black Cat". Retrieved February 2, 2014.
- ↑ "20,000 Jews Received Vocational Training in Ort Schools in 1951". JTA. December 28, 1951. Retrieved February 2, 2014.
- ↑ "About LALOP". LALOP. Retrieved February 28, 2014.
- ↑ Vidockler, Murray (January 1997). "Founder's Message". SATH. Retrieved February 27, 2014.
- ↑ Elkort, Martin (March 1, 2011). "Politics and Landscape". Retrieved January 29, 2014.
- ↑ Visual Recorders of Time
- ↑ Presumed Innocence: Photographic Perspectives of Children. DeCordova Museum. Retrieved January 29, 2014.
- ↑ "The Radical Camera: New York's Photo League, 1936–1951". Retrieved January 29, 2014.
External links
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