Mulk Raj Anand

Mulk Raj Anand
Born (1905-12-12)12 December 1905
Peshawar, British India (now Pakistan)
Died 28 September 2004(2004-09-28) (aged 98)
Pune, India
Occupation Writer
Period 20th century
Signature

Mulk Raj Anand (12 December 1905 – 28 September 2004) was an Indian writer in English, notable for his depiction of the lives of the poorer castes in traditional Indian society. One of the pioneers of Indo-Anglian fiction, he, together with R. K. Narayan, Ahmad Ali and Raja Rao, was one of the first India-based writers in English to gain an international readership. Anand is admired for his novels and short stories, which have acquired the status of being classic works of modern Indian English literature, noted for their perceptive insight into the lives of the oppressed and their analyses of impoverishment, exploitation and misfortune.[1][2] He is also notable for being among the first writers to incorporate Punjabi and Hindustani idioms into English[3] and was a recipient of the civilian honour of the Padma Bhushan.[4]

Early life and education

Born in Peshawar, Anand studied at Khalsa College, Amritsar, graduating with honours in 1924,[3] before moving to England, where he attended University College London as an undergraduate and later Cambridge University, earning a PhD in Philosophy in 1929. During this time he forged friendships with members of the Bloomsbury Group. He spent some time in Geneva, lecturing at the League of Nations' School of Intellectual Cooperation.

Career

Anand's literary career was launched by family tragedy, instigated by the rigidity of the caste system. His first prose essay was a response to the suicide of an aunt, who had been excommunicated by her family for sharing a meal with a Muslim woman.[5][6] His first main novel, Untouchable, published in 1935, was a chilling expose of the day-to-day life of a member of India's untouchable caste. It is the story of a single day in the life of Bakha, a toilet-cleaner, who accidentally bumps into a member of a higher caste.

Bakha searches for salve to the tragedy of the destiny into which he was born, talking with a Christian missionary, listening to a speech about untouchability by Mahatma Gandhi and a subsequent conversation by two educated Indians, but by the end of the book Anand suggests that it is technology, in the form of the newly introduced flush toilet that may be his savior by eliminating the need for a caste of toilet cleaners.

This simple book, which captured the puissance of the Punjabi and Hindi idiom in English was widely acclaimed and Anand won the reputation of being India's Charles Dickens. The introduction was written by his friend, E. M. Forster, whom he met while working on T. S. Eliot's magazine Criterion.[7] Forster writes: "Avoiding rhetoric and circumlocution, it has gone straight to the heart of its subject and purified it."

Inevitably, Anand, who in the 1930s and '40s spent half his time in London and half in India,[3] was drawn to the Indian independence movement. During his time in London, he wrote propaganda on behalf of the Indian cause alongside India's future Defence Minister V. K. Krishna Menon, while trying to make a living as a novelist and journalist.[8] At the same time, he also supported freedom elsewhere around the globe and even travelled to Spain to volunteer in the Spanish Civil War, even though his role in the conflict was more journalistic than military. He spent World War II working as a scriptwriter for the BBC in London, where he became a friend of George Orwell. Orwell penned a favourable review of Anand's 1942 novel The Sword and the Sickle and remarked that "although Mr. Anand's novel would still be interesting on its own merits if it had been written by an Englishman, it is impossible to read it without remembering every few pages that is also a cultural curiosity," adding that the growth "of an English-language Indian literature is a strange phenomenon".[9] He was also a friend of Picasso and had Picasso paintings in his collection.

Anand returned to India in 1946, and continued with his prodigious literary output there. His work includes poetry and essays on a wide range of subjects, as well as autobiographies, novels and short stories. Prominent among his novels are The Village (1939), Across the Black Waters (1939), The Sword and the Sickle (1942), all written in England, and Coolie (1936), The Private Life of an Indian Prince (1953), perhaps the most important of his works written in India. He also founded a literary magazine, Marg, and taught in various universities. During the 1970s, he worked with the International Progress Organization (IPO) on the issue of cultural self-comprehension of nations. His contribution to the conference of the IPO in Innsbruck (Austria) in 1974 had a special influence on debates that later became known under the phrase of "Dialogue Among Civilizations". Anand also delivered a series of lectures on eminent Indians including Mahatma Gandhi, Jawaharlal Nehru and Rabindranath Tagore, commemorating their achievements and significance and paying special attention to their distinct brands of humanism.

His 1953 novel The Private Life of an Indian Prince was more autobiographical in nature. In 1950 Anand embarked on a project to write a seven-part autobiography, beginning in 1951 with Seven Summers. One part, Morning Face (1968), won him the Sahitya Akademi Award.[10] Like much of his later work, it contains elements of his spiritual journey as he struggles to attain a higher sense of self-awareness.

He died of pneumonia in Pune on 28 September 2004 at the age of 98.[11]

Literary style

Anand, who was associated with Communism, used his novels to make broad attacks on various elements of India's social structure and on British rule in India; they are considered important for their social statement.[12]

Novels

Autobiographies

See also

References

  1. ↑ "Very English, more Indian". The Indian Express. 29 September 2004. ("...it can be said that they have taken over from British writers like E. M. Forster & Edward Thompson the task of interpreting modern India to itself & the world"), The Oxford History of India, Vincent A. Smith (3rd edition, ed. Percival Spear), 1967, p. 838.
  2. ↑ Ranjit Hoskote (29 September 2004). "The last of Indian English fiction's grand troika: Encyclopaedia of arts". The Hindu.
  3. 1 2 3 "Mulk Raj Anand Profile", iloveindia.com.
  4. ↑ "Padma Awards" (PDF). Ministry of Home Affairs, Government of India. 2015. Retrieved July 21, 2015.
  5. ↑ C. J. George, Mulk Raj Anand, His Art and Concerns: A Study of His Non-autobiographical Novels, New Delhi: Atlantic Publishers, 1994.
  6. ↑ Shailaja B. Wadikar, "Silent Suffering and Agony in Mulk Raj Anand's Untouchable", in Amar Nath Prasad and Rajiv K. Malik, Indian English Poetry and Fiction: Critical Elucidations, Volume 1, New Delhi: Sarup & Sons, 2007, p. 144–155.
  7. ↑ "Mulk Raj Anand", Penguin India.
  8. ↑ Cowasjee, Saros. So Many Freedoms: A Study of the Major Fiction of Mulk Raj Anand, New Delhi: Oxford University Press, 1977.
  9. ↑ Orwell, George. The Collected Essays, Journalism and Letters of George Orwell – My Country Right or Left 1940–1943, London: Martin Secker & Warburg, 1968, pp. 216–220.
  10. ↑ Sahitya Akademi Award recipients in English
  11. ↑ Jai Kumar and Haresh Pandya, "Mulk Raj Anand" (obituary), The Guardian, 29 September 2004.
  12. ↑ Berry, Margaret (1968–1969). "'Purpose' in Mulk Raj Anand's Fiction". Mahfil (Michigan State University, Asian Studies Center) 5 (1/2 1968-1969): 85–90.
  13. ↑ B. R. Agrawal Mulk Raj Anand -- 2006 8126905867 Page 149 "His novel, The Road (1961) also deals with the theme of untouchability. Bhikhu is none but Bakha of Untouchable. He is a poor road worker and with his people works to build a road to solve the problems of transportation. "

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