Palo y hueso

Palo y hueso

Screenshot
Directed by Nicolás Sarquís
Produced by Arturo Torres Salguero (producer)
Guillermo León Fink
Bernardo Uchitel
Raúl Norberto Wolf
Written by Raúl Beceyro, Juan José Saer (novel), Nicolás Sarquís
Starring Héctor da Rosa and Miguel Ligero
Music by Béla Bartók
Cinematography Esteban Courtalon
Release dates
 1968
Running time
 70 minutes
Country Argentina
Language Spanish

Palo y hueso (Stick and Bone) is a 1968 Argentine film released on 7 August 1968, directed by Nicolás Sarquís and starring Héctor da Rosa and Miguel Ligero. The film was shot entirely in Buenos Aires, premiering there on August 7, 1968.[1]

Plot

The film tells the story of an old peasant who buys a young woman to live with him, but later realizes that she is sleeping with his son.[2] The young people try to escape, but their bus is stopped by a river that has flooded. The old man follows and finds them, pleading with them to return. They agree, but the son insists that the old man relinquish the woman. The film has several memorable moments. One is the beautiful sequence of images of couple walking down the road and waiting patiently for the bus in the rain. Some of the intensity of the movie may be due to the way in which it reflects the spirit of rebellion of the 1960s.[3] As with all his films, Palo y hueso demonstrates Sarquis' enormous vocation for themes rooted in a microworld of men and women, creating tense narratives with the rigorous quality of epics.[4]

Cast

The cast was:[5]

Production

Palo y hueso was Sarquis' first full-length film, shot in black and white.[3][6] It was also only the second to be shot by cinematographer Esteban Courtalon.[7] Julio Lencina, another well-known cinematographer, was first assistant cameraman. Lencina went on to work with E. Stagnaro, Ricardo Wullicher, Mario Sábato, Valladares and others as director of photography.[8] The movie, released in Santa Fe on 4 June 1968, cost just 5,500,000 pesos ($15,715) to make.[9]

The film is based on the 1965 short story of the same name by Juan Jose Saer.[10] Saer was a well-known writer who was also a movie buff, and taught History of Film and Film Criticism and Aesthetics at the Universidad Nacional del Litoral in Santa Fe.[11] Saer began teaching at the Film Institute of Santa Fe (Instituto de Cine de Santa Fe) in 1962. Several of his students made films from his novels. Patricio Coll made Cicatrices (Scars), Raúl Beceyro made Nadie, nada, nunca (No, no, never) and Sarquis made Palo y hueso.[12] (Both Coll and Beceyro assisted with Palo y hueso). The film's realist approach shows the influence of Sarquis' teacher Fernando Birri, who had won several international awards.[13]

The film featured music by Béla Bartók.[14]

Reception

The film fell short of the director's ambition.[15] It was submitted by Argentina for the Academy Award for Best Foreign Language Film, but failed to be nominated. The film also failed to gain much attention in the Argentine cinemas.[13] However, Sarquís' later film La muerte de Sebastián Arache (1977) was recognized as a major work based on the strength of its images and the poetic sense converyed in the movie.[15]

Later reviewers have praised Palo y hueso. When it was presented at the Fribourg International Film Festival in 2001, a reviewer described it as "a very singular and personal work in the Argentinean panorama of that time. Austere sets, bare dialogues and a simple drama underline the tensions linking the three characters whose lack of perspective is perceptible". The reviewer went on to detect the influence of filmmakers such as Alain Robbe-Grillet or Marguerite Duras, but felt that the tight psychological characterization, disciplined acting and stark sets were more reminiscent of Kenji Mizoguchi or Satyajit Ray.[16]

References

  1. ↑ Palo y hueso at the Internet Movie Database
  2. ↑ "Palo y hueso". Leedor (in Spanish). Retrieved 2010-11-07.
  3. 1 2 David Walsh (22 June 2002). "Cuarto Festival Internacional de Cine Independiente de Buenos Aires—Primera parte". World Socialist Website (in Spanish). International Committee of the Fourth International. Retrieved 2010-11-07.
  4. ↑ Adolfo C. Martinez (18 February 2009). "Nota de La Nación del film Sobre la Tierra de Nicolás Sarquis". DIRECCIÓN DE ARTE Y DISEÑO AUDIOVISUAL (in Spanish). Retrieved 2010-11-07.
  5. ↑ "Palo y hueso". DivX Clásico. Retrieved 2010-11-07.
  6. ↑ Luis Trelles Plazaola (1989). "Sarquis, Nicolas". South American cinema: dictionary of film makers. La Editorial, UPR. p. 188. ISBN 0-8477-2011-X.
  7. ↑ "Esteban Courtalon". Cinenacional.com. Retrieved November 7, 2010.
  8. ↑ Nestor Lopez (20 December 2009). "JULIO LENCINA una experiencia andina". Jelsoft Enterprises Ltd. Retrieved 2010-11-07.
  9. ↑ Mundo nuevo, Issues 31-36. Instituto Latinoamericano de Relaciones Internacionales. 1969. pp. 67–68. Retrieved 2010-11-11.
  10. ↑ Stella Maris Allianí (1986). Las Provincias y su literatura: Santa Fe : antología. Volume 72 of Colección literaria LYC, Ediciones Colihue SRL. p. 124. ISBN 950-581-072-5.
  11. ↑ "Saer, Juan José". escritores.org (in Spanish). Retrieved 2010-11-07.
  12. ↑ "Sobre Washington Nogueira, Tomatis y Pichón Garay". Laurentino (in Spanish). Cultura en Paraná. 14 October 2009. Retrieved 2010-11-07.
  13. 1 2 "Adiós al director Nicolás Sarquís". La Nacion (in Spanish). 21 April 2003. Retrieved 2010-11-07.
  14. ↑ "Literatura – Programación pasada" (in Spanish). Museo de Arte Latinoamericano de Buenos Aires. Retrieved 2010-11-07.
  15. 1 2 Octavio Getino. "CINE ARGENTINO" (PDF). Alejandra Getino (in Spanish). Retrieved 2010-11-07.
  16. ↑ "Palo y hueso". Festival International de Films de Fribourg. 2001. Retrieved 2010-11-07.
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