Wodaabe

Wodaabe Woɗaaɓe
A group of traveling Wodaabe. Niger, 1997.
Total population
(45 000 in 2010)
Regions with significant populations
Niger, Cameroon, Central African Republic, Chad, Nigeria
Languages
Fula
Religion
Islam, African traditional religion
Related ethnic groups
Fula

The Wodaabe (Fula: Woɗaaɓe) or Bororo are a small subgroup of the Fulani ethnic group. They are traditionally nomadic cattle-herders and traders in the Sahel, with migrations stretching from southern Niger, through northern Nigeria, northeastern Cameroon, southwestern Chad, and the western region of the Central African Republic.[1] The number of Wodaabe was estimated in 2001 to be 100,000.[2][3] They are known for their beauty (both men and women), elaborate attire and rich cultural ceremonies.

The Wodaabe speak the Fula language and don't use a written language.[4] In the Fula language, woɗa means "taboo", and Woɗaaɓe means "people of the taboo". "Wodaabe" is an Anglicisation of Woɗaaɓe. [4][5][6][7] This is sometimes translated as "those who respect taboos", a reference to the Wodaabe isolation from broader Fulbe culture, and their contention that they retain "older" traditions than their Fulbe neighbors.[8] In contrast, other Fulbe as well as other ethnic groups sometimes refer to the Wodaabe as "Bororo", a sometimes pejorative name,[6] translated into English as "Cattle Fulani", and meaning "those who dwell in cattle camps".[9] By the 17th century, the Fula people across West Africa were among the first ethnic groups to embrace Islam, were often leaders of those forces which spread Islam, and have been traditionally proud of the urban, literate, and pious life with which this has been related. Both Wodaabe and other Fulbe see in the Wodaabe the echoes of an earlier pastoralist way of life, of which the Wodaabe are proud and of which urban Fulbe are sometimes critical.[6][10]

The Wodaabe culture is one of the 186 cultures of the standard cross-cultural sample used by anthropologists to compare cultural traits.

A Wodaabe woman Hindu Umaru Ibrahim was chosen to represent civil society of the world on the signing of Paris Protocol on 22 April 2016.

Everyday life

The Wodaabe keep herds of long-horned Zebu cattle. The dry season extends from October to May. Their annual travel during the wet season follows the rain from the south to the north.[11] Groups of several dozen relatives, typically several brothers with their wives, children and elders, travel on foot, donkey or camel, and stay at each grazing spot for a couple of days. A large wooden bed is the most important possession of each family; when camping it is surrounded by some screens. The women also carry calabashes as a status symbol.[4] These calabashes are passed down through the generations, and often provoke rivalry between women. The Wodaabe mostly live on milk and ground millet, as well as yogurt, sweet tea and occasionally the meat of a goat or sheep. This is a rarity for them as they don't often have enough animals to spare for meat.[12]

Religion, morals and customs

Wodaabe religion is largely but loosely Islamic. Although there are varying degrees of orthodoxy exhibited, most adhere to at least some of the basic requirements of the religion.[13] Islam became a religion of importance among Wodaabe peoples during the 16th century when the scholar al-Maghili preached the teachings of Muhammad to the elite of northern Nigeria. Al-Maghili was responsible for converting the ruling classes among Hausa, Fulani, and Tuareg peoples in the region.[1]

The code of behavior of the Wodaabe emphasizes reserve and modesty (semteende), patience and fortitude (munyal), care and forethought (hakkilo), and loyalty (amana). They also place great emphasis on beauty and charm.[14]

Parents are not allowed to talk directly to their two first born children, who will often be cared for by their grandparents. During daylight, husband and wife cannot hold hands or speak in a personal manner with each other.[4]

Young suitors perform the Yaake dance in a Gerewol festival, Niger 1997

Marriage

Travellers have indicated that some Wodaabe groups in Niger are sexually liberal; unmarried girls may have sex whenever and with whomever they wish.[12]

A Yaake dance performed for tourists, Niger 1997

Beauty ideal and Gerewol festival

Main article: Gerewol

At the end of the rainy season in September, Wodaabe clans gather in several traditional locations before the beginning of their dry season transhumance migration. The best known of these is In-Gall's Cure Salée salt market and Tuareg seasonal festival. Here the young Wodaabe men, with elaborate make-up, feathers and other adornments, perform the Yaake: dances and songs to impress marriageable women. The male beauty ideal of the Wodaabe stresses tallness, white eyes and teeth; the men will often roll their eyes and show their teeth to emphasize these characteristics. Wodaabe clans then join for the remainder of the week-long Gerewol: a series of barters over marriage and contests where the young men's beauty and skills are judged by young women.[15]

Documentaries and popular culture

The 1989 documentary Wodaabe - Herdsmen of the Sun by Werner Herzog describes the Wodaabe.

In the 1999 documentary Zwischen 2 Welten (between two worlds) director Bettina Haasen films her personal conversations with Woodabe members.

The 2010 ethnographic documentary Dance with the Wodaabes by Sandrine Loncke explores, from the point of view of its participants, the complex cultural significance of the spectacular but frequently misunderstood and sensationalized wodaabe ritual celebrations known as "geerewol".

The Niger-based band Etran Finatawa is composed of Wodaabe and Tuareg members and creates their unique style of "Nomad Blues" by combining modern arrangements and electric guitars with more traditional instruments and polyphonic Wodaabe singing. In 2005 they recorded an album and toured Europe.

Married Wodaabe women are mentioned in part two of the BBC series Human Planet for having the right to take a different married man as a sexual partner.

"Wodaabe Dancer" is the name of an instrumental track on guitarist Jennifer Batten's 1997 album, Jennifer Batten's Tribal Rage: Momentum.

References

  1. 1 2 "Wodaabe People". "University of Iowa ".
  2. ↑ http://fernwhitehilsenrath.wordpress.com/tag/the-wodaabe-tribe/
  3. ↑ http://books.google.ca/books?id=54gyRnhIugkC&printsec=frontcover&source=gbs_ge_summary_r&cad=0#v=onepage&q&f=false
  4. 1 2 3 4 Carol Beckwith, Niger's Wodaabe: "People of the Taboo". National Geographic, 1983, vol. 164, no4, pp. 483-509
  5. ↑ Loftsdóttir, Kristín. Birds of the Bush: Wodaabe Distinctions of Society and Nature. Nordic Journal of African Studies Vol. 10(3) 2001, pp. 280 - 298
  6. 1 2 3 Carol Beckwith. An Interview with Carol Beckwith. African Arts, Vol. 18, No. 4 (Aug., 1985), pp. 38-45
  7. ↑ Mette Bovin (2001), p.11
  8. ↑ Loftsdóttir, Kristín. When nomads lose cattle: Wodaabe negotiations of ethnicity. African Sociological Review 2004, 8(2): 52-76
  9. ↑ EA BRACKENBURY. NOTES ON THE "BORORO FULBE" OR NOMAD "CATTLE FULANI" African Affairs, vol. XXIII, number 208, 1924
  10. ↑ Mette Bovin (2001), p.13
  11. ↑ Gabrielle Lyon, The Wodaabe
  12. 1 2 Amanda Jones, Wodaabe of the Sahara - Niger
  13. ↑ "Wodaabe religion". "Africa.com".
  14. ↑ Beckwith, Carol, and Angela Fisher. African Ceremonies. New York: Harry N Abrams, 1999.
  15. ↑ Niger's dandy Gerewol festival, The Times, 4 July 2004

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