Michiyo Yasuda

Michiyo Yasuda
Born (1939-04-28) April 28, 1939
Nakano, Tokyo, Japan
Occupation Animator / Colour designer

Michiyo Yasuda (保田 道世 Yasuda Michiyo, born April 28, 1939) is an animator and colour designer who has worked for Toei Animation, A Production, Nippon Animation, Topcraft and Studio Ghibli. Her designs were used by directors such as Isao Takahata, Hayao Miyazaki and Mamoru Oshii. During a career spanning five decades in the animation industry she has worked on animated feature films and short films for theatrical release, original video animation (OVA), promotional music videos, animated television series, documentaries and commercials. Yasuda provided the colour designs for Miyazaki's Academy Award winning animated film Spirited Away. She officially retired for the first time, after working on Ponyo in 2008, but worked on the Academy Award nominated animated feature The Wind Rises, released in July 2013.

Early life

Born in Tokyo's Nakano ward Yasuda grew up in the Tokyo metropolitan area. For most of her childhood and adolescence she lived in Higashi-fushimi, a neighbourhood in what became Nishitōkyō city as of 2001. Her father was a university Professor. Yasuda has an older brother, an older sister and three younger brothers. She has described her youth as very pleasant with a lot of freedom and mentioned getting encouragement to excel in any field. She received an education in culture and the arts at school and at home. When she was 14 years old her parents divorced. In November 1954 her father fell ill and, in spite of their divorce, was nursed by her mother until his death in March 1955. In April 1955 Yasuda enrolled in Tokyo Metropolitan Shakujii High School. Without the opportunity to continue into higher education she started looking for a job to support herself.

Career

Michiyo Yasuda joined Toei Doga, in April 1958, immediately after her graduation from high school. Yasuda has said that she applied not knowing what the job entailed but that she had submitted her application because she did not fancy employment in any of the other jobs available for most women at the time, such as bank teller or store clerk. Instead she took the opportunity to work in a creative field.[1]:p. 35 She started out in the Toei finishing department, in the ink and paint section, where she worked on TV series and commercials as a tracer. In traditional animation a tracer is a person whose job involves transferring, cleaned up, line drawings onto the cels. Through her work and union activities at the company she made the acquaintance of Isao Takahashi and Hayao Miyazaki whose careers also began at Toei, joining in 1959 and 1963 respectively.

Yasuda worked as a tracer on Hols: Prince of the Sun, directed by Takahata, for which Yasuo Ōtsuka was Animation director and Miyazaki was one of the key animators. They built lasting working relationships that endured for over 40 years. After leaving Toei Yasuda next joined A Production followed by Nippon Animation where she worked in the finishing department on productions such as 3000 Leagues in Search of Mother. On the animated TV series Future Boy Conan, aired in Japan in 1978, she was in charge of colour selection for an entire project for the first time.

In her response to Ken'Ichi Yoda's question, about the function of a colour scheme designer, for a 2003 interview published in the Yomiuri Shimbun, Yasuda responded that her job concerns the choice of colour for all the items and characters that are seen in motion throughout an animated work.[2]

In 1983 she worked for Top Craft in charge of colour design on the adaptation of Miyazaki's manga Nausicaä of the Valley of the Wind into the animated feature film of the same title. The film was released in Japanese theaters on March 11, 1984. The collaborations culminated in the creation of Studio Ghibli in June 1985. Yasuda worked with Mamoru Oshii on his 1985 OVA Angel's Egg released in December 1985. She took charge of Studio Ghibli's colour department from its inception for the creation of the Castle in the Sky production and collaborated with various directors and animators in the creation of nearly all Studio Ghibli animation works until her retirement. She last worked on the feature films Ponyo and The Wind Rises and in between on the short Pandane to tamago hime for the Ghibli Museum.

Throughout most of her career Yasuda worked on colour designs for animators who employed the use of inks and paints for their creations but she also worked with digital media and used software like Toonz for her craft. At Studio Ghibli, Yasuda decides colours in consultation with Miyazaki and lets the depicted objects guide her choices, based on the availability of materials and dyes in the time period portrayed. Her choice of individual colours and a colour scheme is also determined based on the mood of each film, a particular scene and the personality of each individual character. In the Los Angeles Times Cristy Lytal observed: "For Yasuda, color is a storytelling tool that is every bit as powerful as words". In the article, published August 16, 2009, Lytal quotes Yasuda, saying: "What I like best is when I am building up the colors in my head, thinking of how to get the tone worked out," and "Color has a meaning, and it makes the film more easily understood. Colors and pictures can enhance what the situation is on screen."[1][3][4][5]

In their book Anime Classics Zettai!, Brian Camp and Julie Davis made note of Yasuda as a "mainstay of Studio Ghibli’s extraordinary design and production team".[6]

Book

On June 30, 1997 a book about Yasuda's career up to that point, written by Yasuko Shibaguchi, was published, under the title The Colour Artisan of Animation (アニメーションの色職人 Animēshon no iro shokunin), by Tokuma Shoten. To date only available in Japanese.[1]

Filmography

Theatrical release

Ghibli Museum shorts

Television

OVA

Music video

Documentary

Commercial

Appearance

References

  1. 1 2 3 Shibaguchi, Yasuko (June 30, 1997). アニメーションの色職人 [The Colour Artisan of Animation] (in Japanese). Tokyo: Tokuma Shoten. pp. 35–45. ISBN 978-4-19-860726-5. Archived from the original on February 3, 2014. Retrieved February 3, 2014.
  2. ↑ Yoda, Ken'ichi (July 7, 2003). "ジブリ作品の色彩設計を担当する保田道世さんに聞く" [I listen to Michiyo Yasuda, who is responsible for the color scheme of Studio Ghibli]. Yomiuri Shimbun. Retrieved February 5, 2014.
  3. ↑ Lytal, Cristy (August 16, 2009). "Michiyo Yasuda makes the story colorful". Los Angeles Times. Retrieved February 5, 2013.
  4. ↑ Ōmori, Shunji (September 2, 1997). Takeuchi, Masatoshi, ed. スタッフ・インタビュー色彩設計保田道世氏に聞く [Staff Interview with Color Scheme Designer Michiyo Yasuda]. Kinema Junpo (in Japanese) (Tokyo: Kinema Junpo) (1233): 91–93. Retrieved February 6, 2014.
  5. ↑ 「もののけ姫」はこうして生まれた [This is How Princess Mononoke was Born] (VHS and DVD: "Making of documentary") (in Japanese). Tokyo: Buena Vista Home Entertainment Japan. November 21, 2001. Retrieved February 6, 2013.
  6. ↑ Camp, Brian; Davis, Julie (September 15, 2007). Anime Classics Zettai. Berkeley California: Stone Bridge Press. p. 292. ISBN 978-1-933330-22-8. Retrieved February 14, 2014.

External links


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