Music of Goa

Music of India

A Lady Playing the Tanpura, ca. 1735 (Rajasthan)
Genres
Traditional
Modern
Media and performance
Music awards
Music festivals
Music media
Nationalistic and patriotic songs
National anthem Jana Gana Mana
Regional music

Music of Goa refers to the music from the state of Goa, on the west coast of India. It has produced a number of prominent musicians and singers for the world of Indian music and Bollywood film.

Goa has produced many performers of Hindustani classical music, such as the vocalist Kesarbai Kerkar (1892–1977). Lata Mangeshkar, noted for her musical contributions to the Indian film industry, is the daughter of a Goan, Dinanath Ganesh Mangeshkar, as is her sister Asha Bhosle. Lorna Cordeiro is one of the most popular Konkani singers in Goa.

Goa has become home to one strand of the Trance music scene.

Traditional music

The traditional Goan musical instruments include dhol, mridanga, tabla, ghumat, kasale, madlem, shehnai, surt, tasso, nagado, and tambura. The ghumat is an earthen-ware pot-like vessel made by Goan potters with openings on the two opposite sides, one large and the other small in diameter, with the middle portion much bulging outwards. On the larger opening with the edge conveniently moulded for the fitting, a wet skin of a lizard (lacerta ocelata), known in Konkani as sap or gar, is fully stretched to cover the whole surface of the opening. The ghumat is essential for Hindu festivals, some temple rituals like Suvari vadan, bhivari and mando performances. A madlem is a cylindrical earthen vessel covered at both ends with the skin of a lizard and is mostly played by the Kunbis.

The Portuguese brought the piano, the mandolin and the violin to Goa.

Konkani song may be classified in four groups: one which draws on the more pristine form in music and verse, as in the fugdi or the dhalo; the second which blends western and native music but retains Konkani lyrics as in deknnis; the third which blends native and western music as well as language as in dulpod; and the fourth which has a marked influence of western music and lyrics in Konkani with borrowed Portuguese words as in mando.

As many as 35[1] types of Konkani Song have been classified. These include banvarh, deknni, dhalo, dulpod, duvalo, fell song, fughri, kunnbi song, launimm, mando, ovi, palnnam, talghari, tiatr song, zagor song and zoti. The Christian and Hindu religious song is also a type of its own.

The Christian and Hindu song for the liturgy and popular devotions is an essential part of Goan daily life.

Western, indigenous, Indian

Local musician performing at Martins Corner in Betalbatim
Portuguese music and dance on cruise, Mandovi River in Panjim

Goa, a part of India since 1961, had been ruled from the early 16th century until the mid-19th century by Portugal, and has thus had closer connections with Western classical and popular music than the rest of India.

Over the centuries, indigenous Goan music was blended with European music, particularly that of Portugal.

The Goa Symphony Orchestra and Goa Philharmonic Choir were founded by Lourdino Barreto.[2]

Konkani liturgical music

Goa has a rich heritage of Konkani liturgical music and hymns. The standard hymnal of the Archdiocese of Goa and Daman is called Gaionancho Jhelo (Garland of hymns) and the diocese also brings out a periodical sheet music publication of Konkani liturgical hymns a called Devacheam Bhurgeanchim Gitam (Songs of God's children)

Pop

In the area of Western music, there are several pop stars, among them Remo Fernandes (born 1953). Goan popular music is generally sung in the Konkani language. Another contributor to Goan music is the Canadian-Goan band Goa Amigos, which has represented Goa at the largest south Asian festival in North America.

Home for electronic music

See also: Electronica

Goa has become a home for electronic music, especially a style called Goa trance. This genre began its evolution in the late 1960s, when hippies from the United States, United Kingdom and elsewhere turned Goa into a tourist destination.

When tourism began to die out, a number of devotees stayed in the area, pursuing a specific style of trance music. Early pioneers included Mark Allen, Goa Gil and Fred Disko.

Goa trance

Main articles: Goa trance and Psychedelic trance

Goa Trance (sometimes referred to as Goa or by the number 604) is a form of electronic music that developed around the same time as Trance music became popular in Europe. It originated during the late 1980s and early 1990s in the Indian state of Goa. Essentially, Trance music was pop culture's answer to the Goa Trance music scene on the beaches of Goa where the traveller's music scene has been famous since the time of the Beatles. Goa Trance enjoyed the greater part of its success from around 1994–1998, and since then has dwindled significantly both in production and consumption, being replaced by its successor, Psychedelic Trance (also known as psytrance). Many of the original Goa Trance artists: Hallucinogen, Slinky Wizard, and Total Eclipse are still making music, but refer to their style of music simply as "PSY". TIP Records, Flying Rhino Records, Dragonfly Records, Transient Records, Phantasm Records, Symbiosis Records, Blue Room Released were all key players on the beach and in the scene.

Goa Trance is closely related to the emergence of Psytrance during the latter half of the 1990s and early 2000s, where the two genres mixed together. In popular culture, the distinction between the two genres often remains largely a matter of opinion (they are considered by some to be synonymous; others say that Psytrance is more "psychedelic/cybernetic" and that Goa Trance is more "organic", and still others maintain that there is a clear difference between the two). If anything, the styles are easier to differentiate in Central and Eastern Europe (e.g. Austria, Hungary, Romania) where Goa Trance parties are more popular than Psy-Trance parties - the opposite being true in the UK, Belgium and Germany. Psy Trance has a noticeably more aggressive bassline and goa tends to avoid the triplet-style bass lines. Between them however, both psy- and goa trance are sonically distinct from other forms of trance in both tonal quality, structure and feel. In many countries they are generally more underground and less commercial than other forms of trance, except for Brazil and Israel, which since the year of 2000 it became both countries most popular type of music for the general party scene. Top DJ's from the UK and other parts of Western Europe fly to Goa for special parties, often on the beaches or in rice paddies. "Shorebar" in Anjuna Beach is traditionally seen as the birthplace and center of the Goan trance scene.

See also

Amancio D'Silva Goan Guitarist who brought Karnatic stylings to Jazz in the west in the late 1960s.

Notes and references

  1. Pereira, José/ Martins, Micael. 1984: Nr. 145, p. 62. Refer also to Rodrigues, Manuel C. 1957. “Folk Songs of Goa “, in : Goan Tribune of 6.10.1957, pp. 9-10.

External links

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