Panafrican Film and Television Festival of Ouagadougou

The Panafrican Film and Television Festival of Ouagadougou (Festival panafricain du cinéma et de la télévision de Ouagadougou or FESPACO) is a film festival in Burkina Faso, held biennially in Ouagadougou, where the organization is based. It accepts for competition only films by African filmmakers and chiefly produced in Africa. FESPACO is scheduled in March of each year, two weeks after the last Saturday of February. Its opening night is held in the Stade du 4-Août, the national stadium.

The festival offers African film professionals the chance to establish working relationships, exchange ideas, and to promote their work. FESPACO's stated aim is to "contribute to the expansion and development of African cinema as means of expression, education and awareness-raising". It has also worked to establish a market for African films and industry professionals. Since FESPACO's founding, the festival has attracted attendees from across the continent and beyond.[1]

Founding

FESPACO Headquarters at Ouagadougou

Created in 1969, it was first called the Pan-African film and television festival of Ouagadougou. It has evolved into an internationally recognized and respected event.[1] Alimata Salambere, the cultural minister of Burkina Faso from 1987 to 1991, was one of the founders of the festival. At its third edition in 1972, the festival was named FESPACO for short, keeping its full title as Festival pan-Africain du cinema et de la television de Ouagadougou. FESPACO was recognized formally as an institution by governmental decree on January 7, 1972. Its award ceremony and base of operations is Ouagadougou, the capital of Burkina Faso, where the annual awards ceremony is also held.

In 1972 the first winner of the best film award was Le Wazzou Polygame by Oumarou Ganda of Niger. Since then, the best film award has been won by directors from Cameroon, Morocco, Mali, Ivory Coast, Algeria, Burkina Faso, Ghana and the Democratic Republic of the Congo.

Evolution from 1969 to 2006

At the festival's founding in 1969, five African nations: Upper Volta (Burkina Faso), Cameroon, Ivory Coast, Niger and Senegal, were represented, as well as France and the Netherlands. A total of 23 films were shown. At its second edition, the participant African countries rose from to nine, including for the first time Algeria, Tunisia, Guinea, Mali, and Ghana, and a total of 40 films were shown. In 1983, the festival included MICA (le Marche International du Cinema et de la television Africaine), a market for African film stock and video footage.

From 1985 onward, the festival adopted different themes for the annual event, starting with "the cinema, people, and liberation". The theme for the 2007 festival was "the actor in the creation and promotion of African films".[2]

As the festival became more prominent, its budget and sponsors increased; the donor countries include Burkina Faso, Denmark, Finland, France, Germany, Netherlands, Sweden, Republic of China. Donor organizations include AIF (ACCT), PNUD, UNESCO, UNICEF, European Union and AFRICALIA. Due to its international recognition, FESPACO has enabled African filmmakers to show their talents and sell their products in the international market, as well as to promote development of African products and technicians in the industry.[3][4]

The four general secretaries of FESPACO since 1972 have been Louis Tombiano, from 1972 to 1982; Alimata Salembere, from 1982 to 1984; Filippe Sawadogo, from 1984 to 1996; and Baba Hama, from 1996 to the present.

Main initiatives

Awards

The most prestigious award of the festival is the "Étalon de Yennenga" (Stallion of Yennenga), named after the legendary founder of the Mossi empire.[7] The "Étalon de Yennenga" is awarded to the African film that best shows "Africa's realities".

Other special awards include the Oumarou Ganda Prize, given for the best first film, and the Paul Robeson Prize for the best film by a director of the African diaspora. (The latter is named for a major 20th-century American actor, singer and civil rights activist in the United States.)

See also

References

  1. 1 2 3 Fiche Technique du FESPACO. (2003).FESPACO : FICHE TECHNIQUE. Retrieved 03/26/2006 from http://www.fespaco.bf/fiche_technique2003.htm
  2. 1 2 ARTE>Fespaco>Bala Hama. FESTIVAL DE FESPACO. Interview Baba Hama. Retrieved 03/24/2006 from http://archives.arte-tv.com/fr/archive_221960.html
  3. 1 2 ARTE >Fespaco> introduction. FESTIVAL de FESPACO, Introduction sur le FESPACO. Retrieved 03/20/2006 from http://archives.arte-tv.com/fr/archive_221464.html
  4. ↑ ARTE>Fespaco>Palmares et bilan. (2003). FESTIVAL DE FESPACO. BILAN DU FESTIVAL-FESPACO 2003. Retrieved 03/25/2006 from http://archives-arte-tv.com/fr/archive_221476.html
  5. ↑ Elovution du Fespaco depuis sa naissace: Interview de Alimata Salambere. (04/03/2005). Elovution du Fespaco depuis sa naissance. Retrieved 03/25/2006 from http://www.afrik.com/article8175.html
  6. ↑ FESPACO 2013 : les 12 meilleurs films seront projetés à Ouahigouya. Retrieved 05/29/2013 from http://www.ouahigouya.org/index.php?option=com_content&view=article&id=99:fespaco-2013-les-12-meilleurs-films-seront-projetes-a-ouahigouya&catid=1:latest-news
  7. ↑ Sheldon, Kathleen E. (2005). Historical Dictionary of Women in Sub-Saharan Africa. Scarecrow Press. p. 272. ISBN 0-8108-5331-0.

External links

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