Oscar (1991 film)

Oscar

Theatrical release poster
Directed by John Landis
Produced by Leslie Belzberg
Written by Michael Barrie
Jim Mulholland
Claude Magnier (play)
Starring Sylvester Stallone
Ornella Muti
Marisa Tomei
Tim Curry
Vincent Spano
Peter Riegert
Don Ameche
Music by Elmer Bernstein
Cinematography Mac Ahlberg
Edited by Dale Beldin
Production
company
Distributed by Buena Vista Pictures
Release dates
  • April 26, 1991 (1991-04-26)
Running time
 109 minutes
Country United States
Language English
Budget $35 million
Box office $23.5 million

Oscar is a 1991 American screwball comedy film directed by John Landis.[1] Based on the Claude Magnier stage play, it is a remake of the 1967 French film of the same name, but the settings has been moved to the Depression-era Chicago and centers on a mob boss trying to go straight. The film stars Sylvester Stallone, Marisa Tomei, Ornella Muti, Tim Curry and Chazz Palminteri, and was a rare attempt by Stallone at doing a comedy role.[2]

Plot

In the prologue, gangster Angelo "Snaps" Provolone promises his dying father (Kirk Douglas) that he will give up a life of crime, and instead "go straight".

A month later, Snaps awakes at his mansion and begins his important morning. He has a meeting with several prominent bankers, as he hopes to donate a large sum of cash and join the bank’s board of trustees, thereby having an honest job and keeping his word to his father. Anthony Rossano, Snaps's young, good-natured accountant, arrives at the mansion and tells his boss that he’s in love, asks for a 250% raise, then tells Snaps the true love he speaks of is actually "Snaps's daughter." Snaps is furious, does not want his daughter marrying Anthony and goes to talk to his daughter, Lisa.

Lisa is the only child of Snaps and Sofia, a spoiled daughter whose dreams of seeing the world’s great sights run into a roadblock because of her overly protective father. Wishing to move out of the house, she lies to her parents (at the suggestion of the maid, Nora) and claims to be pregnant. Snaps, believing the father to be Anthony (as he wants to marry "Snaps's daughter"), is shocked when Lisa says the father is Oscar, the former chauffeur who is now serving overseas in the military.

Things get even more complicated when Anthony learns that Theresa, the woman he fell in love with, is not actually Snaps' daughter as she had claimed to be. Before Anthony can catch on, Snaps tricks him into agreeing to marry his actual daughter, Lisa, who is supposedly pregnant but without a husband. Both Lisa and Anthony are unhappy at the hasty arrangement, and the pair luck out when Lisa falls in love with someone else: Dr. Thornton Poole, Snaps' dialectician, whose frequent world travels appeal to her adventurous nature.

Meanwhile, local police lieutenant Toomey is keeping an eye on the mansion, believing that Snaps is meeting with Chicago mobsters soon. Also watching Snaps is mob rival Vendetti, who, too, believes that Snaps is meeting Chicago mobsters. Vendetti plans a hit on Snaps in the early afternoon while Toomey plans a raid at the same time to catch Snaps red-handed.

While Anthony seeks out Theresa, Snaps meets his mansion's new maid, Roxie. As it turns out, Roxie is an old flame of Snaps, and the pair talk memories and the life that never was. Theresa comes to the mansion and is revealed to be Roxie's daughter—who was actually fathered by Snaps long ago—making Snaps her dad after all. The impromptu celebration of both his daughters' engagements is cut short by the arrival of the bankers. During the meeting, Snaps senses the bankers are giving him a raw deal—they don't intend to give him any actual influence in the bank's operations, despite the money he's willing to invest. The meeting is interrupted by police officers and Toomey, who is embarrassed to find no money or gangsters present on site. He leaves the mansion just in time for Vendetti's car full of armed men to crash right outside. Toomey smiles for reporters and arrests the men.

With the realization that he'd rather deal with gangsters and gunmen than "respectable" bankers, Snaps decides to abandon his short-lived honest ways and return to a life of crime (looking skyward and admitting to his father, "Sorry, dad... I did the best I could"). The final scene of the movie shows a double wedding for both his daughters. Oscar himself finally appears and objects to Lisa's marriage, but he is carried off by Snaps' men and the weddings end happily.

Cast

Production

The film is directed as if it were a film of that time, with humor and dialogue delivered in a manner reminiscent of old Hollywood comedies, particularly the "screwball" genre. Director John Landis had said[3]

“ Oscar is a farce set in 1931, sort of Damon Runyan meets Feydeau. I shot the picture in a deliberately stylized manner, attempting a thirties Hollywood comedy look and feel (Peter Riegart, at one point, actually says, Why I oughta...) ”

Stallone later said he should have played Oscar "incredibly cynical like in the original French version".[4]

The little black bags

The multiple subplots of the film are linked together using a plot device: three identical black suitcases that are mistaken for each other. One suitcase contains jewels that Antony Rossano purchased after he stole $50k from Snaps. The second suitcase contains Nora's underwear. The third suitcase contains another $50k, this time in cash, which Rossano stole from Snaps. The bags are misidentified several times before eventually being brought together, much like the four identical plaid overnight cases (containing rock specimens; underwear; jewelry; and top secret papers) in the 1972 screwball comedy, What's Up, Doc?.

Two different scenes have Snaps trying to give either jewels or cash to the doctor but instead opens up the suitcase to find underwear. The bags are switched out a number of different times with the intention of returning Nora's underwear to her and the jewels/cash to Snaps, but by the end Nora has both the suitcase with the jewels and the suitcase with the cash. This leaves only the suitcase with the underwear in the house when the police arrive to start making accusations. Toomey opens up the bag of underwear as reporters snap photos.

Soundtrack

The film score was composed by Elmer Bernstein and is based around Gioachino Rossini's Barber of Seville. In the Varese Sarabande edition of film soundtrack, there are liner notes from John Landis about the score:

“ As I shot the film I envisioned a particular kind of score and knew that Elmer would be the one to write it. [..] By using a comic opera approach, I was actually contradicting the musical theory that Elmer and I had inaugurated 14 years ago with the serious score for Animal House. ”

The opening track is Largo Al Factotum from The Barber of Seville, performed by Earle Patriarco. Track Cops and Real Crooks concludes Finucci Piano Boogie composed and performed by Ralph Grierson. The Varese edition of the film's soundtrack also contained four songs which appeared during the film: Sweet Georgia Brown (performed by Bing Crosby), Rockin' In Rhythm (performed by Duke Ellington & His Orchestra, Tea For Two (performed by Fred Waring & His Pennsylvanians) and Plain Dirt (performed by McKinney's Cotton Pickers).

There are currently two versions of the soundtrack. The first comprises four tracks used in the film in certain scenes. These are:

  1. "Rockin in Rhythm"
  2. "Sweet Georgia Brown"
  3. "Plain Dirt"
  4. "Barber of Seville" - (excerpts)

This is the May 1995 version of the soundtrack and does not include the selections by Elmer Bernstein.

The second includes all of the selections from the film, including the tracks from the other soundtrack:

  1. "Largo Al Factotum" (performed by Earle Patriarco) (4:42)
  2. "Grifting" (5:43)
  3. "Lisa Dreams" (3:46)
  4. "Tea and Romance" (4:29)
  5. "Revelations" (5:27)
  6. "Cops and Real Crooks" (composed and performed by Ralph Grierson) (5:45)
  7. "Sweet Georgia Brown" - Bing Crosby (2:54)
  8. "Rockin' in Rhythm" - Duke Ellington and His Orchestra (3:21)
  9. "Tea for Two" - Fred waring and His Pennsylvanians (3:21)
  10. "Plain Dirt" - McKinney's Cotton Pickers (2:38)

Reception

Oscar received mostly negative reviews from critics.

Gene Siskel of the Chicago Tribune gave the film three stars (of four), describing the film's first reel as "disastrous", but that it included "truly funny work by enormously talented supporting players."[5] Tribune reviewer Dave Kehr wrote, "Landis does his best to give the material a cartoonlike rhythm and stylized sense of movement [...], but the labored, repetitive screenplay, by Michael Barrie and Jim Mulholland, defeats him." Continuing, "For a film meant to define a lighter and fresher image for Stallone, Oscar doesn't quite get the job done."[2] Entertainment Weekly gave the film a "D+", stating "Director John Landis executes the mechanics of farce without a trace of the speed or effervescence this material demands. Every chuckle feels engineered."[6] The Variety review stated the film was an "intermittently amusing throwback to gangster comedies of the 1930s. While dominated by star Sylvester Stallone and heavy doses of production and costume design, pic is most distinguished by sterling turns by superb character actors."[7] It currently holds a 13% rating on Rotten Tomatoes.

Oscar was nominated for three Razzie Awards: Worst Actor (Sylvester Stallone), Worst Director and Worst Supporting Actress (Marisa Tomei) at the 12th Golden Raspberry Awards in 1992.[8]

Home media release

The film was released on April 26, 1991 (USA) and nine international releases from June until September. The Laserdisc version was released November 11. The VHS release was September 11, 1991, and the DVD was released May 6, 2003.

References

  1. ↑ "Oscar". Turner Classic Movies. Retrieved March 23, 2016.
  2. 1 2 Kehr, Dave (April 26, 1991). "Rehashing `Oscar` Is No Snap For Stallone And Landis". Chicago Tribune. Retrieved 2013-01-03.
  3. ↑ Quote from O.S.T "Oscar", published by Walt Disney Music Co. (ASCAP)
  4. ↑ http://www.aintitcool.com/node/35350
  5. ↑ Siskel, Gene (April 26, 1991). "Stallone's `Oscar` Recovers From Bad Start". Chicago Tribune. Retrieved 2013-01-03.
  6. ↑ Gleiberman, Owen (May 3, 1991). "Oscar (1991)". Entertainment Weekly. Retrieved 2013-01-03.
  7. ↑ "Oscar". Variety. December 31, 1990. Retrieved 2013-01-03.
  8. ↑ Wilson, John (August 23, 2000). "Ceremonies Presented at The Hollywood Roosevelt Hotel Academy Room, March 29, 1992". Razzies.com. Retrieved 2013-01-03.

External links

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