Miran Jarc
| Miran Jarc | |
|---|---|
 | |
| Born |
5 July 1900 Ärnomelj, Austria-Hungary (now Slovenia) |
| Died |
24 August 1942 Pugled pri Starem Logu, KoĨevski Rog |
| Occupation | writer, poet, playwright |
| Notable works | Älovek in noĨ, Novembrske pesmi, Lirika, Novo mesto |
Miran Jarc (5 July 1900 ā€“ 24 August 1942) was a Slovene writer, poet, playwright and essayist.[1]
Jarc was born in the town of Ärnomelj in White Carniola, in what was then Austria-Hungary in 1900. He was sent to school in Novo Mesto, and between 1918 and 1922 studied Slavic philology in Zagreb and Ljubljana, though he never completed his studies. From 1923, he worked as a bank clerk in Ljubljana. He started writing while still a student and published his first poem in the journal Ljubljanski zvon in 1918.[2] In the 1930s, he also worked as an actor and violinist in the Slovenian Puppet Theater in Ljubljana.
In 1942, during World War II, he was arrested by the occupying Fascist Italian authorities and sent to the internment camp at Gonars, but the train transporting the prisoners was attacked by Partisans near Verd and the detainees freed and given the choice to join the Partisans or return home (those that chose to return home were separated from the rest and murdered at the Krim Cave Mass Grave).[3] Jarc chose to join the Partisans and was killed in a fight by the Italian Army two months later in Pugled pri Starem Logu in KoĨevski Rog. He is buried in the cemetery in Stari Log.[4]
The public library in Novo Mesto[5] and a primary school in Ärnomelj[6] are named after Jarc.
Personality and work
Jarc started his literary career in the late 1910s in Novo Mesto, which emerged at the time as an important literary center. As a young student, he joined the literary-artistic circle around the painter Božidar Jakac and poet Anton Podbev�ek. Together, they organized a cultural-artistic manifestation, known as the Novo Mesto Spring. During this period, Jarc became interested in anthroposophy and developed an interest in Buddhism. However, he later grew closer to Christianity, remaining a member of the Roman Catholic Church.
In the 1920s, Jarc emerged as one of the most prominent expressionist poets in Slovenia. Recurrent themes in his poetry were the search of an exit from a sinking civilization. To the crisis of European civilization and the mechanization of man, he juxtaposed to an ecstatic and lyrical personal reflection. In the 1930s, he grew closer to Social Realism.
One of his most important works is the autobiographical novel Novo Mesto (1932), in which he described the intellectual and artistic turmoil in the small Lower Carniolan town in the first years after World War I.
Selected works
- Älovek in noĨ, "Man and the Night", poems (1927)
- Novembrske pesmi, "November Poems", poems (1936)
- Lirika, "Lyrics", poems, (1940)
- Novo mesto, autobiographical novel (1932)
References
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Wikimedia Commons has media related to Miran Jarc. |
- ā†‘ "Novo Mesto Municipality site". Miran Jarc (in Slovenian). Municipality of Novo Mesto. Retrieved 27 October 2011.
- ā†‘ Helga GluÅ�iĨ, Sto Slovenskih Pripovednikov (Ljubljana: PreÅ�ernova družba, 1996) ISBN 961-6186-21-3
- ā†‘ "ReÅ�enci z vlaka in Krimska jama." Zaveza (25 June 2012) (Slovene)
- ā†‘ Å uÅ�tar, Branko. 2007. "Zgodba z nagrobnika prvega uĨitelja na Å�oli Smuka/Langenthon na KoĨevskem okoli leta 1888." Kronika 55(3): 405ā€“428, p. 406. (Slovene)
- ā†‘ Library Building site
- ā†‘ Miran Jarc Primary School, Ärnomelj site
