Monday (The X-Files)

"Monday"
The X-Files episode
Episode no. Season 6
Episode 14
Directed by Kim Manners
Written by Vince Gilligan
John Shiban
Production code 6ABX15
Original air date February 28, 1999
Running time 45 minutes
Guest actors

"Monday" is the fourteenth episode of the sixth season of the science fiction television series The X-Files. It premiered on the Fox network on February 28, 1999. It was written by Vince Gilligan and John Shiban, directed by Kim Manners, and featured guest appearances by Carrie Hamilton and Darren E. Burrows. The episode is a "Monster-of-the-Week" story, unconnected to the series' wider mythology. "Monday" earned a Nielsen household rating of 10.2, being watched by 16.7 million people in its initial broadcast. The episode received positive reviews from television critics.

The show centers on FBI special agents Fox Mulder (David Duchovny) and Dana Scully (Gillian Anderson) who work on cases linked to the paranormal, called X-Files. Mulder is a believer in the paranormal, while the skeptical Scully has been assigned to debunk his work. In this episode, the world is trapped in a time loop, and only one woman, named Pam (Carrie Hamilton), seems to know. Each day the events that happen differ slightly. A bank robbery is committed over and over again until finally the eventual bombing of the building is prevented. Somehow, Mulder and Scully are trapped in the middle of it all.

"Monday," inspired by The Twilight Zone episode titled "Shadow Play," required the cast and crew to shoot the same scene several times. Because of this, director Kim Manners attempted to make each camera angle interesting. Actress Carrie Hamilton was cast to play Pam, and Darren E. Burrows, a former regular on the comedy show Northern Exposure, was cast to play her boyfriend Bernard.

Plot

The episode opens with FBI special agent Fox Mulder (David Duchovny) bleeding out from a gunshot wound while Scully tends to him. They are revealed to be hostages in a bank holdup, and Scully attempts to reason with their captor (Darren E. Burrows), only to have him reveal a bomb strapped to his chest. The police begin to storm the building, prompting the gunman to detonate the bomb, seemingly killing them all.

Mulder then wakes, unharmed, to find that his water bed has sprung a leak, his alarm clock is broken, and he needs to pay his landlord for water damage. To do so, he is forced to go to the bank, instead of going to the meeting with his partner Dana Scully (Gillian Anderson), Walter Skinner (Mitch Pileggi) and various other FBI officials. When he arrives, the same gunman, named Bernard, arrives and nervously attempts to rob the bank, shooting Mulder in the process. The teller sets off the bank's silent alarm and police cars come rushing to the scene. Scully arrives and once again attempts to help her partner as he lies dying, but events go the same way - the police rush the building, Bernard detonates the bomb, and everybody dies.

Suddenly, the action starts over. Mulder wakes to find that his water bed has sprung a leak, his alarm clock is broken, and he needs to pay his landlord for water damage. To the audience, time itself is stuck in a loop. Everyone is oblivious to the repetition of events except for one person, Pam (Carrie Hamilton), Bernard's girlfriend. Over multiple iterations of the events, Pam does everything in her power to save the agents, including trying to prevent them from entering the bank, trying to inform them of the time loop, and even begging Skinner not to let the police into the building. It is implied that she has lived these events many times, as she refers to having had Mulder ask her the same question over fifty times. There are subtle changes in the events, and Mulder and Scully's conversation is worded differently each time, but the results are always the same: Bernard detonates the bomb, usually after shooting Mulder, and they all die.

The time loop continues ad nauseam, though each time Pam speaks to Mulder, he comes closer to being able to remember her. She is finally able to convince him that events are repeating themselves, and before he is killed by the blast, Mulder begins repeating "he's got a bomb" to himself, in an attempt to recall it the next time around. In the following iteration of the day Mulder finds himself repeating the phrase in the bank, and acting on his hunch, calls Scully and then confronts Bernard before he begins the holdup, changing events on a fundamental level. Scully, acting on Mulder's phone call, brings Pam into the Bank. Mulder and Pam convince Bernard to give up and walk out with Pam. The sirens of the approaching Police response become audible and Bernard becomes agitated and attempts to shoot Mulder, but Pam throws herself in front of Mulder as he fires. As she lies dying, she admits, "This never happened before." Bernard collapses to his knees, horrified by what he has done, and is peacefully arrested. The bomb blast averted, time continues as normal.[1]

Production

Writing, casting, and filming

Episode co-writer Vince Gilligan was inspired by a 1961 episode of The Twilight Zone called "Shadow Play."

The episode was written under "extreme pressure" during the show's brief Christmas hiatus.[2] Many critics have noted similarities between "Monday" and the 1993 comedy film Groundhog Day.[3] Vince Gilligan and John Shiban, the writers of the episode, however, credit a 1961 episode of The Twilight Zone titled "Shadow Play."[2] Gilligan later noted that, "the funny thing about 'Monday' is people seemed to really like it a lot, but people always sorta [sic] smiled and said you're sort of ripping off Groundhog Day aren't you? [...] And I'd say, we're not ripping off Groundhog Day, we're ripping off The Twilight Zone."[4] A similar plot device was used in the Stargate: SG-1 episode "Window of Opportunity", in which the characters of Jack O'Neill and Teal'c are the only individuals who remain aware of the time loop.[5]

Casting director Rick Millikan was tasked with finding a suitable actress to play Pam, the would-be bank robber's girlfriend. Millikan expressed the difficulty in casting the role, saying, "you had to feel sorry for this woman's terrible, unbelievable plight—basically she's trapped in a living hell—without at any time thinking she's insane."[2][6] The role eventually went to actress Carrie Hamilton, who Millikan and the producers unanimously agreed was the perfect choice. This was one of Hamilton's last roles, as she died from cancer three years later at the age of 38. For the part of Bernard, Millikan cast Darren Burrows, a former regular on the comedy show Northern Exposure. Millikan later said that his acting was, "beautiful."[6]

Director Kim Manners, realizing the monotony of some of the scenes, such as Mulder waking up after each successive explosion, attempted to make each camera angle interesting. He diagrammed every camera angle and move to make the scenes visually appealing and hold the viewers' attention. First assistant director Bruce Carter examined the script and created a complex timeline to make shooting easier. It took him two weeks to break all the episode's elements into their exact timings, but Carter considered it a success. He later said, "It was one of the things I was proudest of all year."[2]

To create the bank needed for the episode, Ilt Jones and the location department staff found a former bank and current animation school and film production house on Fourth and Main Street in downtown Los Angeles. The building was completely renovated, complete with fake ATMs, columns, desks, and double-glazed windows. All of the items inside of the bank were bought from a bank-supply catalogue by set decorator Tim Stepeck. During the hold-up scene outside the bank, a four-block area was sealed off to allow cameras to film. A total of eleven cameras, some at different speeds, were used. Some of the cameras made it onto the film, but they were erased during post-production.[6]

Props and make-up

Much of the episode relied on props. The water bed, which was purchased by Morris Fletcher earlier in the sixth season episode "Dreamland" while in Mulder's body,[6][7] proved to be the hardest prop to locate. Stepeck searched Los Angeles and was unable to find a suitable bed. He had to order the bed from a specialized furniture store in San Francisco. Mulder's paycheck and envelope were created after several calls to the J. Edgar Hoover Building in Washington, D.C. The checks were made to be as realistic as possible without looking too convincing. During the hold-up scene outside the bank, the police cruisers were all turned off, because the combined noise of the cars would drown out dialogue. To ensure their flashing lights, car coordinator Danny Briggs installed battery chargers in the cars.[6]

To give Pam the proper look, the makeup department, headed by Cheri Montesanto-Mecalf, applied mascara under Hamilton's eyes and then smudged it to give her a "haunted" look. Pam's stringy and multi-hued hairstyle was Hamilton's creation. Dena Green, the hair department head, was tasked with creating an exact wig replica to be worn by Hamilton's stunt double.[6]

In this episode, we see a thick black book on the shelf above Mulder's bed. The book is a classic textbook on general relativity: Gravitation by Charles Misner, Kip Thorne, and John Wheeler. Thorne is the author of a review paper asking whether the laws of physics outlaw time loops completely.[8] Agent Scully's undergraduate thesis was about the physics of time in relativity.

Broadcast and reception

Ratings

"Monday" first aired in the United States on February 28, 1999.[9] This episode earned a Nielsen rating of 10.2, meaning that roughly 10.2 percent of all television-equipped households were tuned in to the episode. It was viewed by 16.7 million viewers.[10] The episode aired in the United Kingdom and Ireland on Sky1 on June 13, 1999 and received 0.90 million viewers, making it the second most-watched episode that week, behind Friends.[11] Fox promoted the episode with the tagline "How do you stop the unstoppable from happening? Tonight, Mulder may die trying."[12]

Reviews

The episode received consistently positive reviews. Tom Kessenich, in his book Examination: An Unauthorized Look at Seasons 6–9 of the X-Files gave the episode a positive review, writing "One of the strengths of 'Monday' is in showing us Scully's evolution and how her experiences with Mulder allow her to embrace, albeit reluctantly, ideas that are not grounded in science."[13] Den of Geek writer Juliette Harrisson named the episode the "finest stand-alone episode" of the sixth season and wrote, "Time loops, if dragged on for too long, can become tedious, but in small doses they can be hilariously funny or achingly poignant. This episode is definitely the latter, as the downtrodden girlfriend of a bank robber is forced to witness the deaths of her boyfriend, Mulder, Scully and a large group of innocent people die over and over again until finally she breaks the loop by dying herself [...] The onus of saving everyone being largely on the shoulders of an unknown woman effectively brings in a change of pace and a welcome breath of fresh air."[7] Earl Cressey from DVD Talk called "Monday" one of the "highlights of season six."[14] Zack Handlen of The A.V. Club awarded the episode an "A" and called it "a script which balances humor, structural brilliance, and compassion in equal measure."[15] Handlen compared and contrasted the episode to Groundhog Day, noting that, while both feature a character who is able to restart a day, in "Monday", the characters have the benefit of free will and can change factors: "Every Monday to her has certain basic requirements: boyfriend with bomb, bank robbery, the FBI agents […] and the earth-shattering Kaboom. Aside from that, nothing is certain."[15] Handlen concluded that the episode managed to be both "a very funny hour", as well as possess serious "sadness".[15]

Jordan Farley from SFX magazine named the episode the eighth of the "Top Groundhog Days" episodes. Farley applauded the show's gall to seemingly kill one of the leads in the teaser and appreciated the entry's mix of humor—during the scenes with Mulder and his water bed—and its alternative scenarios in the bank.[16] Natalie Prado from Just Press Play gave the episode an A– and wrote, "The episode is well-written and tense. As an audience, we become increasingly frustrated that the two people that we know can solve the problem are unaware that it exists, which makes the payoff when they finally find a way out much more satisfying. There are a few leaps in logic, especially towards the end, but overall it’s solid and enjoyable."[3] Jamie Jeffords, writing for the Dallas Morning News, awarded the episode four out of five stars and praised Hamilton's performance, saying, "What makes 'Monday’ is the performance of Hamilton [...] When she is killed in the end, she almost possesses a quiet glee when she realizes her death never happened before, so maybe it is over now. Her performance is haunting. Very powerful."[17] Michigan Daily writer Melissa Runstrom, in a review of the sixth season, said "Monday" was "well made and entertaining."[18] Paula Vitaris from Cinefantastique gave the episode a largely positive review and awarded it three-and-a-half stars out of four.[19] Vitaris called the episode "ingenious and heart-wrenching," and noted that David Duchovny and Gillian Anderson's acting was the best of the season.[19] Furthermore, she praised Kim Manners' directing style, calling the same scenes shot in different ways "new".[19] UGO Networks listed the episode as number 95 in a countdown of the "100 Greatest Moments in Time Travel".[20]

References in other media

In the episode "Life Serial", the fifth episode of the sixth season of Buffy the Vampire Slayer, Warren Mears (Adam Busch) makes a reference to the episode, referring to the entry as the one "where the bank kept exploding".[21]

References

Footnotes
  1. 1 2 Meisler, pp. 182–194
  2. 1 2 3 4 Meisler, p. 194
  3. 1 2 Prado, Natalie. "Groundhog Day and the Time Loop Legacy". Just Press Play. Retrieved December 30, 2011.
  4. ↑ Carter, Chris et al. (1999). The Truth Behind Season 6 (DVD). Fox Home Entertainment.
  5. ↑ Window of Opportunity (Stargate SG-1)
  6. 1 2 3 4 5 6 Meisler, p. 195
  7. 1 2 Harrisson, Juliette. "A look back over The X-Files’ finest stand-alone episodes". Den of Geek. Retrieved December 29, 2011.
  8. ↑ Thorne, Kip (1993). "Closed Timelike Curves" (PDF). 13th International Conference on General Relativity and Gravitation. Retrieved December 21, 2015.
  9. ↑ The X-Files: The Complete Sixth Season (booklet). Kim Manners, et al. Fox.
  10. ↑ Meisler, p. 294
  11. ↑ "BARB's multichannel top 10 programmes". barb.co.uk. Retrieved 1 January 2012. Note: Information is in the section titled "w/e June 7–13, 1999", listed under Sky 1
  12. ↑ Monday (Promotional Flyer). Los Angeles, California: Fox Broadcasting Company. 1999.
  13. ↑ Kessenich, p. 47
  14. ↑ Cressey, Earl (5 November 2002). "X-Files: Season Six". DVD Talk. Internet Brands. Retrieved 14 March 2012.
  15. 1 2 3 Handlen, Zack (15 September 2012). "'Monday'/'Matryoshka' | The X-Files/Millennium | TV Club | TV". The A.V. Club. The Onion. Retrieved 15 September 2012.
  16. ↑ Farley, Jordan (15 August 2011). "Top 12 Groundhog Days – The X-Files – Monday". SFX (Future Publishing). Retrieved 27 July 2012.
  17. ↑ Jeffords, Jamie (March 26, 2011). "X-Files--"Monday"". Dallas Morning News (A. H. Belo Corporation).
  18. ↑ Runstrom, Melissa (27 November 2002). "'X-Files' DVD showcases highs, lows of season six". The Michigan Daily (University of Michigan). Retrieved 6 August 2009.
  19. 1 2 3 Vitaris, Paula (October 1999). "Sixth Season Episode Guide". Cinefantastique 31 (8): 26–42.
  20. ↑ Patches, Matt (30 December 2010). "X-Files – Mulder, Scully and a Random Chick Can't Escape a Mobius Timeline". UGO Networks. IGN Entertainment. Retrieved 30 December 2011.
  21. ↑ Miles, Pearson, and Dickson p. 227
Bibliography

External links

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