Matelo Ferret

Jean Pierre "Matelo" Ferret
Genres Romani music, Musette, Gypsy jazz, Continental jazz, Jazz manouche
Occupation(s) Musician, Composer
Instruments Guitar
Years active 1930s-1980s
Associated acts Django Reinhardt
Notable instruments
Guitar

Jean Pierre "Matelo" Ferret (1918–1989) (also spelled Matelot, Matlo and Matlow, surname also later spelled Ferré on occasion) was a French musette and gypsy jazz guitarist and composer, and a contemporary and musical associate of Django Reinhardt, and the brother of noted Gitan (gypsy) guitar players Baro and Sarane Ferret. He recorded with his own sextet in Paris in the 1940s and continued performing there, with occasional recording sessions, until his death in 1989. He was noted for a musical style that incorporated more Russian/Hungarian influences than that of Django, and lived long enough to see a resurgence of interest in gypsy jazz in which he was recognised as one of the great surviving players of the genre. Two of his sons, Boulou and Elios Ferré continue to play a more modern and individualistic form of gypsy jazz-based guitar music in Paris.

Biography

Matelo Ferret was the youngest of the three Ferret brothers, Gitan gypsies from Rouen, France who made their way to Paris and there made the acquaintance of Django Reinhardt in 1931.[1][2] He was known by his French nickname "Matelo," which meant "sailor". He replaced the legendary guitarist Gusti Malha playing alongside the accordionist Emile Vacher, and later played with Guérino, another well known accordionist.[3] From 1931, the Ferret brothers Matelo, Baro and Etienne "Sarane" Ferret, and cousin René "Challain" Ferret, were favorite sidemen of Reinhardt. At that time, Django and his companions frequently played at the Russian cabarets in Paris, notably the Casanova and the Shéhérazade and, while Django moved away into a more jazz direction for the major part of his career, Matelo spent much of his subsequent time in the Russian cabarets and developed a unique guitar style incorporating many Russian and Romanian gypsy (Tzigane) elements as well as musette-style waltzes and jazz. After recording as a sideman on various sessions in the 1930s and early 40s, his first sessions under his own name were cut in 1944 (as "Jean Ferret et son Sixtette"); he recorded sporadically through the 1950s and 1960s (including notable guitar contributions to the famous "Manouche Partie" LP) and summed up his life's work with the 2-LP set "Tziganskaïa" recorded for Charles Delaunay in 1978 (subsequently re-released on CD along with 4 unrecorded waltzes by Django Reinhardt which Matelo recorded in 1960) on which he was accompanied by his son Boulou on rhythm guitar, along with cimbalom (a favourite instrument of the Tzigane gypsy style) and double bass.

Matelo died of cancer on 24 January 1989, aged 70, a contemporary of Django who survived long enough to see the revival of interest in gypsy jazz and related music and to leave several modern filmed performances. Two of his sons Boulou and Elios Ferré continue to perform gypsy jazz at the highest level. A third son, Michel "Sarane" Ferré (nickname after his uncle Sarane Ferret), has also performed/recorded with his father on occasion.

References

  1. ↑ Dregni, Michael (2004). Django: The Life and Music of a Gypsy Legend. Oxford University Press. pp. 61–62. ISBN 0-19-516752-X.
  2. ↑ Dregni, Michael (2008). Gypsy Jazz: In Search of Django Reinhardt and the Soul of Gypsy Swing. Oxford University Press. pp. 146–161. ISBN 978-0-19-531192-1.
  3. ↑ Antonietto, Alain (1999). "Matelo Ferret 1918 - 1989". In Charle, François. The Story of Selmer Maccaferri Guitars (English Edition). Published: François Charle. pp. 182–185. ISBN 2-9513516-1-5.

Incomplete Discography (excluding tracks with Django Reinhardt)

On 78 RPM discs:

On EP & LP (plus CD reissues):

External links

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