Orlando Martins

Orlando Martins
Born (1899-12-08)8 December 1899
Lagos, Lagos State, Nigeria
Died 25 September 1985(1985-09-25) (aged 85)
Lagos, Lagos State, Nigeria
Other names Pa Orlando Martins (Epega Family Great Uncle)
Years active 1931–71

Orlando Martins (8 December 1899–25 September 1985) was a pioneering Nigerian film and stage actor. In the late 1940s, he was one of England's most prominent and leading "black" actors,[1] and in a poll conducted in 1947, he was listed among England's top 15 favourite actors.[2]

Life

Martins was born in Lagos, Nigeria, to a civil servant Brazilian father. He was related to the Benjamin Epega family. In 1913 he was enrolled in Eko Boys High School but dropped out.[3] During World War I he served as a stoker on the RMS Mauretania to avenge German cruelty to his family.

Following the end of the war, he moved to England; on arrival in 1919 he joined Sanger's Circus and started his performing career in the chorus. He also worked as a wrestler (known as "Black Butcher Johnson").[4]

Career

In 1920, Martins was an extra acting with the Diaghilev ballet company, and was on the tour with the British company of Show Boat as a professional singer. He was an extra in silent films, having made his debut in If Youth But Knew (1926).[4] In the 1930s he went into acting on the London stage,playing Boukman in Toussaint L'Ouverture, a 1936 drama by C. L. R. James that starred the legendary Paul Robeson,[5] with whom Martins had featured in the 1935 film Sanders of the River.[6]

After the war, Martins had films roles in The Man from Morocco (1945) and in Men of Two Worlds (1946), alongside Robert Adams, becoming a sought-after character actor who was described by Peter Noble in 1948 as "a tall, powerful figure of a man with a deep bass voice, friendly, hospitable and with a grand sense of humour."[4] Noble went on to say of Martins: "He is keenly interested in the foundation of a Negro Theatre in London. As he points out: 'If this ever comes into being it will mean not only that Negro talent in every theatre can be shown to the world, but a continuity of employment for this talent which is now going sadly to waste.'"[7]

He appears in the 1949 film The Hasty Heart (starring Ronald Reagan and Patricia Neal) playing the African warrior Blossom, which role he also undertook in the stage production.[3] In the 1950s Martins made other appearances on the London stage, including in adaptations of Cry, the Beloved Country (Trafalgar Square Theatre, 1954), and The Member of the Wedding (Royal Court Theatre, 1957), before returning to Lagos in 1959.[3] He subsequently took roles in such films as Killers of Kilimanjaro (1960), Call Me Bwana (1963) and Mister Moses (1965), and in 1973 appeared in Wole Soyinka's play Kongi's Harvest.

Martins died in Lagos in 1985 at the age of 85 and was buried at Ikoyi Cemetery.[4]

Selected filmography

Year Film Role Notes
1935 Sanders of the River Klova
1945 The Man from Morocco Jeremiah
1946 Men of Two Worlds Magole
1947 The End of the River Harrigan
1949 The Hasty Heart Blossom
1954 West of Zanzibar M'Kwongi
1955 Simba Headman
1956 Safari Jerusalem
1957 Abandon Ship Sam Holly
1957 Tarzan and the Lost Safari Chief Ogonooro
1958 The Naked Earth Tall Bearer
1959 Sapphire Barman
1959 The Nuns Story Kalulu
1960 Killers of Kilimanjaro Chief Chief
1963 Call Me Bwana Chief Tribal Chief
1965 Mister Moses Chief Chief
1965 A Boy Ten Feet Tall Abu Lubaba
1973 Kongi's Harvest Dr. Gbenga

References

  1. ↑ Harry Levette, "This is Hollywood". Chicago Defender, 10 September 1949, p. 25.
  2. ↑ Al Monroe, "Swinging the News," Chicago Defender, 18 October 1947, p. 19.
  3. 1 2 3 "Orlando Martins, Hollywood’s first Yoruba Actor", Yoruba 365, 12 November 2014.
  4. 1 2 3 4 Stephen Bourne, Black in the British Frame: The Black Experience in British Film and Television, London: Continuum, 2001; chapter 7, "Robert Adams and Orlando Martins: Men of Two Worlds", pp. 76–80.
  5. ↑ C. L. R. James, Christian Høgsbjerg, Laurent Dubois, Toussaint Louverture: The Story of the Only Successful Slave Revolt in History; A Play in Three Acts, Duke University Press, 2012, p. 25.
  6. ↑ "Orlando Jones," AFI Catalog.
  7. ↑ Peter Noble, The Negro In Films, Skelton Robinson, 1948, p. 178; quoted in Bourne (2001), p. 78.

Further reading

External links

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