Night Shift (film)
Night Shift | |
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Night Shift movie poster | |
Directed by | Ron Howard |
Produced by | Brian Grazer |
Written by |
Lowell Ganz Babaloo Mandel |
Starring | |
Music by |
Burt Bacharach (score & songs) Carole Bayer Sager (songs) David Foster (song) |
Cinematography | James Crabe |
Edited by |
Robert James Kern Mike Hill Daniel P. Hanley |
Production company | |
Distributed by | Warner Bros. |
Release dates |
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Running time | 105 minutes |
Country | United States |
Language | English |
Box office | $21,095,638 |
Night Shift is a 1982 American comedy film, one of former actor Ron Howard's earliest directorial efforts, concerning a timid night shift morgue employee whose life is turned upside down by a free-spirited entrepreneur. It stars Howard's Happy Days co-star Henry Winkler along with Michael Keaton, in his first starring role, and Shelley Long, who later in the year would star as Diane Chambers in the popular sitcom Cheers. Also appearing are Richard Belzer, and (as usual for Ron Howard films, his brother) Clint Howard. A young Kevin Costner has a brief scene as "Frat Boy #1", Shannen Doherty appears as a Bluebell scout, Dawn Dunlap as Maxine and Vincent Schiavelli plays a man who delivers a sandwich to Winkler's character.
Winkler was nominated for the Golden Globe Award for Best Actor - Motion Picture Musical or Comedy, while Keaton won the Kansas City Film Critics Circle Award for Best Supporting Actor.[1]
Plot
Chuck (Winkler), formerly a successful stockbroker, has found a refuge from the ulcer-inducing Wall Street rat race in his job as an attendant at the New York City morgue. His displeasure at being "promoted" to Night Shift Supervisor to make room for his boss's nephew is exacerbated by the irrational exuberance of Bill "Blaze" Blazejowski (Keaton), his new co-worker. They are inspired by the plight of Chuck's prostitute neighbor, Belinda (Long), to apply Chuck's financial acumen and Bill's entrepreneurial spirit to open a prostitution service headquartered at the morgue.
Soundtrack
The movie's opening theme song is "Night Shift" by Quarterflash. The closing theme song, "That's What Friends Are For," was written by Burt Bacharach and Carole Bayer Sager. The song is performed by Rod Stewart in the film. It was later covered by Dionne Warwick & Friends (Stevie Wonder, Gladys Knight and Elton John); Warwick's version became a Billboard Grammy Award-winning #1 hit and raised millions for AIDS causes.
The official soundtrack was released in 1982 on the Ladd Company label and was distributed by Warner Bros. It included ten selected tracks from the film, six of which were written just for the film. The tracks included are as follows:
- "Night Shift" by Quarterflash
- "Street Talk" by Burt Bacharach
- "Girls Know How" by Al Jarreau
- "The Love Too Good to Last" by The Pointer Sisters
- "That's What Friends Are For" by Rod Stewart
- "Someday, Someway" by Marshall Crenshaw
- "Penthouse and Pavement" by Heaven 17
- "Talk Talk" by Talk Talk
- "Everlasting Love" by Rufus and Chaka Khan
- "Night Shift Love Theme (instrumental)" by Burt Bacharach
The soundtrack was a vinyl-only release. The versions of "Talk Talk" and "Penthouse and Pavement" that are on the soundtrack are different from any other releases of the songs as they were specially mixed for the soundtrack.
Other songs heard in the film include "You Really Got Me" by Van Halen and a live version of "Jumpin' Jack Flash" by The Rolling Stones, taken from the 1977 live album Love You Live; a section of "Cutting Branches for a Temporary Shelter" by the Penguin Cafe Orchestra is also heard.
Reception
Box office
Night Shift earned approximately $21.1 million at the domestic box office.[2]
Critical reception
The film received mostly positive reviews from critics. Review aggregator Rotten Tomatoes reports that 95% of 19 critics have given the film a positive review, with a rating average of 6.4 out of 10.[3] Many reviewers praised the performances of the two male leads, particularly Michael Keaton.
TV Guide's Movie Guide wrote that "Winkler turns in the best performance of his career, and Keaton is wonderful."[4] The Chicago Reader's Jonathan Rosenbaum compared Night Shift to the subsequent comedy film Risky Business (which also dealt with the theme of prostitution), noting that Night Shift isn't "as snappily directed or as caustically conceived, ... but it's arguably just as sexy and almost as funny."[5] The New York Times' Janet Maslin, however, deemed Night Shift "a halfway funny movie, one that's got loads of good gags in its first half and nothing but trouble in its second."[6]
References
- ↑ KCFCC Award Winners – 1980-89
- ↑ Box Office Mojo Accessed March 19, 2016.
- ↑ "Night Shift (1982)". Rotten Tomatoes. Retrieved March 13, 2010.
- ↑ "Night Shift: Review," TV Guide's Movie Guide. Accessed March 13, 2010.
- ↑ Rosenbaum, Jonathan. "Night Shift," Chicago Reader. Accessed March 14, 2010.
- ↑ Maslin, Janet. "Night Shift Review," The New York Times (July 30, 1982).
External links
Wikiquote has quotations related to: Night Shift (film) |
- Night Shift at the Internet Movie Database
- Night Shift at the TCM Movie Database
- Night Shift at AllMovie
- Night Shift at Rotten Tomatoes
- Night Shift at Box Office Mojo
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