Near Dark

Near Dark

Theatrical release poster
Directed by Kathryn Bigelow
Produced by Steven-Charles Jaffe
Written by
Starring
Music by Tangerine Dream
Cinematography Adam Greenberg
Edited by Howard E. Smith
Production
company
F/M Entertainment
Distributed by DeLaurentiis Entertainment Group
Release dates
  • October 2, 1987 (1987-10-02)
Running time
 95 minutes
Country United States
Language English
Budget $5 million[1]
Box office $3.4 million[1]

Near Dark is a 1987 American Western horror film directed by Kathryn Bigelow and written by her and Eric Red. The story follows a young man in a small midwestern town who becomes involved with a family of nomadic American vampires. Starring then little-known actors Adrian Pasdar and Jenny Wright, the film was part of a revival of serious vampire movies in the late 1980s.

Despite the film's poor performance at the box office upon release, critic reviews were very positive. Over the years, the film has garnered a cult following.[2]

Plot

One night, Caleb Colton (Adrian Pasdar), a young man in a small town, meets an attractive young drifter named Mae (Jenny Wright). Just before sunrise, she bites him on the neck then runs off. The rising sun causes Caleb's flesh to burn with smoke. Mae comes with a group of roaming vampires in an RV and takes him away. The most unsociable of all the vampires, the callous and sociopathic Severen (Bill Paxton), who wants to kill Caleb, but Mae reveals that she already turned him. Their charismatic leader, Jesse Hooker (Lance Henriksen), reluctantly agrees to allow Caleb to remain with them for a week to see if he can learn to hunt and become a trusted member of their group. Caleb is unwilling to kill to feed, which alienates him from the others. To protect him, Mae kills for him and then has him drink from her wrist. Soon after they entered a bar and begins a destruction. They soon kill or injured the patrons including the bartender. The bar is suddenly set on fire by the group as they flee the scene. After Caleb endangers himself to help them during a daylight police raid from their motel, Jesse and the others are temporarily mollified.

Meanwhile, Caleb's father (Tim Thomerson) has begun searching for the group while the police are also investigating. A child vampire in the group, Homer (Joshua John Miller) meets Caleb's sister Sarah (Marcie Leeds) and wants to transform her into his companion, but Caleb objects. While the group argues, Caleb's father arrives and holds them at gunpoint, demanding Sarah should be released. Jesse taunts him into shooting, but regurgitates the bullet before wrestling the gun away. In the confusion, Sarah opens the door letting in the sunlight and forced the vampires back. Burning in the process, Caleb escapes with his family and suggests they try doing a blood transfusion to attempt to cure him. The transfusion successfully reverses Caleb's transformation. That night the vampires search for Caleb because he knows their identities, and Homer still wishes to have Sarah for his mate. Mae distracts Caleb by trying to persuade him to return to her while the others kidnap Sarah.

After Mae runs off, Caleb discovers the kidnapping and gives chase on a horseback after finding his tires slashed. Along the way, Caleb's horse becomes frightened which caused him to fall off is suddenly encountered by Severen. Caleb commandeers a tractor-trailer driver for help who refuses and Severen shoots him dead. As Caleb takes over driving he runs him over. The injured vampire appears on the hood of the truck and manages to break into the engine, ripping apart the wirings. Caleb jackknifes the vehicle and jumps out as the truck explodes as Severen is killed. Seeking revenge, Jesse and Diamondback (Jenette Goldstein) pursue him, but are forced to flee in their car as dawn breaks.

Not wanting Sarah to become another childlike monster, Mae breaks out of the back of the car with Sarah as she's getting badly burned by the sun with smoke she runs with Sarah into Caleb's arms, taking refuge from the sun under his jacket. Homer attempts to follows as he runs, but dies from the exposure. Jesse and Diamondback, their sun-proofing ruined, also begin to burn. They attempt to run Caleb and Sarah over with the car, but failed, also dying in the process as the car blows up. Mae awakens later, her burns now healed; she has been given a transfusion and is also cured. Together, she and Caleb comforts each other in a reassuring hug as the film ends.

Cast

(In credits order)

Production notes

Vampire films had become "trendy" by the time of Near Dark's production, with the success of 1985's Fright Night and 1987's The Lost Boys (released two months before Near Dark and grossing $32 million).[3] Kathryn Bigelow wanted to film a Western movie that departed from cinematic convention. When she and co-writer Eric Red found financial backing for a Western difficult to obtain, it was suggested to them that they try mixing a Western with another, more popular genre. Her interest in revisionist interpretation of cinematic tradition led her and Red to combine two genres that they regarded as ripe for reinterpretation: the Western movie, and the vampire movie. The combination of these two genres had been visited at least twice before on the big screen, with 1959's Curse of the Undead and 1966's Billy the Kid vs. Dracula.

Bigelow knew (and later married) director James Cameron, who directed Aliens, a 1986 film that shares three cast members (Paxton, Goldstein and Henriksen) with Near Dark. A cinema seen in the background early in the film has Aliens on its marquee, and Cameron played the man who "flips off" Severen.

The film was scored by the German electronic music group Tangerine Dream.

Release

Near Dark was released on October 2, 1987 in 262 theaters, grossing US$635,789 on its opening weekend. It went on to make $3.4 million, below its $5 million budget.[1]

In 2009 Lions Gate Home Entertainment released the Blu-ray disc, which includes the documentary of the film "Living in Darkness".[4]

Critical reception

Part of a late 1980s revival of serious (as opposed to comedic) vampire depictions on the big screen,[5] it received mostly positive reviews for its mix of the Western, biker and vampire movie genres.

In her review for The New York Times, Caryn James wrote, "Ms. Bigelow's too-studied compositions – Caleb in silhouette riding a horse toward the camera – clash with her unstudied approach to the characters' looks."[6] Conversely, Jonathan Rosenbaum of the Chicago Reader was impressed by Bigelow's first foray into big budget films with the "hillbilly vampire" movie, describing it as "beautifully shot".[7] As well, Hal Hinson of The Washington Post said the intermixing of vampire legends, westerns and biker movies has an end result that is "both outrageous and poetic; it has extravagant, bloody thrills plus something else – something that comes close to genuine emotion."[8] Jay Scott in his review for The Globe and Mail wrote, "Bill Paxton as the undead sex symbol – is exceptional, but not exceptional enough to put across the cop-out that concludes the film."[9]

Richard Corliss of Time magazine called Near Dark "weird (and) beautiful"[10] and "the all-time teenage vampire love story".[11] Likewise, Richard Schickel (also of Time) considers the film a clever variant of the vampire film genre.[12] Peter Travers, of Rolling Stone concurred, calling it "gory and gorgeous".[13]

Near Dark is ranked 34 on Rotten Tomatoes' "Top 50 Horror Movies" list of the 50 best reviewed horror movies of all time with a rating of 88%.[14]

Remake

A remake of the film was announced in October 2006 as a co-production between film companies Rogue Pictures and Platinum Dunes.[15] [16] In December 2008 Platinum Dunes producer Bradley Fuller stated that the project had been put on hold due to similarities in conception with Twilight, a film which also contained a romance between human and vampire characters.[17]

Further reading

See also

References

  1. 1 2 3 "Near Dark". Box Office Mojo. Retrieved 2014-01-15.
  2. ↑ Tobias, Scott (November 5, 2008). "The New Cult Canon: Near Dark". A.V. Club. Retrieved 2014-01-15.
  3. ↑ Kaufman, Gil (March 10, 2010). "Corey Haim's 'The Lost Boys' Was The Original Teen Vampire Flick". MTV.com. Retrieved 2010-05-09.
  4. ↑ Barton, Steve (October 19, 2009). "Near Dark Blu-ray Features Announced". Dread Central. Retrieved 2014-01-15.
  5. ↑ Newman, Kim (1988). Nightmare Movies: a Critical History of the Horror Film 1968–1988. London: Bloomsbury. p. 36. ISBN 0-7475-0295-1.
  6. ↑ James, Caryn (October 4, 1987). "Near Dark, a Tale of Vampires on the Road". The New York Times. Retrieved 2008-09-30.
  7. ↑ Rosenbaum, Jonathan. "Near Dark". Chicago Reader. Retrieved 2009-02-04.
  8. ↑ Hinson, Hal (May 5, 1988). "'Near Dark' (R)". The Washington Post. Retrieved 2009-02-04.
  9. ↑ Scott, Jay (October 2, 1987). "Vampire myth spawns new terrors in seductive demons of Near Dark". Globe and Mail.
  10. ↑ Corliss, Richard (July 22, 1991). "Cinema: Board Stiff". Time. Retrieved 2009-02-04.
  11. ↑ "The Hurt Locker: A Near-Perfect War Film". Time. September 4, 2008.
  12. ↑ Schickel, Richard; Elizabeth L. Bland; Mayo Mohs (October 14, 1991). "Hollywood's New Directions". Time. Retrieved 2009-02-04.
  13. ↑ Travers, Peter (October 17, 2002). "Near Dark". Rolling Stone. Retrieved 2009-02-04.
  14. ↑ "Top 50 Horror Movies". Rotten Tomatoes. Retrieved 2008-09-30.
  15. ↑ Fleming, Michael (5 October 2006). "Dunes digs up rich Rogue deal". variety.com. Retrieved 4 April 2016.
  16. ↑ Weinberg, Scott (April 7, 2006). "Near Dark Remake ... Nears". Cinematical. Retrieved 2009-02-13.
  17. ↑ Hewitt, Chris (December 12, 2008). "Near Dark Remake Is Off". Empire. Retrieved 2014-01-15.

External links

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