Patchwork Girl (hypertext)

An image showcasing the branching structure of hypertext in Shelley Jackson's Patchwork Girl.

Patchwork Girl is a work of electronic literature by American author Shelley Jackson. It was written in Storyspace and published by Eastgate Systems in 1995. It is often discussed along with Michael Joyce's Afternoon, a story as an important work of hypertext fiction.

"Shelley Jackson's brilliantly realized hypertext Patchwork Girl is an electronic fiction that manages to be at once highly original and intensely parasitic on its print predecessors."[1]

Plot and structure

Jackson's Patchwork Girl tells the story through illustrations of parts of a female body that are stitched together through text and image. The narrative of the story is divided into five segments, titled: "a Graveyard", "a Journal", "a Quilt", "a Story", and "& broken accents." The goal of the piece is to not only make the reader realize the structure of the Patchwork Girl as a whole but also realize all the pieces that must be "patched" together in order to create one unified structure. Each segment leads down a trail that takes the story in multiple directions through various linking words and images. Jackson uses recurring graveyard imagery in order to continually invite the reader to resurrect Mary Shelley's monster.

In Mary Shelley's original, Victor Frankenstein begins the creation of a female companion for his monster, but destroys the second effort prior to completion. In Jackson's version, the female monster is completed by Mary Shelley herself. The woman and her creation become lovers; the creature then travels to America, where she pursues a variety of adventures before disintegrating after a 175-year lifetime. Individual sections also explore the lives of some of the women whose corpses contributed body parts to the creature. The work is an oft-cited example of cyberfeminism,[2][3] — "If you want to see the whole," one passage reads, "you will have to piece me together yourself." [4] Furthermore, Jackson's use of hypertext "enables us to recognize the degree to which the qualities of collage -- particularly those of appropriation, assemblage, concatenation, and the blurring of limits, edges, and borders -- characterize a good deal of the way we conceive of gender and identity." [5]

In reflecting on the structural impact of hypertext on Patchwork Girl, Jackson wrote:

“ In hypertext, everything is there at once and equally weighted. It is a body whose brain is dispersed throughout the cells, fraught with potential, fragile with indecision, or rather strong in foregoing decisions, the way a vine will bend but a tree can fall down.[6] ”

Influences

The narrative is based on two books: Mary Shelley's Frankenstein and The Patchwork Girl of Oz by L. Frank Baum.

Jackson's work includes quotations from the novels of both Shelley and Baum, plus material from Jacques Derrida, Donna Haraway, and other writers.[7]

Patchwork Girl is categorized as a Borgesian structure of information, due to its non-linearity. The work reflects the hypertext labyrinth originally expressed in Borges' "Garden of Forking Paths", since the choices in the narrative allow multiple paths of experience.

The Gothic

Patchwork Girl is a continuation of Mary Shelley’s Frankenstein, and therefore definitively a Gothic tale. There is much emphasis placed on the gruesome sewing-together of Patchwork Girl and the functioning of her borrowed body. The structure and the content of the text closely reflect one another because the piecing-together of Patchwork Girl's physical self features in the narrative as well as the interactive element of the hypertext.

Themes

Feminism and the objectification of woman is a predominate theme throughout “Patchwork Girl” that is made clearly evident from the central graphic illustration of a naked woman. The fact that the reader must click on different body parts of the female anatomy in order to navigate through the text forces the reader to partake in objectifying the naked woman who is literally a combination of slabs of meat. Explicit references to the mistreatment of woman in society are also present at several points within the text, such as in the resounding passage “I belong nowhere. This is not bizarre for my sex however, nor is it uncomfortable for us, to whom belonging has generally meant, belonging TO”.[8] Additionally, "Patchwork Girl" almost exclusively features female characters including the monster herself, making Jackson's adaption markedly different from Mary Shelley's original work.

Award nominations

Patchwork Girl was shortlisted for the Electronic Literature Organization fiction award in 2001 .[9]

See also

References

  1. ↑ N. Katherine Hayles, My Mother was a Computer: Digital Subjects and Literary Texts, Chicago, University of Chicago Press, 2005; p. 143.
  2. ↑ Sullivan, Nikki. "Somatechnics, or Monstrosity Unbound
  3. ↑ Hackman, Paul. "'I Am a Double Agent': Shelley Jackson's Patchwork Girl and the Persistence of Print in the Age of Hypertext"
  4. ↑ Jackson, Shelley. Patchwork Girl. (1995). Eastgaste Systems
  5. ↑ Landow, George P. Stitching together Narrative, Sexuality, Self: Shelley Jackson's "Patchwork Girl Web Essay
  6. ↑ http://web.mit.edu/comm-forum/papers/jackson.html
  7. ↑ Jay Clayton, "Frankenstein's futurity: replicants and robots," in: The Cambridge Companion to Mary Shelley, Esther H. Schor, ed., Cambridge, Cambridge University Press, 2004; pp. 92-4.
  8. ↑ Jackson, Shelley. 1995. Patchwork Girl. Watertown, Mass.: Eastgate Systems.
  9. ↑ http://www.eliterature.org/Awards2001/fiction.php

External links

This article is issued from Wikipedia - version of the Wednesday, April 13, 2016. The text is available under the Creative Commons Attribution/Share Alike but additional terms may apply for the media files.