Mr. and Mrs. Iyer

Mr. and Mrs. Iyer

Promotional poster for the film
Directed by Aparna Sen
Produced by N. Venkatesan
Rupali Mehta
Written by Aparna Sen
Starring Rahul Bose
Konkona Sen Sharma
Bhisham Sahni
Surekha Sikri
Sunil Mukherjee
Anjan Dutt
Esha Chauhan
Vijaya Subramanium
A. V. Iyenger
Niharika Seth
Music by Zakir Hussain
Cinematography Goutam Ghose
Edited by Raviranjan Maitra
Distributed by MG Distribution[1]
Tips Exports[2]
Release dates
  • 19 July 2002 (2002-07-19)
Running time
 120 minutes
Country India
Language English
Budget ₹1 crore (equivalent to ₹1.9 crore or US$280,000 in 2013)[3]
Box office ₹1.4 crore (US$210,000)[4]

Mr. and Mrs. Iyer is a 2002 Indian drama film written and directed by Aparna Sen and produced by N. Venkatesan. The film features Aparna Sen's daughter Konkona Sen Sharma as Meenakshi Iyer, a Tamil Iyer Brahmin who is a Hindu. Rahul Bose portrays the character of Raja Chowdhury, a Bengali Muslim wildlife photographer. The story revolves around these two lead characters during a fateful bus journey amidst the carnages of a communal strife in India. Zakir Hussain, an Indian tabla maestro, composed the background score and music for the film; Goutam Ghose, a film director himself, was the cinematographer.

Mr. and Mrs. Iyer premiered at the Locarno International Film Festival in Switzerland and was showcased at other prominent film festivals. The film opened to Indian audiences on 19 July 2002. It was met with critical acclaim upon release, and won several national and international awards, including the Golden Maile award at the Hawaii International Film Festival and the Nargis Dutt Award for Best Feature Film on National Integration in India. The film, which was also released as a DVD, had English as its predominant language with a sporadic use of Hindi, Tamil, and Bengali.

Plot

Meenakshi Iyer (Konkona Sen Sharma), with her infant son, Santhanam, embarks on a bus journey to return to her husband, from her parents' place. At the bus station, Meenakshi and Raja Chowdhury (Rahul Bose) get introduced to each other through a common friend. Raja, a wildlife photographer, is requested by Meenakshi's parents to look after their daughter and baby grandson during the journey.

The passengers of the bus include a boisterous group of youngsters, two Sikh men, an elderly Muslim couple, a young couple high on romance, a mentally challenged boy and his mother, and some card-playing men. The bus faces a roadblock and the bus driver attempts a detour, but is stopped by traffic jam caused by sectarian violence between Hindus and Muslims in nearby areas.

Raja reveals his Muslim identity to Meenakshi. As someone who comes from a high caste and conservative Hindu Brahmin family, Meenakshi shudders at the very fact that during their travel she drank water offered by Raja, a Muslim. "Please. Don't touch me" is her shocked reply. Raja contemplates leaving the bus, but is forced to get inside the bus by the patrolling police who informs that a curfew has been declared due to the riot. After the police leaves to scout other areas, a rioting Hindu mob arrives and forcibly enters the bus. They begin interrogating passengers about their religious identities and when in doubt, they even resort to check if the person is circumcised.[5]

In order to protect himself from them, one of the passengers—Jewish and hence circumcised—points out the old Muslim couple to divert the mob's attention. The mob's leader drags the old couple out of the bus. One teenager resists this, but she is thrashed by the leader. As Raja attempts to rise in revolt, Meenakshi plants Santhanam on his lap, ordering him to hold the baby with an intent to shield Raja's Muslim identity. The mob asks about their identities, and Meenaksi tells the leader that Raja and she are Mr. and Mrs. Iyer. After this chilly encounter, the passengers spend the night in the bus.

In the morning, the passengers trek to a nearby village to seek accommodation. Raja and Meenakshi, identifying themselves as Mr. and Mrs. Iyer, fail to find any accommodation. However, the police officer, who was patrolling the earlier evening, bails them out by providing shelter at an abandoned forest bungalow. They are provided with the single usable bedroom available in the bungalow. Meenakshi refuses to share the room with Raja, and curses herself for coming along with a stranger. Raja confronts her on her outdated prejudices about caste and religion. After a brief quarrel, Raja allows her the comfort of the bedroom and prefers to sleep outside. The next morning when Meenakshi does not find Raja, she gets worried and angry as to why he left Santhanam and her in such a place. Soon, she feels relieved to find Raja sleeping outside. After they reach a restaurant in the nearby village, they meet the teenagers on the bus. The teenage girls are excited and curious to know about Meenaakshi and Raja's love story. To keep their farce alive, both of them cook up an impromptu story right from how they met till where they went for their honeymoon. During their stay at the bungalow, they discover each other's beliefs and understanding of religion. That night, as they witness a horrific murder by one of the mobs, a shocked Meenakshi is comforted by Raja.

The next day, they reach a railway station with the army's help. There, they board the train towards their destination. An unspoken love and a strong attraction is evident between them, keeping behind all their differences. At their destination station, Kolkata, the real Mr. Iyer (Meenakshi's husband) arrives to receive his wife. Meenakshi introduces Raja to her husband as Jehangir Chowdhury, a Muslim man who helped her (a Hindu woman) during the curfew. Raja hands over a camera roll to Meenakshi, containing the photos of their journey; they bid an emotional farewell to each other.

Cast

Production

Development

Aparna Sen, a noted actress and director of Bengali cinema, made her debut as a director with the English film 36 Chowringhee Lane (1981). Mr. and Mrs. Iyer was her second film in English.[6] She hoped to write a simple romantic story, but it shaped out to be a relationship drama in the backdrop of sectarian violence. Sen came up with the background of the story in the aftermath of 9/11 and the 2002 Gujarat riots.[7] In an interview, Sen stated that the omnipresent, circumstantial violence in the film was only to serve as a strain in the script which aimed to show how the relationship evolves between two people who are forced to be together under trying times.[8] She stated that the time frame of the film was set after the attacks on the Parliament of India on 13 December 2001.

In an interview at the screening at the Locarno Film Festival, Sen revealed that Konkona was involved in the pre-production research, and she suggested the title.[9] About the cinematographer Gautam Ghose, Aparna Sen said that they had a good rapport and that Ghose, himself an acclaimed director, was one of the best cinematographers she knew.[8][10] Ghose, in reply, said that he hoped to give his best for the film and thus contribute to their friendship.[11]

Casting

Rahul Bose's work in English, August (1994) and Split Wide Open (1999) made Aparna Sen feel that he was a good, controlled and intelligent actor. After a costume and a makeup test, he was chosen for the character of Raja Chawdhury.[8] Sen admitted that Bose's work was up to the mark, and working with him was a wonderful experience.[12] She told in an interview that Konkona Sen Sharma's abilities as a sensitive actress fetched her the role of Meenakshi Iyer.[8] Konkona said that she chose this film as she was interested in Indian films made in English, and was reluctant to do regular commercial films.[13] Sen had penned the elderly Muslim woman's character bearing Surekha Sikri in mind.[10] Eventually Sikri and the author and playwright Bhisham Sahni were cast to play the roles of the Muslim couple in the film.[14] Santhanam, the infant son of Meenakshi Iyer in the film is Sen's grand niece.[11]

Aparna Sen chose English as the film's narrative since the characters are linguistically diverse.[8] She had to make sure that the characters spoke in English with their regional accent.[8] Konkona admitted in an interview that playing the role of a Tamil Brahmin did not come easy. The director forced her to visit Chennai (where the major language is Tamil) for two weeks to research her character.[13] She also said that she had learned many characteristics, nuances and mannerisms native to Tamilian housewives. She took a close look at Iyer lifestyles and customs in and around Mylapore, a cultural hub in Chennai.[15] She attempted listening to recorded conversations in Iyer households to get a suitable Tamil accent.[16]

Filming

The production commenced in December 2001.[12] Sen chose to keep the geographical setting unstated because she felt that it was a journey that could take place anywhere.[8] The film was shot in the Himalayan foothills of northern West Bengal.[10] The producers provided a state-of-the-art camera from Chennai's Prasad Studios to ensure that the shooting crew was technically better equipped.[11] Rupali Mehta, from Triplecom Productions, the co-producer oversaw the crew of over 100 complete the production schedule in 50 days.[17] The production team resorted to certain cost-cutting measures to ensure they committed fewer mistakes. For example, they had organised a workshop for the actors to avoid mistakes while filming.[18]

While filming in Jalpaiguri, Sen got embroiled in a controversy for damages caused to the forest bungalow, a heritage property, where a portion of filming was done. She admitted that, to give the bungalow a haunted look, they "... sprayed slush on the walls and plastered cobwebs all over the place."[11] However, she claimed that the place was cleaned up after the completion of their shoot.[11]

Release and reception

Following objections from the local police, two scenes were removed by producers from the version of the film screened in the city of Mumbai. One scene showed a Hindu man saying—using profanity—that Muslims should be sent back to Pakistan; the other featured a policeman using obscenities with a communal undertone. The police felt both scenes were too "provocative" for a "communally sensitive" city. However, for the rest of India, the film was screened in its entirety.[19][20]

The film had only modest box office success; domestically, it made 7.3 million rupees in its first release.[4] However, thanks to its low budget and the spread of multiplexes in India, it brought in some revenue.[21] Furthermore, the contemporary trend in the Indian television channels is to showcase films within months of their release. This trend helped modest box-office successes such as Mr. and Mrs. Iyer to get additional thrust to their financial returns.[22] Indeed, Mr. and Mrs. Iyer was one of the first films that led to reworking of the business models for small films in India.[21][23] In addition, Triplecom Productions sold the dubbed version in Italy for $20,000.[18] A trade analysis by Rediff.com suggested that small-budget films such as Mr. and Mrs. Iyer did not compromise on marketing budgets, instead they put efforts in marketing themselves more innovatively.[18]

Special screenings and awards

In 2002, Mr. and Mrs. Iyer was chosen as India's official entry at the Locarno International Film Festival.[8] It ran for 3 minutes longer than its runtime of 120 minutes at Locarno.[24] Though it missed out on the Golden Leopard Award at Locarno, it won the Netpac Jury Prize along with two other films.[25][26] The film won the Golden Maile award at the 22nd Hawaii International Film Festival,[27] the Audience Award for the Best Feature Film at the Philadelphia Film Festival,[28] and the best screenplay award at the 2003 Cinemanila International Film Festival.[29]

In 2003, the Indian Film Festival of Los Angeles chose to open with Mr. and Mrs. Iyer,[30] while New Zealand's first Asian film festival in 2004 chose to close its 10-day fest with it.[31] The India International Women's Film Festival had a special retrospective to Aparna Sen for Mr. and Mrs. Iyer.[32] The film was also showcased at the Pusan International Film Festival,[33] Regus London Film Festival,[34] Mill Valley Film Festival,[35] International Film Festival of India,[36] Braunschweig International Film Festival,[37] and High Falls Film Festival.[38] At the International Film Festival of Las Palmas in the Canary Islands, it won the Gold prize, awarded to the best film screened that year.[39] Rahul Bose said that when the film was showcased at the Geneva festival, it was seen and liked by Kofi Annan, the United Nations Secretary-General.[40]

Back home in India, Mr. and Mrs. Iyer won the Golden Lotus Award for best direction, the Silver Lotus Awards for best actress, the best screenplay, and the Nargis Dutt Award for Best Feature Film on National Integration at the 2003 National Film Awards ceremony.[41]

Govind Nihalani, an Indian film director wondered if Mr. and Mrs. Iyer could have been sent to the Oscars instead of the regular song-and-dance entries. Eventually, Film Federation of India, the apex organisation that sends the nation's official entries to the Oscars, did not find any film worth sending for the 76th Academy Awards.[42]

Reviews

Lawrence van Gelder commented in his review in The New York Times that "The well-acted romance, as the two principal characters are thrown together by unanticipated events, is hard to resist, even though the answer to the crucial question it raises is all too conveniently deferred time and again."[43] However, he added that Mr. and Mrs. Iyer "... is not a subtle film ..."[43] The Chicago Reader also said, "Sen is anything but subtle in populating the bus with a cross section of class and ethnic types ... but the friendship that blossoms between the leads is tenderly depicted and hints at a solution to sectarian strife"[44] TIME magazine praised Aparna sen for her "... attention to detail ..." that "... skillfully captures the characters' idiosyncrasies."[7] The Village Voice said, "The actors appear game, yet director Aparna Sen, who conceived the film in the wake of September 11, resorts often to hokey pseudo-lyricism and prefers sound-bite ballyhoo to sociological depth."[45] Metacritic, a website with a medley of reviews by American critics, gives the film a score of 50/100, meaning mixed or average reviews.[46]

In his review, Derek Elley of Variety remarked that the film had "... the awkward, issue-driven dialogue and wavering direction, showing influences from both the arty and commercial. [The] two leads just about scrape through."[24] Although The Hindu review praised the director for "... handling (these) scenes in an understated, muted fashion ..." giving "... them the power to disturb and haunt you."[47] it questioned certain aspects of the film, stating, "Though the flutters of the heart have been treated with finesse—sometimes a little too prudishly, pandering, perhaps, to middle class morality—we are never entirely convinced that love could blossom between Meenakshi Iyer and Raja Chowdhary."[47] Indeed, Sen was criticised for contriving cinematic situation not quite fitting to the real world, "Can a married woman with a baby in arms fall in love with a total stranger that she meets on a very short bus journey, however extraordinary the situation may have been? Having decided to drive them to each other's arms, Sen thinks up situations, which are terribly contrived ... Sen's story and script are found wanting elsewhere too. The police officer, who plays the good Samaritan, appears so unreal in the world of rancour that Sen creates ... [She], probably in her over enthusiasm, lets her own emotions derail her."[47]

Konkona Sen Sharma, who had not been widely seen outside Bengal before the release of the film, received particular praise for her performance, "... the movie clearly belongs to Konkona Sen Sharma ... who as Meenakshi [Iyer] gets so beautifully into the psyche of a Tamil Brahmin ... she emotes just splendidly: when her eyes well up at the thought of parting with Raja [Chowdhary], when she gently rests her head on his shoulders in the train, and when her expressions suggest the faintest hint of love, we know that here is a great actress."[47] A Rediff.com review said, "... Konkana, a youngster, bowls you over with her silently sledge-hammering portrayal of Meenakshi Iyer, a conservative Tamilian Brahmin housewife ... [Her] eyes tell a thousand untold stories."[14] An Australian critic said that the film, with "wonderfully nuanced performances by Sensharma and Rahul Bose, whose love affair is as innocent as the lyrical, lingering soundtrack. Mr and Mrs Iyer is a gentle film, whose simple and haunting love story will appeal to the romantic traveller."[1]

The "... attractive lensing by Gautam Ghose (a director in his own right) and atmospheric scoring by Ustad Zakir Hussain ..."[24] were well received. "Looking through the eyes of Gautam Ghose's illuminating lens, Aparna Sen builds a miniature, but epic, world of tremendous inner strength. In her first seriously politically committed film, Sen takes on the issue of communal conflict with the surging humanism of Gabriel García Márquez, painting words on celluloid ... If [Zakir] Hussain creates sounds within the seesaw of silences and screams, cinematographer Gautam Ghose creates a lucid contrast between the silently majestic Himalayan hinterland and the fundamentalists."[14]

Home media

DVD

The DVD, which released on 2 June 2004,[48] has subtitle options in English, Hindi, Punjabi, Tamil and Urdu. It is available in 16:9 Anamorphic widescreen, Dolby Digital 5.1 Surround, progressive 24 FPS, widescreen and NTSC format.[49][50]

Soundtrack

Ustad Zakir Hussain composed music for the film. For the first time in mainstream cinema, he sang for one part of a song. He said this in an interview and added that it was only after the track was recorded, the producers decided to go for Hussain's voice.[51] Rahul Bose, who introduced Hussain to Aparna and Konkona, was instrumental in influencing Hussain to compose the background score for the film.[52]

The soundtrack consists of 5 songs:[53]

No. TitleSinger(s) Length
1. "Kithe Meher Ali" (Remix)Ustad Zakir Hussain and Ustad Sultan Khan 05:19
2. "Don't Look Away"  Samantha featuring Ustad Sultan Khan (on Alap) 03:54
3. "Don't Look Away" (Remix))Samantha featuring Ustad Sultan Khan (on Alap) 05:21
4. "Kithe Meher Ali"  Ustad Zakir Hussain and Ustad Sultan Khan 05:01
5. "If I'd Known..."  Ustad Zakir Hussain and Samantha 05:45

References

  1. 1 2 Keller, Louise. "Mr. and Mrs. Iyer: Review". Urban Cinefile. Retrieved 13 February 2008.
  2. ↑ "Overview for Mr. and Mrs. Iyer (2003)". Turner Classic Movies. Time Warner Company. Retrieved 13 March 2008.
  3. ↑ Sinha, Meenakshi (1 July 2007). "Small budget films shine at the box office". The Times of India. Retrieved 8 December 2007.
  4. 1 2 "Mr. and Mrs. Iyer (2003)". International Business Overview Standard. Retrieved 5 February 2008.
  5. ↑ Datta, Jyotirmoy (14 March 2003). "South Asia Human Rights Film Festival :Deham, Mr. and Mrs. Iyer and film on Ambedkar screened at festival". NewsIndiaTimes. Archived from the original on 23 November 2006. Retrieved 5 March 2008. the killers identify Muslims by stripping them to check if they are circumcised. Muslims are traditionally circumcised as part of the religion and Hindus are not.
  6. ↑ Bhaskaran, Gautaman (21 July 2006). "Dares to be different". The Hindu (Chennai, India). Retrieved 9 February 2008.
  7. 1 2 Rajan, Sara (4 November 2002). "The Toughest Topic". TIME. Retrieved 17 February 2008.
  8. 1 2 3 4 5 6 7 8 Nandwani, Deepali (27 July 2002). "Aparna Sen makes a statement again". Rediff.com. Retrieved 8 December 2007.
  9. ↑ Ramnarayan, Gowri (20 September 2002). "Sensitive to issues". The Hindu. Archived from the original on 9 December 2007. Retrieved 8 December 2007.
  10. 1 2 3 "Movie interview: Aparna Sen". hindisong.com. Retrieved 8 December 2007.
  11. 1 2 3 4 5 Banerjee, Soumyadipta K (17 January 2002). "Aparna's journey down misty Lava". The Times of India. Retrieved 8 March 2008.
  12. 1 2 "Writer & Director Aparna Sen". myBindi. Archived from the original on 9 November 2007. Retrieved 8 December 2007.
  13. 1 2 Jha, Subhash K (22 October 2002). "To the camera born". Rediff.com. Retrieved 8 December 2007.
  14. 1 2 3 Jha, Subhash K (3 October 2002). "Cruelly disturbing, fascinatingly lyrical". Rediff.com. Retrieved 8 December 2007.
  15. ↑ Ghosh, Biswadeep (27 November 2002). "Sen and sensibility". The Times of India. Retrieved 10 February 2008.
  16. ↑ Rao, Geetha (27 December 2002). "Meet the very different Mr & Mrs Iyer". The Times of India. Retrieved 10 February 2008.
  17. ↑ Kriplani, Manjeet (2 December 2002). "Can new money create a world-class film industry in India?". Business Week Online. Retrieved 8 March 2008.
  18. 1 2 3 Gupta, Surajeet Das (15 February 2003). "Big dreams ride on low-budget films". Rediff.com. Retrieved 9 March 2008.
  19. ↑ Bhattacharya, Chandrima (18 January 2003). "Mr and Mrs Iyer censored for Mumbai". The Telegraph (Calcutta, India). Retrieved 6 March 2008.
  20. ↑ "Straight Answers". The Times of India. 17 January 2003. Retrieved 7 March 2008.
  21. 1 2 Venkatraman, Latha; Sankar Radhakrishnan (1 January 2004). "Tinsel world sees a bright picture". Industry & Economy - Cinema. The Hindu Business Line. Retrieved 7 March 2008.
  22. ↑ Malik, Amita (28 February 2004). "Catching up with films". The Tribune. Retrieved 8 March 2008.
  23. ↑ Gupta, Shubhra (14 April 2006). "English talkies". The Hindu Business Line. Retrieved 7 March 2008.
  24. 1 2 3 Elley, Derek (25 August 2002). "Mr. and Mrs. Iyer Review". Variety. Retrieved 5 February 2008.
  25. ↑ Elley, Derek (11 August 2002). "Locarno jury: Thumbs down". Variety. Archived from the original on 7 December 2008. Retrieved 17 January 2008.
  26. ↑ Dharkar, Anil (18 August 2002). "Locarno diary". The Times of India. Retrieved 17 January 2008.
  27. ↑ Ryan, Tim (11 November 2002). "Hawaii fest bounces back". Variety. Archived from the original on 7 December 2008. Retrieved 17 January 2008.
  28. ↑ "Philadelphia Film Festival ends with a record attendance of 57,500, tripling its size in only three years". Philly Fests (Philadelphia Film Society). 17 April 2003. Retrieved 17 January 2008.
  29. ↑ "The 9th Cinemanila International Film Festival - A peek at the past festivals". Cinemanial International Film Festival. Archived from the original on 2 September 2007. Retrieved 17 January 2008.
  30. ↑ "Iyer to open Indian fest in L.A.". Variety. 30 March 2003. Archived from the original on 7 December 2008. Retrieved 17 January 2008.
  31. ↑ Calder, Peter (29 January 2004). "Auckland launches Asian pic fest". Variety. Archived from the original on 7 December 2008. Retrieved 17 January 2008.
  32. ↑ Frater, Patrick (18 January 2007). "Women's festival laps up Coast". Variety. Archived from the original on 7 December 2008. Retrieved 17 January 2008.
  33. ↑ de Bourbon, Tristan; Ryan Estrada; Richard Kong; Darcy Paquet; Nathalie Tourret. "2002 Pusan International Film Festival Report". koreanfilm.org. Retrieved 17 January 2008.
  34. ↑ "Regus London Film Festival: 46th Regus London Film Festival". bfi.org. British Film Institute. Retrieved 5 March 2008.
  35. ↑ "Variety: Mr. and Mrs. Iyer". Variety. Archived from the original on 7 December 2008. Retrieved 17 January 2008.
  36. ↑ "Feature Film: Mr & Mrs Iyer". Press Information Bureau (Government of India). Retrieved 17 January 2008.
  37. ↑ "Archive 2003: International Films". Braunschweig International Film Festival. Archived from the original on 8 May 2005. Retrieved 5 February 2008.
  38. ↑ "Movies at the High Falls Film Festival 2003". High Falls Film Festival. Archived from the original on 5 November 2006. Retrieved 17 January 2008.
  39. ↑ "Mr. And Mrs. Iyer bags gold at Las Palmas". Bulletin on Film (Research, Reference and Training Division; National Documentation Centre on Mass Communication (Ministry of Information and Broadcasting, Government of India)). XLVII. April 2003. Retrieved 5 March 2008.
  40. ↑ "Rahul Bose retrospective in Geneva". Indo-Asian News Service. 21 May 2005. Retrieved 10 February 2008.
  41. ↑ Jha, Subhash K (27 July 2003). "Bengal magic at National Film Awards". The Times of India. Archived from the original on 13 June 2008. Retrieved 17 January 2008.
  42. ↑ Nair, Suresh (25 February 2004). "What's worth it?". The Times of India. Retrieved 8 March 2008.
  43. 1 2 Gelder, Lawrence Van (25 April 2003). "Film in Review; Mr. and Mrs. Iyer". The New York Times. Retrieved 5 February 2008.
  44. ↑ Shen, Ted. "Mr. and Mrs. Iyer: Capsule". Chicago Reader. Retrieved 13 February 2008.
  45. ↑ McGovern, Joe (6 May 2003). "Mr. and Mrs. Iyer: Review". Village Voice. Retrieved 13 February 2008.
  46. ↑ "Mr. and Mrs. Iyer: Reviews". Metacritic. Retrieved 13 February 2008.
  47. 1 2 3 4 Bhaskaran, Gautaman (27 December 2002). "Mr. and Mrs. Iyer Review". The Hindu. Archived from the original on 7 November 2007. Retrieved 5 February 2008.
  48. ↑ "Mr. and Mrs. Iyer DVD review". Urban Cinefile. 17 June 2004. Retrieved 13 February 2008.
  49. ↑ "Eros Entertainment: Mr. and Mrs. Iyer". Eros Entertainment Inc. Retrieved 8 December 2007.
  50. ↑ "Amazon.com: Mr. and Mrs. Iyer". Amazon.com, Inc. Retrieved 8 December 2007.
  51. ↑ Dias, Nydia (19 December 2002). "Zakir Hussain sings for Mr and Mrs Iyer". The Times of India. Retrieved 8 December 2007.
  52. ↑ "Tuning in to Zakir’s vocals". The Times of India. 16 December 2002. Retrieved 8 December 2007.
  53. ↑ "Soundtracks for Mr. and Mrs. Iyer". Dishant.com. Retrieved 6 March 2008.

External links

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